Depressed now? Make your voice be heard on Nov. 4!

In front of Federal Hall yesterday.

Um, where's that $20 million?

Curbed reports that the back wall at St. Brigid's on Avenue B and 8th Street is coming down.

Previous St. Brigid's coverage on EV Grieve.

Meet your new neighbors

Goldenfiddle has this. Footage of aspiring gazelles from DNA Models, located at 520 Broadway.

Hope this doesn't give Dov Charney any ideas

BoingBoing brings us this news:

In certain Asian countries, Betelnut is a popular stimulant sold by scantily-clad young girls in streetside booths. A couple years ago, artist Annamarie Ho recreated a Betel nut booth as a gallery installation commenting on this "sexually provocative sales style" in which, it would seem, customers are buying interaction with the salesperson as much as they're paying for the Betelnut. For the next two weekends, Annamarie is reviving the piece, Binlang Xi Shi (Betelnut Girls), but this time in the more unpredictable location of a New York City storefront.

Here's that storefront:

west side of Cleveland Place, south of Kenmare Street
around the corner from La Esquina

Opening:
Friday, 26 September, 6-8pm

Performances:
Saturday, 27 September, 5-10pm
Sunday, 28 September, 2-7pm
Friday, 3 October 3, 5-10pm
Saturday, 4 October, 5-10pm
Sunday, 5 October, 2-7pm

Noted: New Yorkers are neurotic, though not as neurotic as people from West Virginia

Researchers identify regional personality traits across America. With interactive maps! There goes the rest of my afternoon. (Wall Street Journal)

Wall Street is a mess

Really. Just look at it.

Greed may or may not be good

Funny item from The Superficial:

Michael Douglas fielded questions yesterday about the current economic crisis facing America. Apparently, playing Gordon Gekko in Wall Street over two decades ago makes him a financial expert. Wow, way to hit a home run, mainstream media. For a minute there, I was almost worried people might not think we're a nation of total idiots. The Associated Press reports:

After world leaders here condemned the "boundless greed" of world markets, Douglas was asked to compare nuclear Armageddon with the "financial Armageddon on Wall Street."
But the likening to Gekko did not end there, with a reporter asking: "Are you saying Gordon that greed is not good?"
"I'm not saying that," Douglas replied. "And my name is not Gordon. He's a character I played 20 years ago."

Ironically, no one asked Michael Douglas how to run the country even though he starred in The American President.

Stop me if you've heard this one before...

At Fulton and Nassau in the Financial District. By my count, this is the 11th Starbucks from Chambers Street on the east side to Wall Street.



Previously on EV Grieve:
Soon we'll be saying, "At least it's not a Starbucks AND a bank"

Meanwhile, in London: In case you're in Notting Hill tonight

Off topic (again)...Regardless, wanted to share this invite that was forwarded to me...:

“Select Group, the Swankiest party in town!”
Whilst most of us are facing a long miserable winter with a nose-diving economy, it appears that the cream of London’s A-listers are setting their sights to sunnier (and more profitable) climbs as they flock to the biggest and most prestigious party in London, of the year!

On the 25th September 2008, Select Property & Select Group Limited will be celebrating the launch of its new unique development in Dubai named ‘Aquitainia’ and who better to host this spectacular soiree than the ‘million dollar baby’ herself, Hilary Swank!

Two-time Oscar winner Swank, who is renowned for her astute business brain and love of Dubai, will play host at boutique hotel ‘The Hempel’ in Notting Hill showcasing the deluxe beachfront properties that epitomize glamour and style and are attracting fellow A-listers in droves.

This is the first time since 2006 that Miss Swank will be back in London Town, and she brings with her Grammy Award winner Kelly Rowland! Miss Rowland, a regular visitor and huge star in Dubai, will be setting the live soundtrack to the evening with whilst the guests rub shoulders and mingle with their potential new neighbours.

Miss Swank isn’t pulling any punches with this affair and has confirmed many other guests – to be announced nearer the time.
It looks like everyone who is anyone wants a piece of this million dollar action and with names in Aquitainia like ‘Cannes Beach Villas’, ‘Monaco Villas’ and ‘St Tropez Marina’ these properties are simply out of this world and a world away from the doom and gloom of the UK’s headlines.

There will be unique interview opportunities with Miss Swank and Miss Rowland. For more information or interview opportunities with Miss Swank or Miss Rowland, please contact XXXXX

MISS SWANK WILL PROVIDE A PRESS STATEMENT BEFORE ENTERING THE VENUE IN A PRIORLY APPROVED AREA OUTSIDE THE VENUE.

Information about the Party

The event in London will take place in “The Hempel” boutique hotel located in London’s Notting Hill. The event will include a champagne reception, speeches and live performances.

The party will take place between 19:00 – 22:00 on Thursday 25th September 2008.

"Back in that old shithole, New York"

Here's a snippet from the short documentary Henry Miller Asleep & Awake from 1975, "a voyage of ideas about life, writing, sex, spirituality, nightmares, and New York that captures the warmth, vigor and high animal spirits of a singular American artist." Miller was 81 when this was filmed.



(Thanks to Stories from the Apple Core for turning me on to this...)

The outsiders: Brit art on the Bowery

Page Six reports today: THE British are coming, but East Villagers don't want them. Famed London art gallery Lazarides is opening a show called "The Outsiders" at 282 Bowery tomorrow, which will display the incendiary works of Paul Insect, Jonathan Yeo, Miranda Donovan and others. But John Penley, leader of the Slacktivists, who are fighting the yuppification of the area, told Page Six his group will protest. "This is not street-level graffiti or poor starving artists from the area," he fumed. "They're all rich. Paul Insect's last works were bought by Damien Hirst for $1 million. And they are all Brits. There are plenty of local downtown artists more deserving." The gallery had no immediate comment.

More on what Lazarides have been up to on the Bowery.

Bowery Boogie's coverage is here.

Bob Arihood has details here.

Sure was nice out yesterday

Though was it this nice?

In Tompkins Square Park.

Like a crash virgin...

Doree Shafrir and Irina Alexksander look at "crash virgins" in this week's Observer, young New Yorkers experiencing their very first economic downturn.

An excerpt!

Lizzy Goodman was one of the fortunate ones of the class of 2002; upon graduating from Penn, she had a job lined up as an assistant teacher at Buckley, the all-boys school on the Upper East Side. Six years later, she’s an editor at large at Blender. Like some of her peers, she seems hopeful that, instead of being a harbinger of utter doom, this crash will instead level the playing field just a little bit.
“I don’t think anyone is hoping for American financial collapse just so that the Bowery can be seedy again,” said Ms. Goodman, who lives in the West Village. “But on the other hand, if in the wake of this collective shuttering and fearing comes a return to old school ’80s boho New York, I would certainly be in favor of that.”
The disconnect between the New York of legend and the reality of living here has perhaps never been starker. “I know a lot of people who moved to New York for something that isn’t in New York right now,” said Mr. Fischer, the marketing strategist. “There is a sense that things are in transition. I think there’s a big question of how this will change the social and cultural landscape of New York in the next two or three years. I wouldn’t necessarily say it’s excitement—but it’s apprehension that something is definitely happening.”
Of course, that’s a story that’s been years in the making; the disappearance of Lehman Brothers and the conversion of Goldman Sachs and Morgan Stanley into bank holding companies—as recently as last year thought to be a sacrilege—isn’t going to make $4,000 a month one-bedrooms on the Lower East Side any cheaper. (Or if it does, they’ll go to $3,500 a month, not $1,500.) The days when a photographer could buy an abandoned bank building on the Bowery for $102,000—as the photographer Jay Maisel did in 1966—are over; they are not coming back. (See also: the Playpen, smoking in bars, liquid lunches, Passerby, subway tokens, the Barnes & Noble on Sixth Avenue and 21st St., et cetera, not to mention the Algonquin Round Table, the Automat, Spy magazine, Warhol’s Factory, and the Palladium. Also: typewriters.) Some Wall Street types may flee; a few Wharton grads might move to Boston or San Francisco. But it seems highly unlikely that the crash will herald in some utopian new era of “creativity” or allow artists to colonize Soho, or even the East Village, again. It’s over! You missed it! Even Rent has closed! Besides, the Russians are here now.

What will a return to 1970s NYC be like?: "Well find out when we get there"

Over at the Village Voice, Roy Edroso responds to Nick Paumgarten's New Yorker essay on Wall Street's collapse and a possible return to the 1970s NYC:

Paumgarten avoids going all the way with this, suggesting that we can have the sweet side of the 70s cup without tasting the bitter. The collapse has unloosed something in him; for a long time such as he could not mention New York's bankrupt days without a show of revulsion, as old-world types could not mention the devil without crossing themselves. But the Wall Street debacle tells him that those prayerful gestures have come to naught: the bubble's burst and the wolf is at the door. Now he can admit that there was something cool about those old days, and he can even be glib about them.
But when that 70s show really goes into re-runs, we won't be able to edit out the unfunny bloopers. There was never a chance that we'd get cheaper rents without a crash, and as of now the market fluctuations are only ruffling the high end of the market. We're a long way from the vintage conditions of that last renaissance. Before you can have the Ramones, you have to have rehearsal spaces that even glue-sniffing slackers can afford. Before you can have Taxi Driver, you have to have urban moonscapes that don't need to be built by film crews. And you only get those in the wake of real catastrophe.

Joy-popping the 70s is a fun pastime, but be not deceived: playful speculation is nothing like the real thing. We remember fondly our $125-a-month railroad flat in a forsaken neighborhood called the East Village, and the good times we had there. We also remember nightly gunfire, mugger money, and Etan Patz. Are we willing to accept one to get the other? It's not worth wondering about: we'll find out when we get there.

[Photo of 216 E. 7th St. in 1979 by Marlis Momber.]

Bonus: Are you ready for 1974 again?



And! If you don't have time to watch all of the 39 Death Wish movies, let's just get to it:

The many lives of the Roseland (For Part 2: Man, it's so loud in here)

I love the Roseland Ballroom on West 52nd Street. Not so much as a concert venue. But for its history. Since 1919, the Roseland has been an ice rink, a roller rink and a dance hall. Blogger Cosmodemonic Telegraph Company provides this summary:

The Roseland Ballroom was built in 1919 at 1658 Broadway, near 51st Street. It was the second in a string of three Roselands built by Louis Brecker (the original was in Philadelphia). Brecker envisioned a cheap but respectable dance hall: "home of refined dancing." It became one of America's most famous dance halls, in part due to its booking of upcoming jazz greats such as Fletcher Henderson and Louis Armstrong, in part due to stunts like female prizefighting bouts and law-breaking dance marathons.

After a couple of decades, it jacked up it's refinement factor in order to become "family entertainment": more decor, less taxi dancers, no jitterbugging, bouncers in tuxedos. In 1956, it moved two blocks into a former ice rink at 239 West 52d Street. The older Roseland was demolished.

(Cosmodemonic goes on to discuss how the Roseland played a key role in Henry Miller's "Tropic of Capricorn.")

As the New York Times noted in October 1996: The 1939 ''W.P.A. Guide to New York City'' described Roseland as ''the downtown headquarters for hot music and such urban dance steps as the cake and collegiate, the Lindy and the Shag.'' Tommy Dorsey, Count Basie and other big-band names played Roseland in the 1920's and 1930's.

Roseland was almost lost in the 1990s:

Roseland's dance floor is magnificent, but the rest of the interior is now well beyond shabby, with faded carpets and worn paint. The curved Iceland ceiling is painted black but marked with many holes; otherwise there is no trace of the rink. The gallery level is a warren of empty rooms, littered with debris. Graffiti and a black, spray-painted ''body piercing booth'' are leftovers from rock concerts that take over the house a few times a month -- ''Soul Coughing'' is due on Nov. 29.

Despite its age and condition, Roseland Dance City is a fascinating leftover in New York entertainment culture -- there is no hype, no flash, no marketing, no product tie-ins, just the swirl of dancers from expert to beginner. It's one of those unprocessed experiences that we say we want, but which may vanish very soon.

The Roseland survived, of course. Again and again. Different locations. Different genres. New tastes. A Time magazine feature from 1957 reports:

When a public dance hall named Roseland opened on Broadway in 1919, smart young people had recently deserted the waltz for the foxtrot, were just beginning to master the delicate nuances of the shimmy. Sam Lanin and his Ipana Troubadours were on the bandstand, thumping out such Ziegfeld Follies hits as Mandy and You Cannot Make Your Shimmy Shake on Tea. Since that distant New Year's Eve, generations of stag-line Romeos and their girls have bunny-hugged Lindy-hopped, Charlestoned, big-appled black-bottomed and jitterbugged under Roseland's star-studded ceiling. At 1 o'clock one morning last week the stars winked out for the last time; the following night Roseland reopened in glittering new quarters, billed as "a magnificent metropolis of melody and merriment."

Family Entertainment. Although professional nostalgics lamented the demolition of the old Roseland building as the end of an era, the dance hall had actually been changing its function for a long time. It started as a refuge for the "poor young clerks" Scott Fitzgerald wrote about; it evolved into a place of family entertainment.

Part 2:

Whew. Anyway! Why bring all this up? I was there last night for the My Bloody Valentine show. I won't get into all that here. But I will in the comments if anyone wants to chime in....Take it away Alex.

From last night:

P.S.

Oh, speaking of Roseland, here's a snippet of 1977's Roseland, the Merchant-Ivory film starring Christopher Walken:

About that "giant-robot laboratory" on East Sixth Street

As you may know, New York has a great piece this week on 190 Bowery, a space that I've long been curious about. Wendy Goodman gets right to it in her lead:

The building at 190 Bowery is a mystery: a graffiti-covered Gilded Age relic, with a beat-up wooden door that looks like it hasn’t been opened since La Guardia was mayor. A few years ago, that described a lot of the neighborhood, but with the Bowery Hotel and the New Museum, the Rogan and John Varvatos boutiques, 190 is now an anomaly, not the norm. Why isn’t some developer turning it into luxury condos?

Because Jay Maisel, the photographer who bought it 42 years ago for $102,000, still lives there, with his wife, Linda Adam Maisel, and daughter, Amanda. It isn’t a decrepit ruin; 190 Bowery is a six-story, 72-room, 35,000-square-foot (depending on how you measure) single-family home.

There's another building that I've been curious about: 421 E. Sixth Street between First Avenue and Avenue A.



I was told years back that an artist lives there. Indeed.

According to Forgotten New York: "421 was a Con Edison substation built in 1920-21 that converted direct current to alternating. It is at present (2008) the studio of modern artist/sculptor Walter De Maria. His most famous installation is The Lightning Field (1977) is permanently installed in the desert at Quemado, New Mexico, and was commissioned by the Dia Art Foundation, who run the site and provide accommodation for visitors. The work consists of hundreds of stainless steel rods projecting from the ground to a uniform height of around six metres (20 feet). Rows of 20 rods extend for one mile, while rows of 16 extend for a kilometre, making a square grid of standard and metric proportions. The work is designed to attract spectacular lightning strikes."

NY Songlines has a few more details: "This building, which looks like a giant-robot laboratory, was actually built in 1919-21 as a New York Edison transformer substation — turning DC current into AC. Since 1980 it's been owned by artist Walter De Maria."



Wonder if we'll ever get to see the inside of this space...

Related:
Miss Representation on 421 E. Sixth St.

The money shots of Wall Street (so to speak)

Someone did a nice little edit job on Wall Street, as in the 1987 Oliver Stone film.

An appreciation: A sign that I like

On Cherry Street. Haven't seen much lately about this site becoming a condo...

Looking at a review of Candace Bushnell's new book

Read Doree Shafrir's review of One Fifth Avenue, the latest from Candace Bushnell, in the Observer.

Bonus excerpt:

[T]he new breed of youngsters intent on highlighting the hypocrisy of their elders is meaner and, well, snarkier than their forebears, Ms. Bushnell implies. Their number is led by a smarmy 20-something named Thayer Core, who lives in a tiny East Village walk-up and yet feels qualified to lob his verbal grenades at the rest of Manhattan (including several residents of One Fifth). Thayer is a despicable character, and it’s not a stretch to imagine that she was personally offended by things written about her on Gawker (where, full disclosure, I used to work). And yet, Ms. Bushnell’s caricature of the Web site and its writers falls victim to the very same snarky, self-satisfied kind of writing she accuses the new generation of perpetuating.

Can't wait for the series!

[Via Gawker]

On returning to the 1970s in 2008 and beyond

Nick Paumgarten on the possible implications of the Wall Street meltdown (under the heading in The New Yorker this week of Dept. of Magical Thinking):

For example: let’s postulate that the collapse of the financial-services industry spells catastrophe for New York City, a return to the nineteen-seventies. Lost tax revenues, budgetary shortfalls, unemployment (not only of those in finance but of the hordes who rely on them), plunging property values, vanished retirement accounts. Let’s cut this up, like a pile of bad debt, into various strips, and, as the rating agencies did to various slices of subprime-mortgage debt, take the top layer and, abracadabra, rate it triple A. Throw out the other strips, the grim probabilities—the crime, the decaying infrastructure, the hardship all around, the heroin and the syphilis. What do we have left? The bright side: maybe Manhattan will become affordable again, and cool, and dangerous. Dangerous in theory, but not to you or your family and friends. Dirty, but in a good way. Night clubs where anything goes. Art, music, Billy Martin.

Four sightings in the neighborhood — officially a trend?

Yes, yes...I know that one is a Mini Cooper...it's still small.  Anyway, I included it so that you can see how much LARGER it is than the Smart Cars...

Speculating about the future of 159 E. Second Ave.

We've been keeping our eye on 159 E. Second Ave., the hallowed ground that was home for 27 years to the beloved A. Fontana Shoe Repair. There has been lots of activity there.  A tipster reported last night that the plywood was down, though the windows are still covered with paper. This is what we spotted earlier with our special spy-cam:



Sure, we could just do a little reporting and find out what's going in here...but let's just wildly speculate!...Because no matter how ridiculous our guesses, we probably won't be too far off! Based on the kitcheny-type wares, I'm going with a high-end dessert shop. Because this area desperately needs more dessert places!

At least there's good news at the tailor shop next door, as Jeremiah reported.

What happened when no one was looking

Airoots has an interesting essay on creativity and the creative process:

New York was creative when no one was looking. SoHo, The East Village, the Lower East side in Manhattan and more recently Williamsburg in Brooklyn were cultural hotbeds for as long as the city was bankrupt and they they were ignored. That’s when people like ABC No Rio and CBGB could squat buildings and Futura was spray painting subway tunnels, when artists that are now established, recognized and often no so inspired anymore where still crackheads, gays, punks, bums and squatters. There was nothing there to see. No hype and no romance. These much venerated places were at the periphery of a city on the verge of a breakdown.

Now that New York is universally recognized as a creative city all we see instead of artists are art directors, graphic designers, ad producers and so on. Established and wannabe communication professionals, commercial artists and other marketers come enmasse to such cities, where they know there is an industry that can use their know-how. Rather than breaking new grounds this so-called “creative class” recycles tired clichés and remixed proven formulas. New York is good at attracting people from elsewhere, but doesn’t breed much local talent anymore. Of course just like everywhere pockets of innovation remain. New York is big enough and its periphery is full of creative tension and driven people. But as a rule, creative work seems to happen where no one is looking.

The dog brothel and other fine works by Joey Skaggs

Meine Kleine Fabrik brings us this video and story of media hoaxster Joey Skaggs. Among his alleged early work:

In 1968, Skaggs noticed that middle-class suburbanites were going on tours of the East Village to observe hippies. Skaggs subsequently organized a sightseeing tour for hippies to observe the suburbs of Queens. On Christmas Day, he created the Vietnamese Christmas Nativity Burning to protest against the Vietnam War.

In 1969, Skaggs tied a 50-foot bra to the front of the U.S. Treasury building on Wall Street, organized a Hells Angels' wedding procession through the Lower East Side, and made grotesque Statues of Liberty on the 4th of July, again to protest against the Vietnam War.

Also!

Cathouse for Dogs (1976): Skaggs published an ad for a dog brothel in The Village Voice and hired actors to present their dogs for the benefit of an ABC news crew. The prank annoyed the ASPCA and the Bureau of Animal Affairs until Skaggs revealed the truth after a subpoena. ABC did not retract the story (the WABC TV producer insisted that Skaggs had said it was a hoax to avoid prosecution), possibly because the piece had been nominated for an Emmy Award. It was subsequently disqualified.

This short film, directed by Frederick Marx, shows many more of Skaggs's media pranks through the years...



Funny stuff. Though I'm easy. Heywood Jablome cracks me up every time!

The Bowery is nightlife

Down by the Hipster on the new powerhouse destination that is the Bowery:

There are at least 15 bars in a 3 block radius that are packed every weekend, and we are sure that we missed a few. Add in the new hotels, high rise condos, New Museum, pending Keith McNally restaurant, Daniel Boloud's new spot, Matt and Paul's pending space in the Puck Building etc., it will hit you too. The Bowery is nightlife. It's where operators want to open, and where New Yorkers can sip expensive drinks and still step over the homeless who are sleeping outside the Mission. It's feaux authenticity that the youth crave. The Bowery. Shudder.

[Image via Art Knowledge News]

Why strippers are all "moaning and groaning" at the Penthouse Executive Club

Wall Street's financial crisis has trickled down to Manhattan's mammary meccas. A source tells us jiggle joints all over the city are seeing a drop in business, with fewer customers, less bar traffic and a drop in lap dances. "The strippers at Penthouse Executive Club are all moaning and groaning," one insider tells us. "They say they aren't making anything at all since the market crashed." (Page Six)

Noted

HACKENSACK, N.J. (AP) -- The biggest danger for magician David Blaine when he hangs upside down above New York's Central Park for 60 hours next week? Going blind.

That's the analysis of Dr. Massimo Napolitano of the Hackensack University Medical Center in New Jersey. He is the chief of vascular surgery and is advising Blaine on the stunt.

Napolitano told the Bergen Record for a story Saturday that hanging upside down for a long time increases blood pressure in the head, especially in the eyes. That could lead to blindness.

The doctor doesn't say how long the blindness could last, but he says there's also a risk of swelling and cramps in internal organs.

"As much a part of the fabric of New York City as the landmarks she helped popularize: Magnolia Bakery, Pastis and her beloved Greenwich Village

Page Six Magazine puts Sex and the City author Candace Bushnell on the cover of its new issue.

And we begin:

Honey blond highlights? Check. Sample-size physique? Check. Closet full of designer duds to wrap around said physique? Check. But Candace Bushnell, the creative genius behind Sex and the City and the NBC TV hit Lipstick Jungle, doesn't just look like a character from one of her best-selling novels. (Take your pick: Sex and the City, Lipstick Jungle, Trading Up or Four Blondes.) By the way she lives (a feminist, she eventually married a much younger man) and who she writes about (most famously, of course, Carrie Bradshaw), Candace, 49, embodies a modern breed of New York woman that is as ambitious about love as her career. She is also as much a part of the fabric of New York City as the landmarks she helped popularize: Magnolia Bakery, Pastis and her beloved Greenwich Village.

Candace, who grew up in "upper middle class Glastonbury, Conn.," also recalls moving to New York:

After three semesters at Rice University in Houston, she dropped out to "run away to New York City." Her goal was to become a writer, but when she first moved to Manhattan in 1978 at age 19 she lived in a two-bedroom apartment on 11th and Broadway with three other girls. She had to scrape to pay her $150-a-month rent, often eating $1 hot dogs or a can of soup for meals. Dating was a way to score free meals and meet the city's glitterati.

The article doesn't get into what Candace thinks of a post Sex-and-the-City New York ... or the impact the show may have had on New York.

Still, the article notes that: she is relieved to be out of the dating pool. "There's nothing harder than being single. And things are even harder for young women these days," says Candace.When I was growing up in the 1970s, you didn't have to shave your legs, let alone have a Brazilian wax."

Questions and statements on the LES

At Clinton and Stanton on the LES.


In front of 32 Clinton, the four units ranging from $1.8 million to $2.5 million.

No, really? Seriously? SERIOUSLY?!

At 110 E. Third St. You can't make this stuff up.




So that glassy condo at 110 Third Ave. has a frozen yogurt shop and Bank of America branch in its adjacent retail space. Seems about right.

On Saturday, it looked as if today's forecast would be named after a stipper -- or maybe a poodle

Sprinkles?

Articles that I decided not to read

From NYU's student newspaper, Washington Square News.

Summer's officially over...

and someone apparently didn't get the bike out much during the season...Spotted on 8th Street near Avenue C.

So long to the summer....

"The voice of God" speaks

Wading through all the blather in the media today about the final home game at Yankee Stadium. One thing stands out, though: Bob Sheppard. The Post's Steve Serby did his Sunday Q-and-A with Sheppard, one of the city's most iconic and classy figures. He is the legendary voice of Yankee Stadium who started as public-address announcer in 1951. Unfortunately, an illness has kept the 97 year old (!) from the Stadium this season.

This passage really jumps out. Serby asks him his thoughts on various Yankees through the years.

Q: George Steinbrenner?

A: Do you know, after being there (more than) 50 years, I don't think we ever exchanged more than three or four lines over the time, and they were all cordial.

Wow. Well, given how shabbily Steinbrenner has treated his people, maybe this is a good thing...

Anyway, Sheppard ends on a hopeful note:

Q: The new Yankee Stadium?

A: Tell the people who read The Post I'm looking forward to next year.

He's too weak to attend tonight's last game. Still, as the Times noted in a profile of Sheppard yesterday:

Sheppard’s voice will be heard Sunday night, as it has been all season — as the recorded introduction for No. 2, the Yankee captain Derek Jeter, after Jeter requested this rare favor. The shortstop’s name — JEE-tah — has become a stylized flourish for Sheppard, who is otherwise a purist. Or maybe we all have exaggerated it, as we imitated it. At any rate, when they finally tear down the old place, that echo will bounce off the apartment buildings and bridges and hills of the Bronx and Manhattan — JEE-tah, JEE-tah, JEE-tah — forever.

Sheppard’s legacy is secure — half a century of Giants football games, including the classic 1958 championship loss to Baltimore, his voice and microphone ensconced in the Baseball Hall of Fame (even if the rules have not been bent to induct him along with hallowed broadcasters) and inclusion in a few movies and commercials over the years. (He does have a business side to him.)

Essentially, Sheppard is a simple man, as some poets and clerics and teachers can be termed simple. He never sought the company of the athletes. He had his own niche in life, and he still does, giving thanks that he can attend church each morning, go shopping, and in good weather walk the garden behind his home, always with Mary.

They are the most handsome couple in the world. I used to see them walking the shoreline at Jones Beach State Park in the summer of 1961, but what I did not know was that they were newlyweds. When I sat in their living room a few months ago, they told me how they met, at church, of course, after Sheppard’s first wife died of a brain tumor, leaving him with four children. He invited Mary Hoffman to the beach, where they swam and played pitch-and-putt golf, and, when he was ready, he proposed.

Bob has not resumed serving as a lector at Mass, but Mary reads from the scripture many mornings — “the best female lector I have ever heard,” he said Friday, as if he were saying “No. 2, Derek JEE-tah.”

The Sheppards resisted the Yankees’ kind offer of a limousine for Sunday night, but they do go out.

“You know how old I am?” Sheppard asked. “My daughter, Mary, is celebrating her 50th year in the convent. Can you imagine? And she is still young and beautiful.”

Sheppard in action from last season:

Some photos I took during the summer that don't really a thing to do with anything except that I took them this past summer, which ends today