The series starts this Wednesday with "A Married Woman" from 1964.
Visit this link for more information on the films and showtimes.
Godard died on Sept. 13 at age 91.
[The Quad has] played specialized films for most of its existence, but never with the clout and expertise of Landmark. Still, it’s unlikely to vault ahead of its Lower Manhattan competition.
Under Landmark, it remains to be seen whether the Quad will continue to provide a haven for viable titles that don’t conform to 90-day theatrical windows and don’t want to four-wall screens to play them. In New York City, reportedly the IFC Center is the only other theater willing to provide this opportunity to select distributors.
Consistent with Cohen Releasing’s acquisition of primarily foreign-language titles, the Quad has played many first-run subtitled films. One question to be confirmed is the continuation of repertory programming, which has previously been a priority for Cohen. ... According to Cohen, the Landmark Quad Cinema will continue to showcase restored and classic films.
This intense documentary shows a driven creator walking the walk, so to speak, in the most perverse fashion possible. The story is both repellent and strangely inspiring.
Few actors are as recognizable in American movies as Harry Dean Stanton. The singularly mild-mannered face of the New Hollywood, his repertoire expands to dozens of appearances in beloved studio, cult, and independent movies, with only a handful of lead roles to his name.
In a career spanning more than 60 years, Stanton’s inimitable hangdog persona revealed a distinctive capacity for harebrained agitation and laconic, low-key melancholy that prove equally disarming. Stanton has worked with many cinema greats, from Carpenter to Wenders to Lynch. On the occasion of his starring role in Lucky (opening September 29) ... the Quad is proud to present a wide-ranging selection of his most memorable roles.
The updates to the facility include a new modern design; the capability to screen films in 35mm, 16mm, 4K digital and 3D formats; and a wine bar adjacent to the lobby.
In the overhaul, the venue’s seating capacity will downsize from 560 seats to 430, divided among four theaters meant to have the intimate feel of private screening rooms with improved sightlines and seats. The theater’s rebranding also includes a new logo.
A retrospective of the work of Italian filmmaker Lina Wertmuller will coincide with the relaunch of the Quad, where inaugural first-run titles will include Terence Davies’ “A Quiet Passion,” Katell Quillevere’s “Heal the Living” and “Maurizio Cattelan: Be Right Back,” Maura Axelrod’s documentary about a conceptual artist.
Programmers also have on the docket a Bertrand Tavernier retrospective timed to the upcoming first-run engagement of the French filmmaker’s latest, “Journey Through French Cinema.” The repertory screen will also show titles that are featured in the documentary.
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What is the biggest challenge of being a distributor?
The biggest challenge a distributor has for limited release films is finding screens. The highest and best use of real estate in New York City is not movie theaters. So there are very few screens and the real estate for screenings is very tight. We have done very well with the current screens, but I wanted my own screens so I could insure that I could play the films that I feel strongly about that might not otherwise find a home. I tried years ago to buy the Walter Reed chain, but that didn’t work out. So in 2014, I acquired the Quad Cinema ... It’s going through massive renovations. It originally had 570 seats, but will open in April with four state-of-the-art screens, with 430 seats each.
C. Mason Wells, the IFC film programmer who Cohen hired to co-run the Quad, tells me that he tracked Cohen down after hearing that he’d bought the theater. “I was so impressed by the scope of what he was doing,” Wells says. “There are so many people who do individual components, but not altogether—distribution, production, restoration and exhibition. That’s something I want to be a part of.” (Former Film Comment editor Gavin Smith was also brought on board to program the cinema.)
What clinched the deal was Cohen’s decision to dedicate one of the Quad’s four screens to classic cinema, which Wells wanted to focus on, and which is often relegated to matinee or midnight screenings at other theaters.
“Finding a fellow fan is great,” Wells says. “At our weekly meetings we’ll start talking about movies and the merits of them even when there’s other stuff on the docket. He watches pretty much everything that comes out and he can rattle off film facts like a human IMDB. It almost turns into a game of, ‘Oh man, I got stumped by Charles again.’”
“I think it’s going to be a game changer,” he says of the Quad. “I think it’s going to be one of the best places to see film in New York. The programmers will create a new standard. It’s what New York is missing.”
As our time together came to a close, I wondered some things aloud.
What would it have that other theaters didn’t?
“They don’t have what I’m looking for,” Cohen says.
But what was he looking for?
“A soul,” he says. “Going to a movie should be more of an event. It should energize you and provoke discussion. It should be a curated experience, there should be someone to welcome you, to provide history, interpretation. It should be a window on the world.” One with a wine bar.
Cohen plans to transform the facility into a repertory house, featuring films from the Cohen Film Collection. It’s a library that boasts 700 works by the likes of D.W. Griffith, Buster Keaton, Jean-Luc Godard, W.C. Fields and Alfred Hitchcock, and the exhibitions will include talks and lectures pegged to the movies being shown.
In addition to film classics, the theater will also play foreign and indie titles.
Cohen plans to transform the facility into a repertory house, featuring films from the Cohen Film Collection. It’s a library that boasts 700 works by the likes of D.W. Griffith, Buster Keaton, Jean-Luc Godard, W.C. Fields and Alfred Hitchcock, and the exhibitions will include talks and lectures pegged to the movies being shown.
In addition to film classics, the theater will also play foreign and indie titles.
The Quad will begin a top-to-bottom renovation in 2015, Cohen said, and will be outfitted with the latest in digital projection and sound. One screen will still be able to show film prints. The name will remain unchanged.