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Anyway, the new uploading system is a little screwy... So please excuse our appearance while we're under re-construction.
There will be a few more (pointless than usual) posts for testing purposes in the hours and days ahead.
“I first listened to Sonny Rollins at the age of 13. His music and his story has stayed with me to this day,” said Councilmember Stephen Levin, the bill’s sponsor.
“Looking around New York City you’ll see plenty of monuments to politicians,” he added. “You won’t see many monuments to cultural pioneers that embody the spirit of the city.”
In the summer of 1959, Rollins, who was 28 years old and at the height of his musical career, stopped performing and recording, and for two years would disappear to the pedestrian walkway of the Williamsburg Bridge, not far from his home on the Lower East Side.
It was on the bridge that Rollins, a native son of New York who lived in the city over seven decades, would practice for up to 16 hours a day.
“Playing against the sky really does improve your volume, and your wind capacity,” Rollins wrote in The New York Times in 2015. “I could have just stayed up there forever.”
During his sabbatical, Rollins also began practicing yoga, started exercising, quit smoking, and worked on improving himself. After two years on the bridge, Rollins became a better, more confident player and a better human being.
Rollins’ decision to retreat from the jazz scene — essentially taking a vow of artistic silence — was considered an extreme act. The only place one could hear Rollins play music was up on the bridge.
When Rollins finally returned to playing in public in November 1961, he was a changed man; a more confident and refined player, but also a radical humanist. He went on to create music for another half century, playing many of the world’s great concert halls and releasing many more albums.
Rollins’ work, part of his life-long pursuit of self improvement, exemplified by his time on the bridge, has provided inspiration for people of all walks of life around the world. He is considered one of the living legends of jazz, the greatest improviser in the history of recorded music, and an artist whose influence transcends music.
Tonight, New York City mourns the senseless death of a sixth grade girl who lost her life while crossing Delancey Street today. This devastating loss is only the latest in a string of tragic accidents that have occurred on Delancey - numbering into the hundreds over the past decade. In both May and August of last year, New Yorkers lost their life navigating this intersection. Between 2008 and 2010, 523 motor vehicle accidents occurred at Delancey and Essex.
The City must act now and not wait a second longer. We can no longer go about its daily business with the knowledge that one of our central intersections is irrefutably perilous.