Monsieur Vo is a love letter to our fathers, brothers, uncles and the elemental Vietnamese tradition of ăn nhậu — communal dining, typically outdoors, always with plentiful drinks.
If you're a skateboarder — or a former skateboarder, or at least somewhat skateboarding-adjacent — and live in New York City, that sentence cannot be read without an exclamation point. The green bench! That's because this particular 300-pound piece of steel street furniture has become one of the most storied objects to skate around and on, and its arrival on the East Coast adds a coda to a two-decade saga of discovery, theft, loss, reconstruction, and a particularly hard-won switch backside noseblunt slide across its 13-foot arc.
"I hope it stays at Tompkins forever," he told Curbed. You might think (as the guys I talked to at FA did) that with the bench's history, there would be a serious security apparatus surrounding it at night. But according to AVE, the bench's future at Tompkins is being left to fate: It's just sitting out there for everyone to skate.
Having removed the initial 24 abandoned sheds, the task force has begun identifying and removing additional sheds, investigating another 37 sheds identified as egregious violators of Open Restaurants program guidelines, and reviewing complaints and summons data to identify and remove other abandoned sheds throughout the five boroughs. Sheds reported to be abandoned will be verified as abandoned two separate times before receiving a termination letter, followed by removal and disposal of the shed.The task force will also review sheds that, while potentially active, are particularly egregious violators of Open Restaurants program guidelines. In these cases, sheds will be inspected three separate times before action is taken.
After each of the first two failed inspections, DOT will issue notices instructing the restaurant owner to correct the outstanding issues; after the third visit, DOT will issue a termination letter and allow 48 hours before issuing a removal notice. DOT will then remove the structure and store it for 90 days — if the owner does not reclaim it in that period, DOT will dispose of the structure.
The new structures are operated as a public-private partnership by consortium CityBridge, and are a revamp of the old 10-foot kiosks the firm set up under former Mayor Bill de Blasio starting in 2015 with free Wi-Fi, USB charging ports, a tablet, a 911 button, and calling capabilities.
The old ones were supposed to be funded by digital ad displays on the side and the city originally hoped to build 10,000 of them, but the screens did not bring in the promised revenue, which brought the program to a halt with some 1,800 units built largely in Manhattan.
There is a big market for catalytic converters and these thieves know that. Great Police work by Officer Ramos and Officer Foster. They responded to a 911 call of a man stealing a catalytic converter from a car and after a brief foot chase the individual was arrested. pic.twitter.com/o8IH7zYQqT
— NYPD 9th Precinct (@NYPD9Pct) August 20, 2022
Archie Shepp and Jason Moran are two avant-garde jazz musicians from different generations that nonetheless share a penchant for pushing the envelope. Shepp is a veteran saxophonist who has been called both a musical firebrand and a cultural radical, standing out even amongst myriad talents in the free jazz generation. Moran is pianist 37 years Shepp’s junior, with an equal respect for tradition and trailblazing. Their 2021 collaboration Let My People Go is a warm and intimate collection of duets recorded live in 2017-2018, a pristine portrait of two masters at work.The bill also includes the Grammy-nominated Chilean tenor saxophonist Melissa Aldana, who plays with a ferocious energy and deft musicality; Bria Skonberg, a Canadian jazz trumpeter and bandleader once described by The Wall Street Journal as one of the most versatile and imposing musicians of her generation; and Pasquale Grasso, a master be-bop guitarist known for elevating the instrument through his pianistic approach, showing the influence of Bud Powell and Art Tatum in a revolutionary hard-swinging way.
