Showing posts with label Punk Magazine. Show all posts
Showing posts with label Punk Magazine. Show all posts

Saturday, September 28, 2024

PUNK in the rain

Photos by Stacie Joy 

Despite the crummy weather, the show went on today in Tompkins Square Park... as longtime East Village resident John Holmstrom, the co-founder, editor, and illustrator of PUNK Magazine, celebrated the release of his latest issue with a Battle of the Bands. 

We were there to see the 50s-rock twang of Labretta Suede & The Motel 6 ...
The new issue is available at several local businesses, including Trash & Vaudeville on Seventh Street and East Village Vintage Collective on 12th Street as well as a paper box on St. Mark's and A...

Thursday, September 26, 2024

PUNK Magazine is back with a new issue and a battle of the bands in Tompkins Square Park

East Village resident John Holmstrom, the co-founder, editor, and illustrator of PUNK Magazine, is ready to release a new issue (Punk #23) with a free show in Tompkins Square Park. 

On Saturday from 2-6 p.m., Holmstrom (with some help from The Shadow) is hosting a Battle of the Bands. 

Here's more info from Holmstrom's Newsletter:
It’s happening! We will be printing a new issue of PUNK Magazine in time for the Sept. 28 Battle of the Bands at Tompkins Square Park. This will be the first new issue since ... 2023! 
It will be printed in the same format as PUNK #1: Reverse quarter fold, 24 pages, only on newsprint instead of offset paper. This issue is meant to be a "Temporary Thing" (as Lou Reed said in a great song). 
Despite many efforts to revive PUNK Magazine over the years, I've been unable to get back on our feet. BUT! It looks like this one just might be successful. I still believe that the print medium is better than the internet: It lasts longer. It doesn't keep track of who reads it, doesn't spy on everything you do. And it's so much fun to work with people to put together a magazine! Web stuff is too often a solo project… 
So here we are: A new issue of PUNK Magazine is on the way. This issue is devoted to the upcoming Sept. 28 event at Tompkins. I'm not expecting to get rich, just want to promote a few bands I like. Which was my intent back in 1975, when I discovered the CBGB scene.

Free copies of the new PUNK will be distributed during Saturday's show. 

Previously on EV Grieve

Friday, July 5, 2024

Ramones revelry: Punk Magazine's John Holmstrom hosts art and cartoons bash at Metropolis

Since May 19, Joey Ramone's birthday, East Village resident John Holmstrom, the co-founder, editor, and illustrator of Punk Magazine, has hosted a celebration of all things Ramones in the basement at Metropolis Vintage

Tomorrow (Saturday!) marks the last day, with events happening from 2 to 7 p.m. The afternoon includes a screening of some Ramomes animated cartoons and, from 4 to 7, the Live Punk Art Event. 

Per Holmstrom: "We have been staging these events for several weeks, and it’s been creating some really interesting images. Some of the drawings are now available to buy online at an auction website. (50% or more of sales will go to the Lymphoma Foundation in the name of the Joey Ramone Birthday Bash, which has raised over $100,000 since 2001!)." 

Joey Ramone died on April 15, 2001, of lymphoma. 

Metropolis is at 803 Broadway and 11th Street. 

Previously on EV Grieve

Thursday, December 22, 2022

A Punk Magazine-Iggy Pop holiday 'Loser' extravaganza at Metropolis

Photos by Stacie Joy 

Iggy Pop recently announced that he has a new record, Every Loser, (his 19th studio album) coming out next month. 

As part of this release, there's also a new edition of Punk Magazine (No. 22 for those of you keeping track) — 47 years after the very first issue. This edition is available along with the record via Iggy's website

Ahead of this release, East Village resident John Holmstrom (above), the co-founder, editor and illustrator of Punk Magazine, provided a sneak preview of the edition on Saturday night at Metropolis Vintage on Broadway and 11th Street.
The party included some Punk fans and contributors, such as illustrator Bruce Carleton and East Village-based photographer Godlis...
In a recent newsletter, Holmstrom provided the back story on how this Every Loser issue of Punk came together. 

It started with a text this past July from the record's producer, Andrew Watt, who is a Punk fan (especially Mutant Monster Beach Party in issue No. 15). 
This guy, Andrew Watt, said he wanted me to devote an entirely new issue of Punk to Iggy's new album. He wanted it to be an authentic Punk magazine, with the whole scraggly, hand-lettered mess of photos and comic strips we usually came up with. 

"What was your last issue number?" he once asked.

"Twenty-one," I replied. (Our CBGB Tribute!) 

"Then this will be Punk magazine Number Twenty-two," Andrew said. (And to be honest? He stuck to this promise all the way through. This is an authentic Punk Magazine. I enjoyed complete creative control throughout.) An entire issue devoted to Iggy Pop… Great idea, right? How could I say "No!"? So I agreed to do it. What could go wrong? 
And... 
Andrew told me how he was sure I would like the new Iggy LP. I have to admit I was skeptical at first. You know: "That’s what they all say." A few weeks later, he sent me the tracks, and I was blown away. "Best Iggy Pop solo LP!" I gladly told him. By now, I would have killed an army of Nazi Disco Zombies to produce this new issue of Punk Magazine that details Iggy's amazing career and highlights his amazing new album! 

To me, Iggy was the first "Punk." He started it all, the most important person in the history of punk rock, best musician, most influential, etc. Once I heard this amazing new Iggy LP I started putting ideas together and researching everything about Iggy I could find on the Internet. I have to admit I hadn't kept up with all of the intimate details of Iggy's career since the 1970s, but he was always there. I always noticed that he was up to this or that. 

There's a lot about Iggy Pop on the internet, but most of it refers to The Stooges and Iggy's drug years before he cleaned up his act in the early 1980s. Well, yeah, these are all interesting stories, but mostly old and retold many times over. 

So rather than tell the same old dismal stories about "The Depths of Drug Addiction" or track down the many photos where he cut himself on stage, I decided to focus on Iggy's amazing creative career and his work: a bunch of great studios LPs, lots of quotable Iggy quotes, a massive number of film roles, (too many music videos to list), etc. So I got started on putting together the magazine.

This issue of Punk can only be purchased through the official Iggy Pop website

You can subscribe to Holmstrom's newsletter here

Previously on EV Grieve:


Saturday, January 23, 2016

John Holmstrom's 'Punk' playlist


[John Holmstrom photo by Stacie Joy]

The exhibition celebrating the 40th anniversary of the first issue of Punk Magazine continues at Howl! Happening at 6 E. First St. between the Bowery and Second Avenue (through Jan. 30).

On Jan. 15, I interviewed founding editor (and East Village resident) John Holmstrom on East Village Radio. (Unfortunately, the show is not archived.) Holmstrom picked the playlist for the show, and included comments about each song... sharing it here now...

1. "You Drive Me Nervous" by the Alice Cooper Band
The first punk rock band I saw live and it changed my life forever...

2. "Kick Out The Jams" by Blue Oyster Cult
BOC was a truly twisted, crazed live heavy metal band that had Patti Smith and Helen Wheels as lyricists, and whose managers convinced CBS Records to sign The Dictators. And of course, the MC5 created punk rock by getting The Stooges signed to their record label.



3. "I Wanna Be Your Dog" by Iggy Pop and The Stooges
This was the prototype punk song, covered by so many punk rock bands over the years.



4. "Get Out of Denver" by Eddie and the Hot Rods
Eddie and the Hot Rods were the first band from England labeled "punk." Here's why. The pub rock scene was the biggest influence on the English punk scene.



5. "Riot In Cell Block No. 9 by Doctor Feelgood
Another "pub rock band from England. The Ramones opened for Dr. Feelgood at the Bottom Line in early 1976... Just the most amazing show.

6. "Bad Girls" by the New York Dolls
This was the first band I went to see at a small club: like Club 82, the drag club. Didn't like their fashion sense but love the music.



7. "My Generation" by The Patti Smith Group
Patti had a lot to do with putting CBGB on the map, she and her band made some great music, I need to give them props.

8. "(I Live For) Cars And Girls" by The Dictators
I picked up the first Dictators LP, loved it to death, played it for Ged Dunn Jr. and Mr. McNeil, and it inspired us to start a magazine. Oddly, enough, everyone in the band hates it!

9. "Judy Is a Punk" by the Ramones
I like the first Ramones best, it's very close to what they sounded like live at CBGB.



10. "New Rose" by The Damned
First punk band from England to release a record, tour the states, play at CBGB, etc. This was punk rock before it became formalized.



11. "Rocket USA" by Suicide
They often opened for the Ramones, and were the first-ever band to call themselves "punk." Even though people would now call this techno, Suicide was truly a punk rock band.

12. "I'm on E" by Blondie
I just love this song. It runs through my head whenever things are going bad and I am out of money, energy, whatever. Blondie were so much fun to work with, open to everything.



13. "Carbona Not Glue" by the Ramones
The best song by the Ramones, could have been a hit single if not for the lyrics.



14. "I Wanna Be Me" by the Sex Pistols
I always liked their B-sides better than the singles. The lyrics are brilliant, and aimed at people in the media (like me).

15. "Ready, Steady, Go" by Generation X
I always liked their debut album so much. "Purist" punks hated them: too pretty, too polished. In a way, they were the blueprint for pop-punk bands like Green Day, Blink 182, etc.

16. "Ain't Nothing To Do" by the Dead Boys
Great American punk rock band. Amazing live performances.



17. "Teenagers From Mars" by the Misfits
We planned a cover story on The Misfits, but couldn't do it: we were forced out of business unexpectedly.

18. "I Wanna Be Famous" by The Bullys
Great NYC punk band that still performs live.

19. "I'm a Boy" by The Bullys

20. "Against All Authority" by the Bullys
Brilliant song by them IMO.



Exhibition details:
Gallery Hours: Wednesday through Sunday, 11 a.m. - 6 p.m.
All events are free
Howl! Happening: An Arturo Vega Project, 6 E. First St. between the Bowery and Second Avenue

Previously on EV Grieve:
Q-and-A with John Holmstrom, founding editor of Punk Magazine

John Holmstrom on the CBGB movie and the East Village of 2013

Friday, January 15, 2016

At the opening-night celebration for Punk Magazine



The 40th anniversary of the Punk Magazine exhibit opened last night at the Howl! Happening gallery space on East First Street ... The exhibition showcases work by founding editor John Holmstrom, who created cover No. 1 featuring Lou Reed, as well as some of the artists and illustrators who contributed to the magazine during its three-plus year run, including Robert Romagnoli and Ken Weiner.



EVG contributor Stacie Joy stopped by early for a few photos...


[John Holmstrom]






[Ramones contact sheet via Roberta Bayley]


[The Sex Pistols puppets from the cover of Punk No. 14]


[Artist Robert Romagnoli and wife Patrice Donnell]


["Ugly Portraits" artist Ken Weiner]


[Raven, sax player for Murphy's Law, Bobby Zou, creative director of the exhibit, and artist Alexander Pernhorst]

The exhibit continues through Jan. 30 at the Howl! Happening gallery space. Visit Howlarts.org for updates and a full schedule of events.

Details:
Gallery Hours: Wednesday through Sunday, 11 a.m. - 6 p.m.
All events are free
Howl! Happening: An Arturo Vega Project, 6 E. First St. between the Bowery and Second Avenue

I interviewed Holmstrom this morning on East Village Radio. EVR will re-stream the show tomorrow (Saturday) at noon ET. You may listen in via dashradio.com/EVR or the Dash Radio app.

Previously on EV Grieve:
Q-and-A with John Holmstrom, founding editor of Punk Magazine

John Holmstrom on the CBGB movie and the East Village of 2013

Thursday, January 14, 2016

A celebration of Punk Magazine starts tonight; plus EVG on EVR



The first issue of Punk Magazine debuted on Jan. 15, 1976... on this occasion, Howl! Happening is presenting an exhibition commemorating the 40th anniversary of the first issue, which featured cover-boy Lou Reed as drawn by founding editor John Holmstrom.

The exhibition showcases work by Holmstrom, an East Village resident, as well as some of the artists and illustrators who contributed to the magazine during its three-plus year run, including Robert Romagnoli (who replaced Robert Crumb at The Village Voice) and Ken Weiner, who will be drawing "Ugly Portraits" during the opening tonight. There will also be artifacts from the magazine, including the Sex Pistols Puppets featured on the cover of Punk No. 14.

The exhibition continues through Jan. 30 at the Howl! Happening gallery space on East First Street. The opening reception is tonight from 6-8. Visit Howlarts.org for updates and a full schedule of events during the exhibition.

Details:
Gallery Hours: Wednesday through Sunday, 11 a.m. - 6 p.m.
All events are free
Howl! Happening: An Arturo Vega Project, 6 E. First St. between the Bowery and Second Avenue

Meanwhile!

Tomorrow morning (Friday, Jan. 15!) from 10-noon, I'll be talking with Holmstrom and some other Punk alum for an interview airing on East Village Radio. Listen in via dashradio.com/EVR or the Dash Radio app.

The show will be rebroadcast at some point during the weekend. (I will update with the time...)

Previously on EV Grieve:
Q-and-A with John Holmstrom, founding editor of Punk Magazine

John Holmstrom on the CBGB movie and the East Village of 2013

Thursday, February 28, 2013

Q-and-A with John Holmstrom, founding editor of Punk Magazine



John Holmstrom was a 21-year-old SVA student during the summer of 1975 ... a time that saw him buy "The Dictators Go Girl Crazy!" (which he said "totally rewired" his mind) and experience the Ramones at CBGB.

"The Ramones and Dictators represented a sea change in rock 'n' roll, and I was burning to become a part of it before it took off and became part of the mainstream," he writes in the prologue of the recently released "Best of Punk Magazine."

Soon after, Holmstrom did become part of the scene when he, Ged Dunn Jr. and Eddie "Legs" McNeil launched Punk Magazine in late 1975. For 17 issues, Holmstrom and an array of photographers, writers, illustrators and the musicians themselves chronicled the punk scene... featuring colorful (and, often, off-color) interviews with everyone, really — Lou Reed, Iggy Pop, Patti Smith and Richard Hell, who starred in "The Legend of Nick Detroit" for issue No. 6's cover. The magazine ceased publication in 1979. (There were various special issues in subsequent years.)

Holmstrom continued his career as a writer, editor and cartoonist, spending time at High Times and Screwed, among others. He still lives in the East Village today. The "Best of" compilation (co-edited with Bridget Hurd) puts all the issues together with plentiful behind-the-scenes details. It was released in December. I waited until Holmstrom's schedule eased up a bit to ask him some questions about the start of Punk and other various topics... (Part 1 or 2.)


[Holmstrom from December at the New Museum, via Facebook]

You had a lot of balls to launch a publication at the time called Punk. Not really a question. What were you thinking?

"Punk rock" was a well-known term to readers of CREEM magazine, so when I asked Legs and Ged what they would call a magazine about comix, fashion, news, and punk rock and Legs suggested, "Why not just call it Punk"?

I liked the four-letter word as a magazine title! However, as it turns out — we weren't even the first Punk magazine. Billy Altman called his college newspaper in Buffalo the same name. But I saw all the graphic elements in my mind as soon as we chose that name: 1950s juvenile delinquent comic books, EC Horror comic books, Marvel comics, Will Eisner's The Spirit, film noir, stark use of black and white, etc. So liked the name — at first. Sometimes I think it caused so many
headaches I would have been better off calling it "Teenage News" or "Electronic Comic."


[Holmstrom's first editor's note, via 98Bowery.com]

Are people surprised to hear that this was a serious business endeavor?

No one has asked me about that yet. But, like I said in the book, Ged, Eddie and I were all very serious about being successful and "Creating The 1970s" and all that. I think my connection to a real lawyer helped us incorporate as a business, and my connection to a professional printer got our product looking like a real magazine instead of a fanzine. When Thom Holaday came on board he got us into writing a business plan and all.

Anyhow, my point is that we were not a bunch of goofy kids putting out a 'zine for free drinks, as has been portrayed.


[Holmstrom during the Punk days. Photo by by Marcia Resnick via Facebook]

How did you view yourself at the time during Punk's run? An insider? Outsider? Just someone who loved music?

I was a total outsider who unfortunately was forced into becoming an insider very quickly and without any preparation nor guidance. I didn't know anyone from "the scene" and then as soon as the magazine came out I had to deal with everyone from everywhere. And usually as adversaries!

How do you choose 10th Avenue at West 30th Street to be your first office? Seemed a little — far-removed.

It was all we could afford, and the only place I could find. The usual asking price for an office, $300 a month back then, was a lot of money! And we needed a lot of space.

A worst-case scenario for that office would have meant that we would have to kick in $65 per person to keep the lease. If we brought in another person, it could be just $50!

Also, my roommate in Brooklyn was on my ass! He was all like: "Hello! Earth to John! You have to move in a few days! Nice knowing you but get the fuck out of here, dude!"

Yes, it took us a long time to get to CBGB but on the other hand we weren't far from the Port Authority Bus Terminal nor Penn Station — and all the subways by those places.

Was was your reaction to seeing the Ramones for the first time, Aug. 24, 1975?

I wasn't all that shocked by the noise and thunder and fast pace of the music, to be honest. Unlike Ged and Legs, I had seen a lot, and I mean a lot, of heavy rock 'n' roll bands before then. Just to name a few of the more loud and fast rock 'n' roll bands: The Who, Jimi Hendrix, Alice Cooper, The New York Dolls, The Magic Tramps, Lou Reed (Rock 'N' Roll Animal tour), Blue Öyster Cult, etc.

In fact, BÖC was probably the heaviest band I had seen before the Ramones. Their appearance on July 16, 1973 at the Schaefer Music Festival was one of the craziest shows I ever saw. The audience became so crazed that by the end of the show the first rows of metal chairs had become a twisted mass of scrap metal — their time on this Earth as useful objects had come to an end.

I remember that the drummer threw a bunch of drumsticks out to the crowd and I fought several people to grab it, but then it ended up being a showdown with one twisted heavy metal fan who snarled at me: "IF YOU DON'T LET GO OF THIS I AM GOING TO KILL YOU!!!" and everything about him convinced me that he was telling the truth. So I let go. I never saw a band drive the audience into a frenzy like that before or since.

I went to see every band I could, so I ended up sitting through a lot of bands I didn't like: The Eagles, Black Oak Arkansas, Rush, The Allman Brothers, Grand Funk Railroad, etc.

So by the time I saw the Ramones I was so sick of long guitar solos and drum solos and endless encores and the band playing to the audience and bands that spent a lot of time tuning up on stage. These were all the things that the Ramones studiously avoided, so I loved it. Best of all, they dressed like me: blue jeans, sneakers, t-shirts — I just couldn't afford a leather jacket like they wore. I had also lived across the street from the Hell's Angels for a short time and certainly didn't want to compete with them on any level. And I knew that CBGB was their hangout in 1975.

The whole experience of seeing them at CBGBs was, to me, what it must have been like to see The Beatles at The Cavern Club or The Rolling Stones at the Crawdaddy Club. I felt like I was seeing "The Future of Rock 'N' Roll."

Tomorrow: Thoughts on the East Village of 2013 and CBGB the Movie.


[Richard Hell as "Nick Detroit" via "The Best of Punk Magazine"]

------

Find John Holmstrom's blog here.

Find the Punk Magazine site here.

Previously on EV Grieve:
Revisiting Punk Art