Photo by Derek Berg
As seen on Seventh Street, a springtime procession of several NYU students throwing flower seed "bombs" into places with bare dirt.
On the morning of March 1st, our friend Anton "Munch" Albert was killed in a shocking and callous act of violence. Contrary to some media reports, he was not an employee of ours, but he was a very much admired and loved member of our community. His gentle and warm nature made him many friends in Tom & Jerry's, and he will be greatly missed by our team and those who, like Munch did, call T&J's a home from home.He leaves behind a loving family, including his 9-year-old daughter, who will need all the support they can get during this untimely period of grief. The proceeds from this fundraiser will directly go to Munch's family to cover the costs of his funeral and to support his daughter.
Averbach is a Trader Joe's fan with an art historian’s eye. She became so fascinated by what she saw in Trader Joe's locations that she wrote the book, "The Art of Trader Joe's: Discovering the Hidden Art Gems of America's Favorite Grocery Store," after devoting her thesis at Yale to Trader Joe's as a contemporary cabinet of curiosities.
If you've been to the new East Village Trader Joe's ... then you've likely noticed the nearly 200 drawings that adorn the store's interior ...East Village-based illustrator Peter Arkle created the drawings, which are an appreciation of street scenes and architectural details that he has spotted throughout the neighborhood... from more celebrated sites such as the Cube on Astor Place to the lesser-known features like the water fountain/wash bowl with the bronze figures (circa 1890s) outside the Immaculate Conception Church on 14th Street.
Workers arrived this past week and began loading materials onto the roof to build scaffolding. By Friday afternoon, the scaffolding had grown to occupy the sidewalk, bike lane, and part of the street.Back to the tipster:
Friday evening was chaotic for a while when an MTA bus could not pass the barricades placed on the street to protect the scaffolding. This caused a roadblock, and the cars behind it honked their horns for about 15 minutes. Eventually, the cars and bus all backed out onto Second Avenue, and traffic flowed across Ninth Street again.
The power is off in the building and as of now there are no exterior lights on the sidewalk so a significant portion of the block is pitch black. Traffic can't see the construction site or narrowing of the street until they are right up on it.
The New Museum Restaurant — an extension of the New Museum's renewed visitor experience — will function as an all-day café and restaurant. The cuisine will focus on seasonal and sustainable ingredients.Art and artmaking have always flourished through in-person collaboration and connection, especially when convening over food and beverage. Our restaurant will be a space where artists, museumgoers, and community members converge, as part of the many new experiences offered by the OMA-designed expansion of the New Museum.
Built with conversation and intimacy at its center, our restaurant will be an active contributor to the New Museum’s community and a celebration of the surrounding neighborhood’s rich artistic history.
Incorporating sustainable materials and practices in both its menu and design, the 100-seat space will be a zero-waste, all-day cafe and restaurant spotlighting vegetables and local seafood, drawing inspiration from local purveyors and growers and focusing on ingredients from the Hudson Valley.Dish presentation by Chef Julia Sherman will be artful and visually striking, and diners can expect bright colors and playful eating. The cocktail program will be designed by Arley Marks, featuring classic martinis, spritzes, and botanical non-alcoholic selections. The wine list will feature natural selections of back vintages, predominantly from regenerative wine growers.OMA's design for the space draws inspiration from downtown New York neighborhood restaurants and the community gardens of the Lower East Side, creating a warm and intimate gathering space for artists, museum visitors, and patrons from around the world.
The Egg appears to be part parody and part art project, but there may be something else stirring under the surface. Connor Gaydos is listed as Enron's CEO in the company's articles of incorporation in Delaware... Gaydos is the co-author of a book about Birds Aren't Real, a movement designed as a parody of conspiracy theories. Birds Aren't Real pushes the idea that birds are government spy drones.
Join New York Immigration Coalition and the Lower East Side Community Care Coalition to learn how your organization can be an ally in the fight to protect our neighbors. Attendees will be taught how to identify valid vs invalid warrants and the rights your organization has in an encounter with federal authorities.March 8 2-4 p.m.St. Mark's Church-in-the-Bowery131 E. 10th St. at Second Avenue
The East River Park Track will soon close through at least 2026 and undergo a complete reconstruction ... The designs for the new track do not include sports lighting. Now is the time for our community to organize and petition our city to incorporate lighting into this fully funded reconstruction project, ensuring the rebuilt track meets the needs of the community now and in the future.
And The East River Park Track is one of only two regulation tracks open to the public in Manhattan and the only one located south of 135th Street (the other regulation track is located at Riverbank State Park on the Upper West Side). It is a vital community resource that deserves to be ready to meet the community’s needs for safe all-year-round use after its reconstruction.
... Community Board 3 supports the efforts of community advocates in ensuring that the track remains a safe, accessible, and well-lit public resource year-round while also addressing environmental concerns related to lighting.
While other artists of his generation rode the art-market boom of the last three decades, he remained aloof, rarely putting his work up for sale at galleries. His spare website features a few of his paintings and photographs, but no contact information or personal details.His work was absolutely analog. Mr. Hirshorn made his own paints using traditional ingredients, and he scoured the Chelsea flea market for antique camera parts, the older and more obscure the better.His landscapes drew on a color palette of dirty greens and autumnal browns. They were Turner-esque in their near abstraction, with swirls of misty clouds obscuring craggy cliffs and stormy seas.His photographs likewise seemed to exist out of time. He made them by applying a solution of salt and silver to drawing paper, layering it with a negative and exposing it to light to capture an image — a technique developed in England in the mid-19th century that eventually fell out of favor because it required very long exposures that made it hard to keep an image in focus.
Basically within a five-minute walk [today] most of the East Village that I’ve known over the course of 25, almost 30 years is gone, just gone, not like in bits and pieces, shifting here and there — just one fell swoop. Just to see everything radically redeveloped is what’s so stunning, because it used to happen in bits and pieces as the real estate went up. Now they’re doing blocks instead of buildings.