Monday, February 25, 2019

New playground equipment alert in Tompkins Square Park


[Photos Friday by Steven]

New playground equipment is arriving in the under-renovation playground on the Avenue B side of Tompkins Square Park (H/T @dens!) ...



Renovation work started last Oct. 1 on the Avenue B children’s playgrounds.



According to the Parks Department website: "This project will reconstruct two playgrounds with new play equipment, safety surfacing, spray showers, seating and fencing."

The project has a 12-month timeline for completion. Construction here is listed as 37 percent complete, per the Parks Department website.

Previously on EV Grieve:
Playground renovations underway in Tompkins Square Park

Heavy-duty fencing arrives as playground renovations continue in Tompkins Square Park

Ravagh Persian Grill is back in action on 1st Avenue



Ravagh Persian Grill has returned after a months-long interior renovation here at 125 First Ave. between Seventh Street and St. Mark's Place.

This is one of five outposts for Ravagh (three in Manhattan and two on Long Island).

People seem to like this place. Eater gave it high marks in a roundup of Persian restaurants ... while the reader comments were positive, with one noting on our last post: "I eat here all the time! The ghormeh sabzi is the best I've ever had in a restaurant. Very much hoping they open up again soon."

BeetleBug sits empty now on 9th Street



Several EVG readers have noted that BeetleBug, the floral design shop, has been emptied at 441 E. Ninth St. at Avenue A.

There's no message on the site's website or social-media properties about any type of closure. (They do have operate a small-scale market and flower farm in the Hudson Valley.)

BeetleBug opened in early 2017, and they were the first tenant in Icon Realty's renovated retail spaces here at 441 E. Ninth St. (aka 145 Avenue A).

According to one previous retail tenant here in 2015, Icon either wasn't renewing leases or offering new terms with unmanageable rent increases. (Icon bought the building for $10.1 million in April 2014.)

The last previous tenant to leave — in February 2016 — was the Upper Rust, who found a new space in Chelsea for their antiques.

Another new business along here, Mahalo New York Bakery, which served Hawaiian-inspired desserts, closed back in fall after seven months in business. That 300-square-foot space is now for rent with an ask of $4,500 monthly, per the Icon website.

Report: Discussions on a mixed-income community for former St. Emeric property


[EVG file photo]

There is some development news to report about the former Church of Saint Emeric, which has sat empty since merging with St. Brigid's in early 2013.

St. Emeric's, built in 1950, is on a lonely stretch of 13th Street near Avenue D. The church sits next to the NYC Department of Environmental Protection's Manhattan Pumping Station and across the street from the Con Ed power plant ...


[EVG file photo]

As Curbed reported late last week, the Archdiocese of New York is considering a proposal to turn the 300,000-square-foot property, which includes a former school, over to a land trust for 400 units of below-market-rate housing.

Per Curbed...

The Cooper Square Community Land Trust has offered to partner with developer Jonathan Rose Companies to create a mixed-income community ...

The Archdiocese has already committed to devoting 100,000 square feet of the property toward affordable housing — though they have yet to define tenant income requirements — on land that houses the former Church of St. Emeric. But housing advocates say the church should further its charitable mission by devoting the entire lot to low- to middle-income housing.

And...

[I]f the trust’s proposal to develop St. Emeric's is accepted, the project would also include community space, as well as services for mental and physical health, senior services, and educational programming. The group would fine tune the plan based off of community feedback.

And if all this goes through, given the proximity to Con Ed, the land would require environmental remediation from contaminated soil.

Meanwhile, the Archdiocese doesn't seem so keen to convert the former Church of Nativity on Second Avenue between Second Street and Third Street into similar housing.

The Church closed after a service on July 31, 2015, merging with Most Holy Redeemer on Third Street. In the summer of 2017, the archdiocese desacralized the former church, clearing the way for a potential sale of the desirable property.

Back to Curbed:

The Cooper Square Community Land Trust ... offered to buy Church of the Nativity for $18.5 million (with $5 million in closing costs) over a 30-year period, but the Archdiocese has instead expressed interest in seeking market value for the land and using the funds to address needs at the Most Holy Redeemer and parishes across the city.

The Cooper Square Community Land Trust is currently organizing a town hall this spring with Community Board 3 to discuss "how decommissioned churches can be best utilized by the Archdiocese and the communities they once served." Something other than demolishing them to make way for ultra-luxury condos.

Previously on EV Grieve:
Looking at the Church of Saint Emeric on East 13th Street

From St. Emeric's to St. Brigid's

Educator: Turning the former Church of the Nativity into luxury housing would be a 'sordid use' of the property

Sunday, February 24, 2019

Week in Grieview


[Christo hunting in the Park Friday via Bobby Williams]

Stories posted on EVG this past week included...

The untold tale of East Village shopkeeper Santo Mollica's comic-book past (Thursday)

After 50 years on the block, the Hells Angels appear to be selling their 3rd Street clubhouse (Friday)

The birds and the bees: Mating season commences in Tompkins Square Park for red-tailed hawks Amelia and Christo (Wednesday)

The final days of Sidewalk (Tuesday)

An evening honoring extraordinary women at Middle Collegiate Church (Saturday)

Crooked Tree closes after 20 years on St. Mark's Place (Tuesday)

More details emerge about the revamped Webster Hall, returning this spring with Patti Smith, Sharon Van Etten and Royal Trux (Friday)

The foot race to beat the M14 along 14th Street (Thursday)

A "new wave gay bar" for the Standard East Village (Wednesday)

C&B Cafe now part of new venture taking over the former Cafe Orlin space on St. Mark's Place (Tuesday)

Under St. Marks won't be available for the Frigid Festival (Monday)

Plywood report: 101E2, aka 101 E. 2nd St. (Thursday)

Ralph’s Famous Italian Ices coming to 2nd Avenue in Gramercy Park (Tuesday)

Kikoo bringing all-you-can-eat sushi to the former Papa John's outpost on 1st Avenue (Wednesday)

An anniversary for McSorley's (Monday)

Report: Danny Meyer is closing Martina on 11th Street (Tuesday)

... and on Fourth Avenue, another children's kitchen closure to report...


[Photo yesterday by Derek Berg]

---

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Those random concrete blocks on 10th Street



EVG reader Steven Hirsch shared this photo from 10th Street between Avenue A and First Avenue ...where these concrete blocks arrived earlier in the week "with no signs or permits."

That's one way to prevent people from parking here.

Updated 2/26

Mystery solved here.

Today in (random) NYC music history


[EVG photo from December]

Led Zeppelin released Physical Graffiti on this date in 1975 (Happy No. 44!) ... with the double album cover shot at 96-98 St. Mark's Place between Avenue A and First Avenue (Yes — the Stones used the stoop a few years later).


Find some album-cover history at this Gothamist post from 2014... ditto for this Off the Grid post.

Saturday, February 23, 2019

Saturday's parting shot



Zoltar with a tag outside Gem Spa on Second Avenue at St. Mark's Place this morning...

An evening honoring extraordinary women at Middle Collegiate Church



Middle Collegiate Church on Second Avenue is hosting the following event on Tuesday night... "Rage, Rejoice & RISE: An Evening of Celebration, Inspiration and Solidarity."


Here's more via the EVG inbox...

Eve Ensler, Tony-Award-winning playwright and founder of V-Day and One Billion Rising, hosts an evening featuring best-selling author Naomi Klein; "Westworld" star and domestic violence survivor/advocate Evan Rachel Wood; and Rhanda Dormeus, mother of Korryn Gaines, a young woman shot and killed by Baltimore police in 2016.

The evening includes the Rev. Jacqueline J. Lewis, Ph.D.; musicians, activists, and the gospel choir of Middle Church. The evening honors the extraordinary women who are rising in unprecedented ways across New York City, the country and the world.

Tickets are $10 and available here.

The event starts at 7 p.m. (Doors open at 6:30 p.m.) Middle Collegiate Church is at 112 Second Ave. between Sixth Street and Seventh Street. Find more info here.

A Public lawsuit

ICYMI from The New York Times yesterday...The Public Theater on Lafayette filed a lawsuit against Ian Schrager's swank-o Public hotel, which opened in 2017 just below East Houston on Chrystie.

The Public Theater (officially known as the New York Shakespeare Festival) asserts that Schrager and Co. "violated its trademarks by using the name 'Public' — as well a strikingly similar logo — to advertise theater and musical performances."

The lawsuit, filed in the United States District Court for the Southern District of New York, argues that the hotel’s use of "Public" in marketing entertainment events is likely to confuse customers and cause some to assume that the performances are associated with the famed nonprofit theater on Lafayette Street. The Public Theater, which opened its first show in the 1960s, claims that the Public hotel is essentially siphoning off its business by riding on its theatrical coattails.

Public Theater officials told the Times that they didn't have any problem with Schrager using the name in association with the hotel. The issue comes with the hotel's performance space, called Public Arts.

And Schrager's response?

Mr. Schrager said in a statement through his spokeswoman that when his company registered its trademarks for the hotel, the Public Theater did not have any of its own. "We would not have gotten our trademarks if they did," he said.

And...

"After being in the business for 40 years with scores of projects having been completed, I think I know a little about registering trademarks to protect our brands and good will."

This is the second high-profile trademark lawsuit on the LES. Last year, MoMA took legal action against the MoMaCha tea room on the Bowery.

Random P.I.L. album art via Wikipedia Commons.

Banners for the Brant Foundation's Basquiat exhibit



Noting the recent arrival of the banners on Sixth Street and Avenue A for the upcoming Basquiat show, the inaugural exhibit at the Brant Foundation, 421 E. Sixth St. between Avenue A and First Avenue...



The exhibit, featuring works from the private collection of Peter Brant, starts March 4...





The free tix are all accounted for... but you can add your name to a waitlist.

The DOT allows for banners that "promote a public event or a cultural exhibit." Application info is here.

Previously on EV Grieve:
Here's how to reserve free tickets for the Basquiat exhibit opening next month at the Brant Foundation on 6th Street

Friday, February 22, 2019

'White' noise



From the forthcoming Royal Trux album White Stuff (Fat Possum Records) ... this is the song "White Stuff."

This is the first new record for Neil and Jennifer in 20 years. They'll be at the revamped Webster Hall on May 15.

After 50 years on the block, the Hells Angels appear to be selling their 3rd Street clubhouse


[EVG file photo]

The word coming from Third Street is that the Hells Angels are selling their clubhouse (No. 77) here between First Avenue and Second Avenue with a springtime move planned.

According to public records, there's a Memorandum of Contract (the form preceding a contract of sale) dated this past Dec. 21 between Church of the Angels, Inc. (aka — The Church of Angels) and 77 East 3rd LLC ...



The document is signed by Bartley J. Dowling, president of the NYC Hells Angels chapter, and the purchaser, Nathan Blatter of Whitestone Realty Group.

Attorney Ron Kuby, who has represented the Angels in legal matters through the years, said that he was unaware of any sale. "I have heard nothing about it," he said on the phone yesterday. (He also said that he doesn't handle real-estate law.)

At this time, it's not known where the NYC clubhouse may be relocating or what the reasons are for doing so.

The Hells Angels have had a presence in 77 E. Third St. since 1969. They eventually bought the six-floor building, which includes their clubhouse and member residences (Realtor.com lists 14 units), from Birdie Ruderman in the Bronx for a reported $1,900. The deed on file with the city from November 1977 shows the then-dilapidated building changed hands for $10...



In 1983, chapter president Sandy Alexander took over ownership of the building. The deed from that time states that Alexander, his wife Collette and their family could live on the premises rent free. In addition, in the event that the building was sold, she would stand to receive half of the proceeds.

This agreement was later the basis for a legal tussle in 2013 between the clubhouse and Alexander's family. (Sandy Alexander, who spent six years in prison for dealing cocaine, died in 2007.)

According to the Post in 2013:

They are suing his second wife, Alison Glass Alexander, of Jamaica, Queens and his daughter from another marriage, Kimberly Alexander, of Needles, Calif. to prevent them from making a grab for the property.

A source told the Post that the members have no immediate plans to sell 77 E. 3rd St. — which is on the periphery of New York University’s $6 billion expansion plan and in a once-crime ridden neighborhood where one-bedrooms now rent for $3,500 a month — but they wanted to clear up the "cloudy deed."

That deed was eventually reversed in April 2018, per public documents, ...



The U.S. government unsuccessfully tried to seize the building starting with a drug bust in 1985. The feds charged that the clubhouse was used to make drug deals. However, a jury ruled against the forfeiture in February 1994, per The New York Times.

At another time we may note more of their legal run-ins here through the years. (Most recently, in late December, the Post reported that a deliveryman was allegedly sucker punched by a member when he parked his car in front of motorcycles outside the clubhouse.)

And here's a portion of the 1983 documentary "Hells Angels Forever" that highlights the Third Street clubhouse at the two-minute mark...



More details emerge about the revamped Webster Hall, returning this spring with Patti Smith, Sharon Van Etten and Royal Trux


[EVG photo from last month]

The operators of the all-new Webster Hall released details yesterday about the revamped venue on 11th Street between Third Avenue and Fourth Avenue.

As previously reported, Webster Hall — now owned by BSE Global and The Bowery Presents — returns this spring (about a year earlier than expected).

For starters, Webster Hall announced a slate of performers, starting with Patti Smith and Her Band on May 1. Other upcoming acts include Broken Social Scene, MGMT, Empire of the Sun, Old Dominion, Sharon Van Etten, Built to Spill, Real Estate, Big Thief, TroyBoi and Royal Trux.



You can find more dates at the Webster Hall website. American Express card members can purchase tickets before the general public beginning Monday morning and through Thursday. Tickets for the general public go on sale March 1 at noon.

No word yet on the official opening date or performer. (RUMORED headliners include the Yeah Yeah, Yeahs, the Strokes, the National and Lady Gaga. Just one of them — not all four.)

Meanwhile, here's more via the news release from Webster Hall...

The renovations at Webster Hall aimed to preserve the iconic features of the venue, while modernizing it to meet today’s entertainment standards and enhance the guest experience. The Lounge (formerly The Marlin Room) has been revamped to serve as a bar and meeting spot for ticketholders both before and after shows in the Grand Ballroom.

Design details of The Lounge include elegant gold stenciling on the walls that pays homage to the original historic design, and fluted glass along the bar that mimics the venue’s former windows.

In the Grand Ballroom, the original stage remains, while acoustics were enhanced to create an optimal live event experience. Fans and artists returning to Webster Hall will notice other new features such as central air conditioning, expanded restrooms, additional stairwells for smoother entry and exit, and the venue’s first-ever elevator that will serve guests with disabilities and speed up each show’s load-in and load-out process.

Behind the scenes, an artist compound was built with upgraded amenities to provide direct access to the Ballroom stage, creating a more comfortable and inviting environment for performers and their management. The venue’s basement level, formerly known as The Studio at Webster Hall, will also return, with more details to be announced at a later date.

The architect of the revived venue is OTJ Architects, the contractor is Shawmut Design and Construction, and acoustic design is by L’Acoustics. Once open, Webster Hall will employ an estimated 70 people across various positions in the venue, between front of house and back of house, on any given event night.

The Times got a sneak preview of the venue yesterday, if you'd like to read that here.

This landmarked building has been around since 1886. It re-opened as Webster Hall in October 1992 after the Ballinger family purchased and renovated the space that was known as The Ritz during the 1980s.

Previously on EV Grieve:
When Webster Hall reopens, there might be a Moxy Hotel across the street

First sign of upcoming renovations at the former Webster Hall

Permits filed to renovate Webster Hall

The Webster Hall marquee looks to be in danger of falling

Plywood arrives at Webster Hall

A new marquee for Webster Hall

Thursday, February 21, 2019

The untold tale of East Village shopkeeper Santo Mollica's comic-book past


[Photo yesterday by Stacie Joy]

By Marjorie Ingall

Santo Mollica of The Source Unltd copy shop is no stranger to EVG readers.

Fans of his shop, on Ninth Street between First Avenue and Second Avenue, love it for its affordable printing services, postcards by East Village artists, community bulletin board, canned food donation drop-off box, and meet-and-greet opportunities with resident celebrity pit bull Curtis. (Curtis, named for Curtis Mayfield, succeeded the equally beloved Satchmo, who was named for Louis Armstrong.) This year marks the store’s 37th anniversary.

We all know about Santo’s musical history. But back in the day he had another gig, working for the now-defunct Comics Code Authority (CCA): The self-censoring arm of the American comic-book industry. What was a counterculture dude doing toiling in the red-pencil expurgating trenches? He'll explain in a moment.

But first, a quick backgrounder: The Comics Code was born in the McCarthy era, when a NYC psychiatrist named Fredric Wertham published a blockbuster anti-comics screed called "Seduction of the Innocent." It led to a 1954 Senate Subcommittee investigation at which Wertham testified, "I think Hitler was a beginner compared to the comic-book industry."

To avoid a government crackdown, the four biggest comics publishers created their own regulatory code, which prohibited the sympathetic depiction of criminals and the questioning of authority figures. Scenes of "horror, excessive bloodshed, gory or gruesome crimes, depravity, lust, sadism and masochism" were banned. "Profanity, obscenity, smut, vulgarity" and general filth were all prohibited. And "females shall be drawn realistically without exaggeration of any physical qualities." You know, for the sake of the kids.

The first cracks appeared in the code in 1971, when the government asked Stan Lee to address the dangers of drugs in a comic. Lee wrote a Spider-Man arc doing just that. The CCA refused to approve it. Lee published issues #96-98 without the CCA Seal of Approval, which marked the beginning of the end. That year, the code was adapted to allow horror, as long as it was "handled in the classic tradition of Frankenstein, Dracula, and other high-caliber literary works."

Cops, politicians and judges could now be depicted as corrupt, as long as the writers made them "pay the legal price." Moral ambiguity, sex and violence ramped back up. And underground comics, which ignored the code completely, gained popularity; comics stores and head shops began to carry comics without the Seal of Approval. The code was loosened further in 1989 (when openly LGBT characters were permitted) and dumped entirely in 2011.

Today, the Comic Book Legal Defense Fund, a nonprofit that fights censorship and protects comic-book and graphic-novel creators' intellectual property, owns the rights to the Comics Code seal. ("Spider-Man: Into the Spider-Verse" opens with an "Approved by the Comics Code Authority" stamp — perhaps an inside joke referencing the role Spidey played in destroying the code.)

But the 1971 rules were still in place when Santo began working for the CCA. (The following interview has been condensed and edited for clarity.)

When I was going to Hunter College, I was also a musician and didn't want to get locked into anything, so I had a bunch of little jobs. I delivered tip sheets for a guy who would handicap races at Belmont and Aqueduct.

He had a little mimeograph printer thing in his apartment, and he'd get his connections from the track and type up his predictions for the day and he had about six newsstands he'd sell them at. I'd deliver them to the six newsstands and end up across from the Lincoln Building at 60 E. 42nd St.

Then I found out about a job right there, proofreading. I thought, I can do that! Perfect location! Not too taxing! I go for the interview. It's mostly older people. I was maybe 18, 19. They pulled out these 12x18 sheets that were storyboards of comic books. DC, Marvel, Archie, Richie Rich. It was so cool seeing the pure artwork, the pencil work. The story and lettering and graphics. They weren't colored in yet, and they had to get approval to do that. My job was to stamp the back of each piece of artwork and initial it to say it was cool to go to the next phase.

I was a big comics kid. I grew up in the South Bronx. My mom passed when I was 5. Marvel comics, especially, actually helped me in terms of how to relate to people. Marvel was always big on empathy: Peter Parker had to wrestle with his guilt for not stopping his uncle from getting killed. Daredevil was blind.

Marvel’s thing was that the characters were always misfits, always struggling to deal with the gifts they were given. More than the DC guys, who were boring, perfect heroes. I really identified with Spider-Man because I liked the idea that no one really knew who he was. So many people would brag, but Spider-Man is the guy quietly saving the world. I had a big Spider-Man collection that would have been worth real money, but my older sister threw it out — let’s just say that was one nasty time. But who’d have known?

Anyway, I’m like whoa, the Job Gods are working for me! I’d do my route for the tip sheet guy and end up on 42nd Street, and I’d have breakfast and read comics.

Sometimes the artists would try to sneak things through – too much cleavage, too much nipple through the uniform. We’d have to tell them, "I appreciate your artistic integrity but the kiddies ain't gonna like this." Actually, the kiddies will like it but the parents won't. We'd have to bounce it back and they'd have to make the corrections and resend it. I always had to watch the V-necks.

Sometimes they'd slip in curses. One time they had Iron Man going, like, "Let's go get that bastard!" I'm like, "OK, man, I agree with your sentiment but that’s not gonna work." And we'd send it back and they'd correct it. They knew what was allowed and what wasn't allowed.

Violence wasn't a big deal by then. Some Tales from the Crypt were gory, but [the CCA] didn't care about gory – I guess that’s the American Way. Archie was pretty tame. Richie Rich was easy. Those were my least favorite. But you had to be careful because they were for little kids and you don't want to miss something.

I did it for about three years, and it was the first job I had where I was paid for time off in the summer. I was like, this is the motherlode! Granted, it wasn’t that much money, because I was only there a few hours a day. I lost the job when they started introducing 401(k)s and the guy who ran the organization said, "Hey, I can give this money to my wife and we can save for our retirement." So I lost out to the wife and that was that.

Growing up, I was on my own, pretty much. I mean, I had family. But whenever people get raised by other people, they always say, "I loved him like a brother" — and "like" is the operative word. "Like" is like and the real thing is the real thing. You know the difference. And you carry it with you.

I learned a lot from the comics about how to deal with people, how to conduct yourself, how to think about people with handicaps. You know, my lady's got MS and she used to have a cane — now she has a chair – that folded up just like Daredevil's. Peter Parker was pining, but he’d rather save the world than have everyone think "I'm something." Let the work speak for itself. Superhero-ing, writing, making music, saving the world. It’s all one.

Marjorie Ingall is an East Village-based freelance writer and the author of "Mamaleh Knows Best."

Plywood report: 101E2, aka 101 E. 2nd St.


[24 1st Ave.]

The plywood arrived this week outside 24 First Ave. and 99-101 E. Second St., which have been in the preliminary demolition phases...



As previously reported, developer Sergey Rybak has plans for a 7-story, 22-unit residential building called 101E2 on these properties. The Rybak website lists that the residences are condos with ground-floor space designated for retail use.

If this helps ... an aerial view of the block, showing how the two buildings are currently configured ...



The plywood rendering is the same one we saw last year via the Ryback website... this appears to be the Second Street side...



The Ryback website now has a second rendering, which looks like the First Avenue profile...



Hayne Suthon, who owned and and operated Lucky Cheng's, the cross-dressing cabaret at 24 First Ave., owned the properties. She died of cancer at age 57 in June 2014.

Previously on EV Grieve:
Building that housed Lucky Cheng's on 1st Avenue now on the auction block

Onetime home of Lucky Cheng's and adjacent property sell for $12 million

7-story residential building pending at the former Lucky Cheng's space

Demolition permits filed to bring down former Lucky Cheng's building on 1st Avenue

The foot race to beat the M14 along 14th Street


Transit advocates, out to show how slow city buses are, organized a contest yesterday morning in which pedestrians power-walked on the sidewalk as they followed an M14 on 14th Street from Avenue A to the west side of Union Square.

In the end, the bus won the race — by five seconds.

Per Gothamist:

"For New York City in 2019 to have a bus going walking speed on a good day is really nothing to celebrate," said Tom DeVito, senior director of advocacy at Transportation Alternatives, which organized the contest. He noted that that car traffic was less paralyzing than usual, likely due to school being out this week.

The M14 has been found to be the city's third slowest, as well as one of its busiest, with a daily ridership of 30,000.

With the L-train slowdown coming, the buses along 14th Street could get even slower.

The MTA/DOT have already taken the first steps to make 14th Street a car-free busway for most of the day. However, with the shutdown called off, the MTA said last week that a busway along this stretch isn't necessary.


You can find more coverage at Newsradio 880 ... NBC 4 ... Metro New York ... and NY1.

Sunday is the last day for St. Mark's Comics


As first reported here on Jan. 29, St. Mark's Comics is closing at the end of this month at 11 St. Mark's Place between Second Avenue and Third Avenue.

The shop's Instagram account has announced that Sunday is now the last day (closing at 6 p.m.). Until then, owner Mitch Cutler continues to unveil some bargains from the basement on this self-described "farewell tour."

And as Cutler told me on Jan. 29:

"There are a number of things that contributed to [the closing]. I have been working 90 hours a week for 36 years, and I no longer have the wherewithal to fight them — all of these various reasons. It is challenging to have a storefront business in New York City for a number of reasons ... it is challenging to keep and maintain a retail storefront and there are enough impediments now that — like I said, I'm exhausted and can't fight them anymore."

The storefront is currently for rent.

For further reading:
The BEST job I’ve ever had": A Tribute to St. Mark’s Comics, From Former Store Manager T.J. Shevlin (The Beat)

Wednesday, February 20, 2019

Wednesday's parting shot



A view of Tompkins Square Park this afternoon via Bobby Williams...

EVG Etc.: The Strand's landmark battle; Cooper Union's Chrysler Building situation


[Outside Josie's the other morning on 6th Street]

An in-depth look at NYC's post-Sandy flood protection plans along the East River (City Limits... previously)

How NYC restaurant owners and operators are reworking their budgets and operations to cover the minimum-wage increase (Eater)

Tensions over landmarking 828 Broadway, home of the Strand (Gothamist ... Curbed)

The longterm financial outlook for Cooper Union, who owns the land where the Chrysler Building sits. Per this article, "Cooper Union will make more than $50 million in rent and tax income off the Chrysler Building — its main asset." (Commercial Observer)

Mayor releases the city’s 2019 "Borough Pedestrian Safety Plans" (Streetsblog ... amNY ... ABC 7)

Primer for NYC's public advocate special election (Curbed)

Legal drama involving Rosario Dawson's family in renovated 13th Street building (New York Post ... previously)

A few more chances to see Nicky Sunshine's one-woman show "Confessions of a Massage Parlor Madam" this weekend at the Wow Cafe Theatre on East Fourth Street (Official site)

Buzzy Geduld, who started Donut Pub in 1964, discusses his new outpost, opening soon on Broadway at Astor Place (Grub Street ... previously)

"Polylogues" — described as "a theatrical investigation into nonmonogamy" created and performed by Queer|Art Fellow Xandra Clark – plays at Dixon Place tomorrow night and Friday night (Official site)

Journalist Jacob Margolies recalls growing up in the 1960s and 70s on the playground of East Third Street, with a brief postscript on memory and mythologies about the city (Vol. 1 Brooklyn)

TV and movie productions find many of their vintage electronics through the Lower East Side Ecology Center (Gizmodo)

New Essex Market signage arrives (The Lo-Down)

Upcoming special screenings at the Village East on Second Avenue and 12th Street include "Poetic Justice" (tomorrow night), "Easy Rider (Monday) and "The Color Purple" (Feb. 27) (Official site)

... and the House of LaRue, the style, glam and drag boutique, moved out of its storefront on East Houston at Clinton (on to Metropolitan Avenue) at the end of January ... the space is now home to a psychic...