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The famed sculptor died last July at age 77… and someone now has taken the time to remember him here at his former home-studio at 421 E. Sixth St. …
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The building and adjacent empty lot recently hit the market for $25 million.
In keeping with his Minimalist philosophy, Mr. De Maria left the substation’s industrial origins intact: An impressive grittiness prevails throughout the raw space. Major improvements were confined to the overhead lighting that illuminated his room-size installations.
Even the elevator is a vintage artifact, as is the Viking stove in the bare-bones kitchen where he cooked steak and vegetables. But mostly he worked, dreaming up installations like Bel Air Trilogy, an assemblage of three classic, two-tone (red and white) 1955 Chevrolets, each with a silver stake embedded in its front and rear windshields. A two-story ramp at the back of the property made it possible to take the cars, and other huge objects, up to the second-floor studio.
The sale also includes an unimproved lot at 419 East Sixth, a 7,920-square-foot expanse of grass and gravel partially enclosed by a chain-link fence with the potential to be repurposed into gardens, a noncommercial gallery, a garage or townhouses.
Throughout his career, De Maria cultivated a somewhat reclusive personality as far as the media was concerned. He seldom gave interviews and disliked being photographed. He also avoided participating in museum shows when he could, preferring to create his installations outdoors or at unconventional urban locations.
As a result, his work was not widely exhibited in the U.S. and he never became a household name. But critics championed his work, finding his large-scale installations to be conceptual and intellectually complex, while at the same time accessible to the general public.
According to a 1919 Board of Appeals resolution, the “four-story fireproof transformer building” would accommodate a switchboard room, static air chambers, blower room and rotary foundations on the first floor; rotaries, transformer, and booster compensator on the second floor; a battery room on the third floor; and a high tension room and blower and exhaust chambers on the fourth floor. Three people would work on the first floor and two on the second.
421 East 6th Street between Avenue A and First Avenue in the East Village neighborhood of Manhattan, New York City was built in 1919 as a transformer substation for the New York Edison Co., and was designed by William W. Whitehill in the Neo-classical style. It converted DC current into AC. The bulding was converted to a multi-use commercial structure in 1963, and has been owned by artist Walter De Maria since 1980.