Tats Cru pay tribute to Bittman 'Bimbo' Rivas on 2nd Street

Photos by Stacie Joy

Tats Cru created a new mural this week on Second Street at Avenue A... paying tribute to Bittman John "Bimbo" Rivas (1939-1992), who coined the term "Loisaida" in 1974...

There are also street scenes that depict these COVID-19 times...

H/T KTMac!

Save the date: The 9th annual Lungs Harvest Arts Festival is Oct. 3-4

An abbreviated version of the annual Lungs Harvest Arts Festival is taking place on Oct. 3-4 in participating community gardens around the East Village.

Here are a few details via the EVG inbox...

It's 2020 and we are all stuck inside somewhere ...  This year's festival is dedicated expressing our situation through art ...  sharing the reality of what is going on in our lives

All the exhibits will take place behind the garden fences with the audiences on the sidewalks.

The audience will be moving, fluid. The art stationary. We want to foster our wild variety of sentiments through our art. We are all politically bent, given the times and election. Vote with your ART too. Let people know how you feel.

This as an Art exhibit and the gardens are the Green Museum.

It's perfect for touring audiences to visit and enjoy our community gardens.

More details will be on the Lungs website closer to the festival.

'We're just hoping for some miracle'

[Nomad photo from June by Stacie Joy]

ICYMI: The Times had a sobering piece Wednesday titled "9 of Every 10 Restaurants and Bars in NYC Can't Pay Full Rent."

Mehenni Zebentout, the owner of Nomad at 78 Second Ave. between Fourth Street and Fifth Street is predominately featured. 

Nomad, a North African and Mediterranean restaurant in the East Village, shut down in March after the pandemic engulfed New York City, leaving its owner unable to pay the full $11,500 rent for months.

After opening for outdoor dining in June, the owner, Mehenni Zebentout, has struggled to pay 70 to 80 percent of the rent. But he had to cut his staff from nine full-time employees to four part-time workers. And his landlord still wants Mr. Zebentout to pay what he owes from the spring.

"We're just hoping for some miracle," he said. "I believe, according to my experience, two out of three restaurants will close by December, and I'll be one of them if there's no help from the city or the government." 

Thursday's parting shot

Photographer Ed Yoo captured this moment last evening on First Avenue at Seventh Street...

Breonna Taylor

Protests broke out around the city — and elsewhere in the country — yesterday after the news that none of the three officers involved in Breonna Taylor's death were charged with her killing. 

A Kentucky grand jury charged Officer Brett Hankison with three counts of wanton endangerment for firing into Taylor's neighbors' homes during the raid on the night of March 13. 

One of the NYC protests — a group estimated to number in the thousands — traveled down Second Avenue from 14th Street before turning west on Third Street to Broadway. 

EVG contributor Stacie joy shared this video clip from Second Avenue around 10:30 p.m. ... as the protestors chanted "Breonna Taylor — say her name" ...

 

 

"I was surprised by just how many people were there, and also by the astounding police presence," Stacie said. "I haven't seen that many police vehicles mobilizing for a protest in a long time. My entire time at the protest was orderly and peaceful." 

There were no reports of arrests related to the protests citywide, per published reports.

Cults classic: East Village-based duo on the release of their fourth record Host

Cults, the celebrated indie-pop duo of Madeline Follin and Brian Oblivion, have just released their fourth record, the enchanting Host. In case you didn't know this, Madeline and Brian both live in the East Village. Madeline answered a few questions for EVG the other day about Host and her East Village home since age 8.

You both live in the East Village. You spent time in Arizona while working on Host. So how do your surroundings influence the songwriting-creative process? Does it make a difference where you are? 

I think there are pros and cons for both recording at home and leaving town. When we're at home it's a bit harder to tune out the distractions and we get a little looser with our working schedule, which can be a good thing because we have the time to sit with what we've worked on.

We went to Arizona because we don't know anyone there and we just wanted to fully immerse ourselves in the record and be able to work round the clock which we can't really do in our East Village apartments. 

You've spent a lot of time on the road supporting your previous records. Given how much time you can be away, does the East Village feel like home to you?

It does feel like home! My mom and stepdad moved to the East Village when I was around 8 so it has always been home. Brian has lived here for about 12 years. 

With the COVID-19 crisis, what have you had to differently leading up to the release of Host?

Everything has been different! We had to find different ways to make videos and do our photos. We did a lot of things creatively that I'm not sure we would have done pre-pandemic. We probably wouldn't have done a "mukbang" video [see "Spit You Out" below] or agreed to having someone direct a video from our respective homes but our friends have helped us make some really cool stuff. Also, not touring the record is very different.

Four records in now, starting with 2011's self-titled release, do you feel as if you have a good assessment of the band's evolution?

I guess our evolution has been about slowly broadening the influences we allow into our songwriting. In the beginning it was very kind of early 60s and that was it!

Each album it feels like we’ve moved up a decade or so, letting the light in a little. This next album I guess we'll have finally caught up with ourselves. What a scary thought.

Speaking of a new record: You've said that you usually start on one after a tour wraps up. Without touring on the horizon, how might this impact record No. 5? 

We are hopefully going to start writing the next record the day after Host is released!

You can catch a livestream of Cults on Oct. 1 from (Le) Poisson Rouge. Find the details here.

Save the date: Help clean up Tompkins Square Park on Oct. 10

Johnathan Young, the head gardener in Tompkins Square Park, along with longtime EV resident Penny Rand, are organizing a cleanup day on Saturday, Oct. 10. 

Here are more details via an email from Young:

As many of you know, the city and the Parks Dept. have had massive budget cuts. Recently I have been assigned to work many other locations, leaving Tompkins vulnerable to trash and weeds.

So with that being said, we are hoping to gather as many folks as we can for Saturday, Oct. 10. We will meet at the main office in Tompkins at 11 a.m., have some coffee and donuts, and then concentrate on areas of the park together. Bring a mask and gloves. Feel free to bring any gardening supplies you prefer —otherwise we will have tools and such.

H/T Steven! 

Eliza's Local has closed on St. Mark's Place

Eliza's Local has closed at 2 St. Mark's Place just east of Third Avenue.

An all-too-familiar set of circumstances are behind the bar-restaurant's closure: "Unfortunately, we had no choice with the current situation, our landlord and no inside dining," a rep told us.

Eliza's had been open in the early days of spring, selling beer to go (and giving away bread). They later had some expanded outdoor dining space with the closure of St. Mark's Place on weekends for Street Feast. Still, it wasn't nearly enough volume to overcome the drop-off in business.

The bar, which opened in December 2018, was named for Elizabeth Hamilton (aka "Eliza") co-founder and deputy director of the first private orphanage in New York City. She was the wife of Alexander Hamilton. She lived next door at 4 St. Mark's Place in what was later known as the Hamilton-Holly House.

This space adjacent to the entry of the St. Marks Hotel was previously Ayios Greek Rotisserie, which quietly closed at the end of 2017 after 16 months in business. St. Mark's Ale House had a 21-year run until July 2016. And once upon a time it was the second location of the Five Spot Cafe.

H/T @unitof

More tributes to RBG

EVG regular Lola Sáenz shared these tributes to the late Supreme Court Justice... as seen at the Modern Love Club on First Avenue between Ninth Street and 10th Street (above) ... and on the Bowery...

Comedy Club owners get serious about plans to allow them to reopen

In case you were wondering about all the media activity outside the New York Comedy Club on Fourth Street yesterday (thanks Derek Berg for the photo!).

Comedy club owners as well as comedians and assorted elected officials gathered here between Second Avenue and the Bowery to ask the state to let them safely reopen.

Organizer Kambri Crews, the owner of venue Q.E.D. Astoria, had this to say, as reported by Gothamist: "We are holding this rally to ask New York state to give live entertainment the same consideration they've given other industries... For over six months, there's been no rent relief and no plan for us to reopen. New Yorkers can go indoors to the gym, bowling, go gambling in casinos, [but not] a comedy club — it makes no sense."

Their request of Gov. Cuomo: Allow for venues to be able to allow ticketed outdoor live performances (with fewer than 50 people), and either allow clubs to resume indoor shows at 25 percent capacity (similar to restaurants) or at 50 percent but without food and beverage services (similar to bowling alleys).

A Cuomo spokesperson told Gothamist that they hope "to put together guidance where these performances can resume in a way that also keeps New Yorkers safe."

Vulture has more coverage here.

You can read the New York Comedy Coalition's reopening proposal at this link (Google doc!).

A visit with Urban Russian Doll NYC

 
Text and photos by Stacie Joy

Over the past few months I’d been watching with interest as artist Urban Russian Doll NYC created her large murals around the neighborhood. 

I first noticed her dog portraiture (with one pastel calico kitty in the corner) piece outside Dream Come True K9 on Houston and Attorney, which features a cameo of her own pup. Then I spotted her and Lecrue Eyebrows doing a shared piece on the wall outside of Parkside Lounge, and more recently, a composition as part of East Village Walls on Second Street near First Avenue.

After a day spent painting, I toured the completed works with the artist as she answered some questions about her name, her tag, and why she loves the neighborhood.

You go by the name Urban Russian Doll NYC — why did you choose that as your non de plume?

Though my parents are originally from Ukraine and have multiple ethnicities within them, they moved to Moscow before I was born. At the time, Ukraine and Russia were still considered USSR.

My parents are former musicians, and my sister and I grew up listening to every kind of music, except for rock and metal. When I was about 15, I enjoyed Russian rap and hip hop. Usually their music videos were filmed in an urban setting with old buildings full of graffiti in the background. 

Even the word, “urban,” which sounds very similar in Russian, was used frequently by Russian hip hop artists. When I decided to become a street artist, I had to choose a name for myself. I was talking to my friend about it and she said, “Why don’t you name yourself Russian Doll?”

I immediately added “Urban” to Russian Doll and it just felt right and organic. The Russian doll is the most popular souvenir that represents the authentic tradition, femininity and beauty of a Russian woman. It is a kind of nesting doll and can have many different dolls inside. To me, they represent layers of a person. Depth is good. Layers are good. Everything about that souvenir is wonderful, so why not?
 
How did you get involved in the East Village Walls project? Why choose the East Village and Lower East Side as the site of your street art murals?

Right before COVID-19 hit the city, I went to an art show curated by fl00d at 198 Allen St. That day, I met Kristy Calabro, who introduced me to Manny, owner of the Doggy-Sitters Club, Lecrue Eyebrows, Token, who curated the event, and other amazing artists. I became friends with many of them. 

Manny and I had a lot of conversations throughout quarantine, and I shared with him that my dream was to paint a wall by myself. When the BLM protests began, I was painting on plywood in Soho. Manny hit me up and asked if @art_by_eyebrows and I wanted to paint for East Village Walls. 

He said they were seeking artists immediately and, of course, we said yes. Then, I met Ben, an art lover who curates East Village Walls and started my work on the wall on First Avenue and Second Street, which was also my first solo wall work. After that, I just could not leave the East Village. Because to me it’s like the soul of NYC. And I’m in love with NYC.

What has the experience of working in the neighborhood been like? How do the locals react to your work?

After painting a couple of murals around the neighborhood, I want to say that streets are streets. They teach you where to be careful and where to relax. I had different, but mostly great experiences painting in the neighborhood. I learned not only about the wall painting flow, but also that once the neighbors get to know you, they become your family. 

Once, when my mural was defaced, I felt like someone just did me a favor — because I’ve never felt as much support as I felt the day when I was fixing it. The mural is about unity. And it proved my point. Because people care and unite and they were uniting for me. 
 
Your tagline is “Why wait? Love now.” How did that come about and how is it reflected in your work?

Through the message “Why Wait? Love Now,” my art represents the transition from vulnerability to strength — a quality that all brave souls possess. As we emotionally evolve, we expose ourselves to diverse levels of emotional transcendence and open up to engagements with others, which is a courageous and an extremely vital thing to do. 

This allows us to take risks that lead us to meaningful experiences of love, joy, and happiness through others and ourselves. Having gone through emotionally abusive relationships, I was able to preserve my formula of happiness, and my art is a visual expression of that formula. 

“Why Wait? Love Now” is a whole movement I created to support people on their journey towards joy that’s immune to all externalities, in a whole-hearted way. I invite people to rid themselves of fear and let themselves love

It is also about healing invisible pain and soothing hurtful scars through accepting love, strength of soul, and building self-resilience. It’s about every kind of love, just like my art.

You can keep up with the artist here.

Renovations underway on the new Foxface Commissary on Avenue A

In some positive-for-a-change local restaurant news, the owners of Foxface recently started renovations at their new storefront at 189 Avenue A between 11th Street and 12th Street.

East Village residents Ori Kushnir and Sivan Lahat, who opened the hit sandwich shop at Theatre 80 on St. Mark's Place in late 2018, will keep that outpost. 

At 189 Avenue A, they're planning on Foxface Provisions — a smokehouse, tasting room and preservation commissary. (Read more about it here.)

During the start of the renovations, Kushnir reported finding some remains of a previous tenant — Vampire Freaks (RIP 2012)! 

View this post on Instagram

Urban archaeology - ceiling from the @vampirefreaks period

A post shared by Ori Kushnir (@orikushnir) on Sep 8, 2020 at 8:21am PDT

Most recently, 189 Avenue A was home to Harry & Ida's Meat and Supply Co.