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The path to Peter Cooper outside Cooper Union via
Name: Henry Hills
Occupation: Filmmaker
Location: Tompkins Square Park
Time: Saturday, Nov. 26 at 2 p.m.
I grew up in Atlanta. I was in San Francisco for four years and I moved here in 1978 - 6th Street between A and B for the first year, and 9th between B and C for 6 months. My apartment was burglarized, I got mugged twice in the park, but I had a great apartment. Then I subletted a place in SoHo for six months, I lived on the first block of Ludlow for eight years and then I renovated a building on 8th Street with a group of people — an artists' building.
When I was here in the 1970s ... there were a lot of empty storefronts, especially on Avenue B, but most of the storefronts weren’t stores. There would be a lot of little artist spaces that would come and go. Ray’s was there of course. Leshko’s was there but I liked Odessa better. You could eat supper for about $2, and there was an old woman who knew the regulars, and she would always give you extra portions. The kitchen in my place was impossible to cook at home, plus you couldn’t possibly buy groceries and eat as cheap as Odessa’s or Leshko’s.
We started as a study group in 1981. We got a site in 1985, and we moved in 1988. I’ve been there ever since. It was an artist-housing program that the Koch administration had proposed. It was basically people who were being displaced from SoHo, and they were moving them to Forsyth Street, but the Community Board freaked out because they were giving low-cost housing money to relocate artists who were being pushed out of Tribeca to the Lower East Side.
I got an application, and it was clear that with the deadline you had to hire a development team to do this, so we formed a study group. We figured we were all college graduates – we’d figure out how to fill out this application ourselves. So we ... put in an application. It was defeated by the Community Board. We went and asked them to spell out exactly what they opposed, because they didn’t want to say they hated artists. They just didn’t want this funding for low-cost housing to go to middle-class artists. I mean, it wasn’t all middle class — none of us had any money, but most of us came from middle-class backgrounds.
I’m a filmmaker. I’ve always made short films. I show a lot at Anthology Film Archives on Second Avenue and Second Street. This filmmaker friend Peter Hutton died last summer, so people got some friends and former students of his to go out and shoot a camera roll in 16mm. I shot a camera roll of the Hare Krishna Tree as a memorial to Peter and showed it at Bard College a few weeks ago and out in Brooklyn two weeks ago. I was out shooting today. I’m just making a little short film on the Hare Krishna Tree for my wife Martina, who’s also a filmmaker.
I just finished a new film called HHHHH - my first 16:9 movie. All the images revolve around the letter H. It’s a kind of game planned to avoid narrative, but still make it entertaining and a lively movie. I made a movie called SSS, which is on YouTube. I shot it when I was renovating the building. It’s a dance movie, shot entirely on the street. I worked with a bunch of dancers, and if it was a sunny day I would just call them up and we’d find one of the gardens or some rubble-filled lot or something, and they would improvise movement. I composed this movie. You can really see the neighborhood during that time and also the 1980s clothing styles.
I love Tompkins Square Park. I come here and sit almost every day. I think it’s the nicest neighborhood in town – every block has a garden. It’s unbelievable. I live in the back, between two one-way streets, a dead end and the park, with a tree in the backyard and stuff. It’s very quiet.
When I moved from Ludlow Street I could not believe how quiet it was. Here there are lot of people in rent-control apartments, there are the buildings where the tenants took over or people renovated, and also there is a bunch of public housing. So when you walk in Tompkins Square Park you don’t feel like you’re in a neighborhood full of millionaires.
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"At the end of October, I noticed construction guys at 321 E. 14th St. It has always been a vacant storefront. (I think there was a statue of a Virgin Mary in the window for awhile.) Anyway, imagine my surprise and glee when I read a pizza place was coming!"
The South Asian International Film Festival (SAIFF) is the largest film premiere destination for South Asian/Indian filmmakers in the United States. SAIFF was founded in New York City due to the lack of support for many emerging filmmakers and the overall underrepresentation of Indian cinema in a capital that is recognized by the world as the birthplace of independent filmmaking! The Festival is committed to exhibiting films from South Asia (i.e India, Pakistan, Sri Lanka, Bangladesh, and Nepal) and within the Indian Diaspora.
The footage ... shows the assailant run up from out of the frame as the patron sits and stares at a fireplace. The attacker throws one haymaker after another until several others rush to help the victim.
The 29-year-old victim, who asked not to be identified because the attacker is still on the loose, told NBC 4 New York that his head still hurts several days after the attack.
The victim said there was no warning that he was about to be attacked and that he didn't remember saying anything to the man beforehand. He said over the weekend that he thought he may have been targeted because he was gay.
The fate of the rowhouse is now in the hands of its owner, Elaine Hsu, the president of GlobalServ Property One, with offices on Lexington Avenue.
Barbara Sloan, the operations manager at Manhattan Renovations, a general contractor representing GlobalServ, said the owner was planning an information session for neighbors “to discuss details surrounding potential asbestos abatement and demolition.” She declined to comment on what might replace the building.
“We recognize that people feel very passionate about their neighborhoods,” said Sarah Carroll, the executive director of Landmarks. But “in some cases, Landmarks designation is not actually the right tool.”
As residents of the Dry Dock District gained power and ran for office, the houses acquired a new distinction: “Political Row.”
Political Row “has furnished many office-holders, and there were more office-holders and patriots who are willing to serve the city and county, the State or the country at large, living on that thoroughfare now than on any similar stretch of highway in New York,” stated the Evening World in 1892.
The beginning of Political Row’s end came at the turn of the century, when many of the original houses went down and tenements built in their place.
Newspapers wrote descriptive eulogies, mourning a neighborhood that was “an American District” now colonized by a second wave of immigrants.
"Please think about the darkness you are going to create with your development."
The name Southern Cross Coffee is in honor of the Southern Cross constellation, which is visible primarily in the southern hemisphere and sometimes as far up as 20 degrees north latitude. Our founders were both born in the southern hemisphere, where the constellation is very much a part of our cultures.
Grab a great cup of locally roasted coffee and quick bite at Southern Cross Coffee. Natural foods and espresso made the traditional Italian way.
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