The NYPL's archive of the legendary East Village Eye now available to the public

Images from the NYPL

The New York Public Library's extensive archive of the East Village Eye is now processed and available to researchers. 

In February 2023, the NYPL acquired the East Village Eye archive from founder and editor Leonard Abrams. The collection consists of documents, manuscripts, artworks, videos, ephemera, and a complete run of the original printed publication (72 issues in total), which was published from 1979 to 1987 and covered the neighborhood's arts, politics, and social currents during a transformative decade. 

The collection also documents the daily workings of a small publication – advertising, correspondence, datebooks, financial records, and more. Contributors included resident advice columnist Cookie Mueller, Richard Hell, and David Wojnarowicz, and the newspaper featured images from dozens of acclaimed photographers early in their careers.

"The Library's acquisition of the East Village Eye archive is the perfect outcome of our years-long search for the best home for these materials," Abrams said upon the purchase last year. 

"We are looking forward to seeing the creative ways that the collection will be used by scholars, students, educators, artists, activists, and anyone passionate about the history and culture of downtown New York City,"  said Julie Golia, associate director, manuscripts, archives, and rare books and Charles J. Liebman curator of manuscripts, in a statement.

Highlights of the collection include: 

• A full print run of all 72 issues of the East Village Eye in pristine condition (no other public institution possesses a complete print run of the periodical)
• Extensive administrative records and founding business documents for the magazine, including correspondence with staff, contributors, advertisers, and readers throughout the Eye's eight-year run
• Abrams' handwritten pocket planners showing his relationship with artists, musicians, businesses, and writers across the neighborhood and beyond
• Promotional materials created by the Eye, including maps and guides of the East Village and invitations and flyers for Eye-affiliated parties, openings, and events
• A collection of photography of the downtown scene by a roster of acclaimed photographers employed or engaged by the Eye, including Marcia Resnick, Eric Kroll, Timothy Greenfield-Sanders, and others
• Candid and behind-the-scenes snapshots of Abrams and the Eye staff and contributors at work and as participants in the neighborhood's vibrant nightlife

Per the NYPL: "The records of the Eye will be essential to researchers studying the evolution of the punk movement, the growth of hip-hop, the rise of HIV/AIDS, and the early careers of artists like Basquiat, Mapplethorpe and Fab Five Freddy."

Researchers can access the East Village Eye records in the Brooke Russell Astor Reading Room for Rare Books and Manuscripts at the Stephen A. Schwarzman Building, 476 Fifth Ave. at 42nd St. (Find more info here.)

You can learn more about the East Village Eye records from the collection guide and this blog post by the NYPL's Golia.

Sadly, Abrams (above left with Fab Five Freddy) died suddenly last April, only a few months after the collection came to the NYPL. He was 68. 

The NYPL "is proud to provide access to the archive that represents Abrams' important cultural and journalistic legacy."

Previously on EVG:

• Q-and-A with Leonard Abrams, publisher of the East Village Eye

RIP Leonard Abrams

Photo from March 23 by Stacie Joy 

Leonard Abrams, the editor and publisher of the East Village Eye, the legendary magazine published from 1979 to 1987 that covered the neighborhood's arts, politics and social currents at the time, died suddenly on Sunday, according to several of his longtime friends. 

Abrams, who started the publication at age 24, had recently announced — much to his delight — that the Eye's archives, consisting of documents, manuscripts, artworks, videos, ephemera and a complete run of the original printed publication, had been purchased by the New York Public Library. (This article in The New Yorker has many more details about the archives.) 

On March 23, Abrams presided over a celebration of the acquisition at the Bowery Electric, an evening that included a performance by the Voluptuous Horror of Karen Black. 

His friends shared some thoughts on social media about his death...

My friend & former editor Leonard Abrams passed away suddenly yesterday. We met in 1990 when he was the US editor of Soul Underground. I'm in shock; he and I were just writing one another a few weeks ago and now he's gone. https://t.co/19WRYjCB2d @lithub @villagevoice pic.twitter.com/NY0mfpmqRO

— gonzomike (@gonzomike) April 3, 2023

Could EVEye publisher Leonard Abrams really be dead of a heart attack? He was only last week celebrating the NYPL getting the Eye archives. He was a true Tom Sawyer with that thing, getting us all to work for an apple core - but it wouldn’t have happened without him.

— Walter Robinson (@walter10065) April 3, 2023

Saddened to wake up to the news that #eastvillageeye Publisher, #LeonardAbrams has passed away. As a documentarian, I am so thankful of his rich documentation of the East Village Art Scene through his paper. And, he was such a wonderful, giving person.

— Make Me Famous Movie - ART documentary (@famousartdoc) April 3, 2023

His post-Eye career included opening Hotel Amazon, which brought warehouse-style parties to a former LES school featuring, among many others, De La Soul, Public Enemy and the Beastie Boys. He also made the documentary "Quilombo Countr," narrated by Chuck D, about a community founded by escaped slaves in Brazil. 

However, in recent years, his main ambition was to find a home for the Eye archives.

As he wrote: 

NYPL's acquisition of the East Village Eye archive is the perfect outcome of our years-long search for the best home for these materials. I can't think of another institution with the breadth and depth of interest, the institutional strength and the dedication to the common good that compares to the New York Public Library — not to mention where it lives. New York deserves to keep this essential trove of materials. It covers a time when it wasn't always easy to love New York City, but we always knew how important it was to bring these voices to the public and to preserve them, even if it meant dragging them from one storage space to another for some 35 years.

In a 2012 interview with EVG, he discussed the legacy of the 72 issues of East Village Eye. 

I'm most proud of having gotten so many of them out. And hearing someone say something like "I moved to NY because I read the Eye in my home state." I was gratified to have published columns by David Wojnarowicz and Glenn O'Brien and Cookie Mueller and Richard Hell. And to have been told that the term "hip hop" was first printed in the Eye. And to have presented so many idiosyncratic voices in such a deadpan manner, as if what they said was as obvious as the weather. That was fun.

Q-and-A with Leonard Abrams, publisher of the East Village Eye

[The first issue of East Village Eye in May 1979]

Marc H. Miller recently passed along word about the latest edition to Gallery 98, the online store for the 98 Bowery website.

Miller has obtained a nearly complete set of the East Village Eye, the influential arts newspaper/magazine hybrid that published 72 issues from May 1979 through January 1987.

So I thought this might be an opportune time to interview Leonard Abrams, who was 24 when he started the Eye in early 1979. With an array of unpaid contributors, including Richard Hell, Cookie Mueller, Glenn O’Brien and David Wojnarowicz, the Eye wrote about the neighborhood's emerging art scene as well as provided ample music coverage.

His post-Eye career included opening Hotel Amazon, which brought warehouse-style parties to a former LES school featuring, among many others, De La Soul, Public Enemy and the Beastie Boys.

Today, Abrams lives in Williamsburg. In recent years he made the documentary "Quilombo Country" narrated by Chuck D about a community founded by escaped slaves in Brazil. Meanwhile, he has been working on publishing the entire Eye archive online in searchable PDFs accessible for free. ("This is imminent," he says.)

You were 24 when you launched the Eye in 1979. Being pretty young, were there any issues with people taking you seriously as a publisher at the onset?

People thought I was older. Then after the Eye folded they thought I was younger. Actually at the time a lot of people in the scene pretended they were younger so as not to be thought of as hippie interlopers.

But as I recall, there was such a feeling of newness to what we were doing that no one seemed to feel they could pull rank on the basis of age. And finally, I think that people take longer to get going these days. 24 isn't really that young. I started a paper in Denver when I was 21. That was young.

Did it seem as if you were onto something special at the time with the Eye?

Oh yes. I really felt the weight of it at times. In fact I probably would have pulled the plug a lot earlier but that I felt it was too important not to keep doing it. It's not that we were saving lives [we probably cost a few] but just helping sustain an atmosphere where people could feel so much was possible was very important. And feeling we were remapping the brain was heady, as it were.

What was a typical scene like at the Eye office?

We started at 167 Ludlow then moved to I think 54 East 3rd Street then to 120 St. Marks Place then to 605 East 9th Street then to 611 Broadway. A typical scene was me fighting with music editor and typesetter Celeste-Monique Lindsey over something political and/or inconsequential, people coming in for their mail or to pick up a copy, us on the phone trying to get everyone to hand in their stories on time even though they were writing for free and, the last week of the month, a frenzy of editing, typing and pasting-up.

Kind of stuff that seemed more fun after it was over.

[The Eye staff circa 1985, courtesy of Leonard Abrams]

Do you think something like the East Village Eye could work today (print or online) or do you think the days of any kind of scene here are long over?

I really don't know. Today it's so easy to communicate that it's almost like the communication takes the place of the action. Mind you, we were mostly communicating about communication anyway, but still...

The physical limitations of distribution make a difference too. We sent the Eye out all over the country [in a limited way], but I think text is taken more seriously 1) when you have to pay for it and 2) when there isn't so much of it around.

Still, the kind of scene there was at the time was based on a lot of people doing things out of their own need for self-expression, and now, at least in New York, we have a regime in which hierarchy and monetization, the antitheses of creativity, are the starting points. Thus we need to convince Mayor Bloomberg to immolate himself. While we wait for that to happen, someone should step up and print something.

How about Hotel Amazon? Do you think a space like that could work today on the Lower East Side?

I'd like to see one. Especially since a lot of the spaces in the neighborhood are staffed by clueless snotnoses. But what do you expect? It's the club industry. When Hotel Amazon started I was fairly clueless myself, I was just lucky to be around when hip hop was fresh and generating tons of great acts all the time. The other problem is the great increase in legalism and regulation. The Hotel Amazon was illegal in all kinds of ways. Otherwise it would never have happened. But look at Rubulad. They still manage to throw a bash.

What are you most proud of with the Eye?

I'm most proud of having gotten so many of them out. And hearing someone say something like "I moved to NY because I read the Eye in my home state." I was gratified to have published columns by David Wojnarowicz and Glenn O'Brien and Cookie Mueller and Richard Hell. And to have been told that the term "hip hop" was first printed in the Eye. And to have presented so many idiosyncratic voices in such a deadpan manner, as if what they said was as obvious as the weather. That was fun.

[East Village Eye covers courtesy of Marc H. Miller and 98 Bowery]

For further reading on EV Grieve:
Life at 98 Bowery: 1969-1989

Revisiting Punk Art