Monday, June 17, 2019

A reminder that First Lamb Shabu is coming soon to 14th Street



There hasn't been much activity of late to note at First Lamb Shabu, which emerged from behind the plywood at 218 E. 14th St. between Second Avenue and Third Avenue last fall.

Now, however, a coming-soon sign is on the storefront...



As previously reported, this will be the first Manhattan outpost for the Beijing-based hot pot chain with more than 300 locations in China.

The Commercial Observer reported back in April 2018 that the company, which has a location in Flushing, signed a 10-year lease for the space with a $20,000-per-month rent.

The storefront has been empty for several years, ever since Dunkin' Donuts (DD!) decamped for a smaller space on the block in August 2015.

Sunday, June 16, 2019

Sunday's parting shot



Tonight's sunset from Astor Place by EVG reader Doug...

Time passages


[Photo from Friday]

This weekend, Al Diaz and Curt Hoppe collaborated on a mural outside The Quality Mending Co. on the corner of Prince and Elizabeth.







The final product include's Diaz's text- and message-oriented work with Hoppe's portrait photography...



"Time pulls us along as present becomes past. People, pets, places and possessions all turn into memories..."

"This piece is not for selfies ... just stop, read and think," Hoppe told me.

Previously on EV Grieve:
The EVG podcast: Al Diaz on BOMB1, SAMO© and Basquiat

Curt Hoppe's 'Downtown Portraits'

Week in Grieview


[Photo on Astor Place by Derek Berg]

Posts from this past week included...

What is happening at Gem Spa? (Tuesday)

The 14th Street busway debuts on July 1 (Wednesday)

Amelia and Christo's 2nd 2019 chick dies (Tuesday)

A visit to Zadie's Oyster Room on 12th Street (Wednesday)

Q&A with the director of the short film "Deborah Harry Does Not Like Interviews" (Friday)

Supper's 1970s-style subway-car look on 2nd Street (Tuesday)

Report: Former Hells Angels HQ will become 22-unit residential building with retail (Monday)

A look at 131 1st Ave., currently being divided into 3 retail spaces (Tuesday)

Tree Bistro returns, though without the garden space for now (Friday)

Last weekend for Miscelanea NY (Friday)

Tai Thai is back in action (Wednesday)

183 Avenue B will be demolished for a new 8-story residential building (Thursday)

Going 'Ape' over this gate at the East Village Vintage Collective (Monday)

Reader report: "marauding drunks" kill young tree on 7th Street (Thursday)

#NoKidsInCages spotted on 2nd Avenue (Wednesday)

Bike lane paint returning to 1st Avenue (Monday)

Taking a seat for social change in Tompkins Square Park (Thursday)

Ray's Candy Store the setting for one of these "East Side Stories" at the Metropolitan Playhouse (Friday)

"Sayonara, Bitches" — about the last show at Art on A Gallery (Thursday)

Joe’s Steam Rice Roll debuts on St. Mark's Place (Monday)

Ravi DeRossi bringing Indian cuisine to his former Fire & Water space on 7th Street (Wednesday)

Roll up for the Magical Mystery Tour at Tompkins Square Park (Sunday)

Signage is up for Auriga Cafe on Avenue A (Monday)

Gabriel Stulman seeking sidewalk cafe license for Great Jones Cafe replacement The Jones (Monday)

Squish Marshmallows only taking appointments for the summer (Wednesday)

Jin Kitchen and Bar closes on 3rd Avenue (Thursday)

Farewell to the leaning tree of 3rd Street (Tuesday)

Blue Bottle Coffee now open on Astor Place (Monday)

Whiteout at the former Sidewalk (Monday)

... and that is NOT a new logo for Trader Joe's at the retailer's space coming to 432 E. 14th St. ...



---

Follow EVG on Instragram or Twitter.

Eddie Boros returns to 5th Street



Noah Scalin created this painting of Eddie Boros (RIP 2007) and the Tower of Toys (RIP 2008) outside Lavagna on Fifth Street and Avenue B as part of the 100 Gates Project.

Boros — “a charismatic, sometimes cantankerous artist,” per the The New York Times — lived his entire life in an apartment across the street. Some of his art is still on the walls at Sophie's down the street.

Saturday, June 15, 2019

Saturday's parting shot



A scene from 13th Street and Broadway via Vinny & O...

Remembering June 15, 1904 — the General Slocum Disaster

View this post on Instagram

The General Slocum on fire in the East River, 1904. Named after #CivilWar General and Congressman Henry Warner Slocum, the steamboat was built at the Devine Burtis shipyards in #RedHook and launched in 1891. On June 15th, 1904, congregants of the St. Mark’s Lutheran Church in the #EastVillage (then nicknamed Kleindeutschland, “little Germany") set out for their annual excursion to a Long Island picnic ground. The steamer, filled with nearly 1,400 people eager to enjoy the beautiful day, left from a pier off of East 3rd Street. Just before 10 A.M., as the boat was passing Blackwell’s Island (now #RooseveltIsland), a crew member noticed smoke billowing out from under the deck. It was quite windy on the water, and the blaze quickly spread. The crew hadn’t gone through a fire drill, and the fire hoses they tried to use were defective. Soon, the steamer had entered the tumultuous #HellGate, and Captain William Van Schaick declined to beach the ship along the #Queens shore, instead making the fatal decision to head towards North Brother Island. People strapped their children into "never-sink" life vests and tossed them overboard, only to watch in horror as they were pulled beneath the water, as the vests were filled with rotten cork that became heavy and dragged them down. The lifeboats were completely inoperable, as they were cemented to the deck by paint or tied down. Many of the passengers couldn’t swim, and they were faced with the horrific decision to be consumed by the flames or drown. The steamboat's burning shell wound up sinking in the water off of #HuntsPoint in the #Bronx. For days, bodies washed ashore on nearby North Brother Island. 1,021 people died on that day, making it the worst maritime disaster in the city's history. Van Schaick was sentenced to 10 years at #SingSing prison, but only served 3 years, and was later pardoned. The tragedy decimated the once vibrant neighborhood of #Kleindeutschland, with most of its residents moving to #Yorkville or #Queens. Many of the victims were buried at Lutheran All Faiths Cemetery in Middle Village #NYC #GeneralSlocumDisaster #onthisday #history #maritimehistory #NYChistory #DiscoveringNYC

A post shared by Discovering NYC's History (@discovering_nyc) on

Ghost signage plywood on 7th Street



A recent item to note. EVG reader Paul Gale spotted this on the Seventh Street side of 113 First Ave., where workers are apparently ripping out the wall for more windows at the E Smoke & Convenience shop.

Next to the MCA mural (which we hear is staying put) are pieces of an old wooden sign...



As Paul points out, it's upside down, but it reads:

H. WOLLIN
Surgeon Dentist
Crown

This was, of course, from the era in which "surgeons" pedaling jacket crowns were as prevalent as today's bubble-tea shops. As I reported at the time, these crowns were effective, but didn’t last long because of microcracking that occurred during the cooling phase of fabrication and caused issues to the crown and underlying tooth or gum. The later introduction of dicor crowns, which were cemented with zinc phosphate, were more effective.

Anyway, another reader suggested that this plywood may be remnants of some period piece that filmed in the neighborhood. ("Mrs Maisel"?)

Go inside the gates today at the New York City Marble Cemetery



It's another Neighborhood Open Day today (Saturday, June 15!) at the New York City Marble Cemetery on Second Street between First Avenue and Second Avenue.

From noon to 6 p.m. you'll have the opportunity to take in the usually gated space and learn more about its history.

Here are the remaining open days for the summer:

• Sunday, July 14
• Saturday August 17

Meanwhile, the New York Marble Cemetery at 41 1/2 Second Ave. between Second Street and Third Street will have open days on:

• Sunday, June 30
• Sunday, July 28
• Sunday, Aug. 25

The cemetery is open those days from noon to 4 p.m.

Friday, June 14, 2019

Friday's parting shot



Photo of the building on the southeast corner of Fourth Street and Avenue B this morning...

Spirit of '77'



The new record by the L.A.-based Froth is out now... the video here is for the track "77," which features guest vocals from Izzy Glaudini of Automatic.

They'll be out at Elsewhere on July 3.

EVG Etc.: Rent reform reactions; 'Russian Doll' returns


[Photo on Astor Place by Vinny & O]

What NYC tenants need to know about the new rent reform deal (Gothamist) Reaction from the "shocked" titans of NYC real estate (The New York Times) Real-estate groups to file lawsuit (Commercial Observer)

Residents call for independent review of storm-proofing plans for East River Park (Patch ... more reaction via The Villager)

The bill that would make NYC streets safer and break up the car culture (Curbed)

City Council members Carlina Rivera and Donovan Richards byline this piece on the importance of Community Land Trusts (City Limits)

The Strand is officially a designated landmark — despite objections from its owner (NBC 4) Reaction: "The vote is a huge disappointment, as the City has refused to consider landmark designation or any other substantial protections for the nearly 200 buildings on a dozen blocks of this part of Greenwich Village and the East Village." (Village Preservation)

Seems like 2008: A bank branch for part of the former Coffee Shop on Union Square (Jeremiah's Vanishing NY)

Shakespeare in the Parking Lot turns 25, will stage Romeo & Juliet July 11-27 (Official site)

"Russian Doll," filmed in the East Village, is returning for more on Netflix (Vanity Fair)

A WorldPride calendar of events (The Advocate)

East Village well-represented in the listicle of the city's best ice cream shops (Eater)

Take a listen to Jesse Malin’s new song, featuring Billie Joe Armstrong, called "Strangers & Thieves" (Rolling Stone)

The Jarmusch fest continues through the weekend (Metrograph)

When Johnny Thunders opened for the Replacements (Dangerous Minds)

Photos: The final days of the Streit’s Matzo Factory (6sqft)

Metro Acres Market will replace the Fine Fare at 175 Clinton St. on the LES (The Lo-Down)

A NIMBY speech (McSweeney's)

... and the 6BC Botanical Garden is having one final orientation this year on Sixth Street between Avenue B and Avenue C.

Per the garden's website:

Saturday, June 15 at 11:30 a.m.

Become a member of 6BC and help keep the garden beautiful.

Member benefits:
• Personal access to the garden. Once you have completed your membership workday and orientation, you will receive garden keys. You may then visit and work in the garden on your own schedule.
• Learn about gardening
• Have the opportunity to maintain garden plots
• Meet your neighbors
• Give back to your community

Q&A with the director of the short film 'Deborah Harry Does Not Like Interviews'



Meghan Fredrich, a former East Village resident who is currently living in Massachusetts, shared her first short film with me. "Deborah Harry Does Not Like Interviews," created from archival footage, shows how Blondie's Debbie Harry "endures years of superficial, tedious and demeaning questions from journalists until she devises a brilliant way to turn interviews on their head." The short recently made its premiere at the Maryland Film Festival and is now currently online.

Fredrich answered a few questions about the film, which you can watch below...


What was your introduction to Blondie? Do you recall the first time that you heard a Blondie song?

I’m a millennial (so sorry) and was a kid in the 1980s and 1990s. I have vague memories of seeing "Heart of Glass" and "Rapture" music videos on MTV or VH1.

Were you instantly a fan?

I think like so many others I was immediately entranced. My childhood home was a sort of New Wave temple – my parents playing records of the Talking Heads and B-52s. As I got older and developed a more complete understanding of punk, I became deeply involved with Blondie and never looked back.

What are some of the qualities that intrigued you initially about Debbie Harry? Did these perceptions change at all during the making of the film?

Debbie is unequivocally charismatic, so I think that drew my initial interest. But Debbie always appeared to me to be a very substantial person. Despite the ongoing media obsession with her blondeness and appearance, she is not all on the surface or superficial in any way. And she always appealed to me as a truly modern woman — an independent spirit.

I knew these things about her before I began the film, but I think my appreciation of her integrity, cleverness and sense of humor deepened as I worked on it.

Did you start this project with Debbie Harry in mind? Or were you thinking more about exploring the way interviews are structured and how the media complex works?

It was the latter – I was thinking about the power relationship inherent in interviews and how the public accepts certain interview “norms.” From there I thought about who had been in the public eye for a long time, and Debbie came to mind.



Though the montage of clips you found, we see Harry endure an endless number of idiotic and sexist interviews. How did you see her reaction to these interviews evolve as she continued on in her career, both in Blondie and as a solo artist and actress?

As time goes by, we Debbie’s emotional reactions to these questions and interviews change, as well as the strategies or tactics she deploys to manage them. She’s initially surprised, perhaps. Then expectant, evasive, using humor to deflect. She tries presenting a somewhat neutral front. Toward the end, you see flickers of anger, frustration and resignation. Until Minkie appears.

I’m surprised that the introduction of a stuffed animal — in this case Minkie — during interviews hasn’t become standard media-training fare for any public figure.

I know what you mean!

Do you think if she was an emerging artist today that she’d face the same type of questioning in the media?

You can see this clearly happening now with Billie Ellish. In an ad campaign recently for Calvin Klein, Billie says, “That’s why I wear baggy clothes. Nobody can have an opinion because they haven’t seen what’s underneath.” It’s a protective stance for an invasive world that would otherwise eat you alive.

Any idea if Deborah Harry has seen this?

We passed the film along to her people, but I don’t really know one way or another.

What do you want viewers to take away from the film?

How incredible Debbie is, to start! I hope they laugh while the watch it. But perhaps the overriding message of the piece comes from the lyrics of the song "I Want That Man." When Debbie sings “Here comes the 21st century/It’s gonna be much better for a girl like me,” we as the audience now watching in the 21st century have to ask ourselves: Is it?



And here's the full 17-minute film...


Tree Bistro returns, though without the garden space for now



Tree Bistro is back in service this week ... nearly eight months after the six-alarm fire tore through neighboring 188 First Ave. between 11th Street and 12th Street.

That fire also wiped out Tree Bistro's garden dining area ... and caused other damage inside the restaurant.

For now, the restaurant's outdoor space remains closed, which causes some space issues. Here's more via the Tree Bistro website:

We miss the garden more than anyone — but the delicious cuisine, charming and eclectic decor, and above all attention to our customers that is the hallmark of Tree Bistro will be in abundance in our inside dining room.

Since our capacity has been reduced by more than a third, we recommend reservations at all times, and we do please ask that you confirm or cancel your reservations should plans change so that we can accommodate all who wish to experience Tree Bistro. We appreciate your understanding as we all adjust to this temporarily smaller format and are excited to see you soon ...



Uogashi, the Japanese restaurant in the retail space at 188 First Ave., is not expected to return. The Uogashi website, now offline, had listed "permanently closed" under their hours of operation.

Officials said they believe the fire, which injured 17 people, including 14 firefighters, began inside Uogashi. An exact cause has not been made public.

Last weekend for Miscelanea NY


[Priscilla Leon and Guillaume Guevara in January]

As we first reported on June 5, Guillaume Guevara announced that he was closing Miscelanea NY, his 4-year-old quick-serve Mexican cafe and shop at 63 E. Fourth St. between Second Avenue and the Bowery.

Sunday is the shop's last day in business. As he shared on Instagram...


On Wednesday, I asked Guevara for more on why he's decided to close up shop.

"I am moving to Mexico for my son to learn Spanish — that is the main reason. But of course, there are other secondary reasons such as the high operating costs, as usual, in NYC."

Miscelanea NY drew praise for not only its tasty Mexican food, but also Guevara's commitment to helping educating customers about the country.

"To me, Miscelanea is not just a Mexican store, it's an all-inclusive trip to Mexico. You can learn about the culture through our books, about the fashion through our clothes, and about the cuisine through our food," he told EVG contributor Stacie Joy in January. "People in NYC know that there’s more to Mexico than mariachi and tequila, but unfortunately the Mexican stigma is still there for some Americans who have not visited Mexico in recent years. I always encourage our customers to visit Mexico; in fact, many of them come to me to ask for recommendations of places to visit, stay and eat while in Mexico. I love it!"



Photos by Stacie Joy

Previously on EV Grieve:
A visit to Miscelanea NY on 4th Street

The Lower 'Eats' Side festival returns to the Lower East Side



The annual Lower 'Eats' Side festival takes place tomorrow (Saturday) from 1 to 4 p.m. at PS 110, 285 Delancey St. at Lewis Street.

Here are details via the EVG inbox (or above on the flyer) ...

The Lower East Side’s historic Public School 110 (Florence Nightingale School) will hold an international food festival, Lower 'Eats' Side, featuring home-cooked food from more than 20 countries, prepared by the school’s own parent chefs.

The food festival will represent the different cultures and nationalities that make up the school today, and will be held at the school’s 1905 building at the eastern end of Delancey Street, rain or shine.

There's live music featuring global sounds from guest performers as well as the stylings of PS 110's own parent band — The Nightingales.

The food festival will also feature a tag sale and organized games for children.

Tickets are $10 and available at the door.

The school first held this festival in 2015 to commemorate 110 years of PS 110.

Thursday, June 13, 2019

Thursday's parting shot



Adrian Wilson created this work today outside the New York Sports Club on Avenue A between Second Street and Third Street... part of a commemoration marking the 50th Anniversary of the Stonewall Uprising...

Taking a seat for social change in Tompkins Square Park



Tompkins Square Park didn't get a Sing for Hope piano this summer ... however, the Park will be home in the next few months to "CEI Benchmarks: Youth Setting the Standard for Social Change," a campaign spearheaded by the nonprofit Center for Educational Innovation.

The three benches, which arrived yesterday over in the middle of the Park by the ping-pong table, were created by local public school students to "confront major social issues." (Thanks to Steven for the photos!)













So far, people seem to like them... and they haven't been vandalized...

Reader report: 'marauding drunks' kill young tree on 7th Street



Here's a dispatch from Seventh Street (No. 39 to be exact) between Second Avenue and Cooper Square, where EVG reader Dinky reports:

Alas, the beautiful red bud planted by the Parks Department on Oct. 25, 2017, was torn down during the night [this past weekend] by some marauding drunks.

Parks came Monday and removed the tree down to the stump.

Hoping for a replacement, but the first one took two years to get, so am not holding my breath.



No one witnessed the tree attack, though "someone heard a lot of yelling and running in the wee hours of Saturday-Sunday," per Dinky.

183 Avenue B will be demolished for a new 8-story residential building



Reps for the owner of 183 Avenue B have filed plans for a new 8-floor residential building.

According to the permit filed with the city on Tuesday, the building will have 12 residential units with ground-floor retail.

New York Yimby, who first reported on the filing, note that the units will "most likely [be] rentals based on the average scope of 689 square feet."

First, however, the current four-story building must be demolished. Those demo permits were filed with the city in April.

In January 2017, we reported that Corcoran listed the property with a $4.75 million ask. The building — with air rights intact — sold for that exact amount in April 2017, per public records. The DOB permit lists Richard Pino via the Tompkins 183 LLC as the owner.

As previously reported, there were reports of damage to No. 183 in early 2013 during the never-ending construction next door at what became the luxury rentals known as The Hub.


[EVG photo from June 2014]

Ray's Candy Store the setting for one of these 'East Side Stories' at the Metropolitan Playhouse



The 14th edition of "East Side Stories," a new collection of one-act plays, premieres tonight at the Metropolitan Playhouse.

The works are "based on the rich history and eclectic character of [the] East Village and Lower East Side."

Here's a quick overview of what you'll find in "East Side Stories, Back Again" ... including one very well-known business on Avenue A...

• "Counting Pedestals" by Carlos Jerome

A community college student, focused on survival after a bid in prison, finds an unlikely bond with his mathematics professor.

• "Iriomote" by Arlene Jaffe

Greed and ego threaten the survival of two irreplaceable communities; one in lower Manhattan, the other more than 7,000 miles away.

• "The Poor Door" by Leonard Goodisman

Two women meet in an apartment building's entrance hall, each affronted by the other, and find they have more in common than they expected.

• "Ray's Candy Store" by Rachael Carnes

An aspiring actress, finding life in the city more difficult than she expected, meets a candy store owner who offers her a new perspective and an egg cream.

The run ends on June 23. You can find ticket info at this link. The Metropolitan Playhouse is at 220 E. Fourth St. between Avenue A and Avenue B.

'Sayonara, Bitches' — about the last show at Art on A Gallery


[Art by Reiko Lauper]

The Art on A Gallery concludes its seven-run run with its final exhibit, "Sayonara, Bitches," which opens tonight.

Here are some details:

These two female Japanese artists, Kumiko Yamada and Reiko Lauper, who have been friends for two decades, are having a collaborative art exhibition. This is a two-series exhibition, showcasing in two different countries starting in Tokyo in 2018.

These exhibition series are themed by "female" and “Wa” (Japanese culture) that are very straightforward. They are showing their new pieces, which were inspired by each other’s artwork ...

Both of the artists will be at the opening reception, and this is going to be the LAST art show at Art on A Gallery.

The opening is tonight from 6-8 at the gallery, 24 Avenue A at Second Street. The show ends July 11.

Also, Reiko Lauper is donating all the proceeds from the sale of her Cyndi Lauper original drawing (or prints) from the show to The True Colors United, a nonprofit that provides help for LGBTQ homeless youth.

As previously reported, the folks at Wendigo decided to give up their lease. As they stated: "One of the reasons, of course, is that like everywhere else in NYC the rent is too high ... beyond that we are ready to place more focus on the music end of the business, Wendigo Productions, LLC."

Jin Kitchen and Bar closes on 3rd Avenue



A for-rent sign now hangs in the window at 58 Third Ave., marking an end to Jin Kitchen and Bar's short existence here between 10th Street and 11th Street.

The Chinese restaurant debuted in January, taking over the space from Shu Han Ju II. This marks the third restaurant at the address in the past four years — Shu Han Ju II replaced Mulan East.

From 2009 to 2015, we had the Thai restaurant Bodhi Tree here... and previously? Anyone? Taco Bell!

Thank you to EVG reader Sheila Meyer for the photo!

Wednesday, June 12, 2019

Wednesday's parting shot



A moment with Giblet on Avenue A early this evening. Photo by Derek Berg.

A visit to Zadie's Oyster Room on 12th Street



Photos and interview by Stacie Joy

There’s an early summer thunderstorm brewing as I make my way over to Zadie’s Oyster Room, 413 E. 12th St. between Avenue A and First Avenue, to meet Chef Mike (Campanile) and chef-owner Marco Canora.

The oyster room is warm, romantic, intimate yet friendly and welcoming — a good date-night spot. During the time I was there, Chef Mike, bartender/server Chris Maslowsk, and Marco personally greeted customers, mostly cultivated regulars and neighborhood folks who have the menu memorized and are looking forward to supper and watching the approaching rainstorm through the large glass windows.





I ask Marco about the history of the restaurant: he wanted to mimic old oyster bars from the turn of the century, and highlight oysters served every style, not just raw but cooked, steamed, fried, pickled, smoked, roasted and baked. Originally, he wanted to call the place Saddle Rock (after the East River oyster) but it was trademarked. Also under consideration was Zadie’s Oyster and Seaweed Room, but he settled on Zadie’s Oyster Room.

The two chefs spent a fair amount of time explaining the sustainability of oysters, the farming and care of them, and when to eat and enjoy oysters according to season. Chef Mike, who shucks an average of 3,000 oysters each week, explains “oysters are a gender-fluid food,” before launching into a detailed discussion about bivalve spawning and parthenogenesis. Both chefs are eager to share their knowledge and thoughtfully answer my questions.


[Mike Campanile and Marco Canora]

This month marks the third anniversary for Zadie’s. How has the restaurant evolved since then? In a preview piece in the Times in 2016, Marco said that he almost called Zadie’s “an oyster and seaweed room.” How much does seaweed play a role in today’s recipes?

Marco Canora: My original hope was to have seaweed show up in every dish — we’ve turned that back of late. Turns out our guests don’t love seaweed as much as we do. We do however always have seaweed on hand and it is in a handful of dishes from the opening menu, my favorite being our seaweed-infused take on oysters Rockefeller.

Chef Mike Campanile: When I first got involved in Zadie’s, my philosophy was “how would an oyster open an oyster room?” Hence the emphasis on individuality, sustainability, versatility, environment consciousness, and genderqueer support. Also just treat each oyster dish with the upmost respect. Seaweed is always on my mind but it doesn’t always pair well with everything and it’s not an easy sell to the general public. Sometimes it’s easier to just add seaweed and not advertise it, let the customer try something new.





“Oyster” is in the name, but the menu features other items. Do you encounter diners who think you only serve the one item? For who that don’t eat oysters, what dishes do you recommend?

Canora: The focus is obviously on oysters but we have a section on our menu called “not oysters,” and there are plenty of options. The BLT during the warmer months is a must and I think our Caesar salad is a contender for best in class...

Campanile: Almost everything on the menu had some element of the sea in it, from the briny bottarga on the deviled egg to our take on the Caesar salad, where we don’t skimp out on the anchovies. The summer BLT and the spring cacio e pepe are our only nonfishy treats.


[The summer BLT]


[The Caesar salad]

The space has transitioned from Terroir to Fifty Paces to Zadie’s. How have you been able to successfully navigate these revamps?

Canora: One of the benefits of such a small space is the ability to shake things up at will. Having the Hearth mothership next door has certainly helped our ability to navigate through these changes.

Campanile: It’s such a rare privilege to have a chef of such caliber allow you to pour so much of your own personality/queerness into such a wonderful little brick-and-mortar and allow it to grow and become successful.


[Chef Mike]

You are partnered with the Billion Oyster Project. What can you tell people about their work?

Canora: Chef Mike has really been the point person here but I am hugely supportive. One of the ideas that drove Zadie’s was to harken back to turn of the century NYC when oysters were literally overflowing out of our waters and hundreds of oyster bars, oyster cellars, and oyster rooms were scattered all over the city. Billion Oyster Project has been successfully bringing those oysters back into our waters and that culture back into focus, and we couldn’t be happier to help.

Campanile: It’s one of the most rewarding and progressive charities I’ve ever worked with. They recycle all the shells we go through and use them to build and restore oyster reefs in the New York harbor to filter the water and rebuild an ecosystem. Oysters are basically going to save our planet, so keep eating oysters!

How would you describe the current state of the East Village dining scene? What draws you to the East Village as a chef and chef-owner and how does the neighborhood affect your food and drink decisions?

Canora: I used to live on Sixth Street back in the late 1990s and I have now been operating Hearth for more than 15 years — then and now I’ve thought the East Village has the most vibrant dining scene in all of New York. This certainly makes for a challenging and competitive landscape as an operator, but as a consumer there is no better place to eat than the East Village.

It’s difficult to articulate why I’ve always been drawn to the area, I think as a young punk it was the gritty, anti-establishment vibe that drew me in ... and of all the neighborhoods in this ever-evolving city it still retains a small fraction of that. There’s nowhere else I’d rather have a stake in the ground.

Campanile: What I love about the East Village is that it’s a grimy, gritty, graffiti-covered protective bubble from the modern scenes. No, we don’t have gluten-free vegan cheeseburgers, or sleek iPad surfaces and lighting, and we don’t have to ever feel the pressure to do so. The East Village doesn’t follow trends, it’s too busy creating them. People who come here are going to get unpretentious, unapologetic, eccentric and queer food.

What’s next for Zadie’s?

Canora: That’s for Chef Mike to determine, though one thing’s for sure — we love what Zadie’s has become, so any changes will be food and beverage changes to the menu. Though [Hearth’s] Chef Luigi [Petrocelli] and I have often contemplated doing a once-a-month dinner series where we would serve one set meal with beverage pairings to a dozen or so guests.

Campanile: I feel like I’ve only scratched the surface of what Zadie’s and oysters can provide for the universe. Going back to the notion of “if an oyster opened an oyster room,” I’m going to continue being proactive and resourceful. We’re still in constant support of BOP and our local Long Island oyster farmers. We are also promoting oysters as a mental health superfood: The meat is so high in B-12 and omega fats, and the shells can be repurposed into bone meal to benefit the wellness of your plants.





---

You can follow the restaurant on Instagram here. Zadie's is open Monday through Saturday 5 to 11 p.m. Walk-ins only, no reservations.