Friday, February 18, 2022
Monday, February 7, 2022
Friday, November 26, 2021
Here's more via the EVG inbox:
"Gimme Five Minutes: Daniel Root's Production Stills (1984-2005)" includes more than 300 prints of Root's photographs, featuring an impressive cast of pop culture icons illuminating the downtown ethos. The images impress that production stills and quick portraits are in their own right a separate and unique art form. In addition, the exhibition will be supported by archival material from the artist's collection, including professional artifacts, ephemera, CRT video installation, and live performances.
Sunday, September 26, 2021
Thursday, May 6, 2021
Tuesday, March 16, 2021
The evening includes a screening of the 33-minute documentary "Roberta Bayley: She Just Takes Pictures," which highlights her iconic punk-era photography from 1975 to 1986 (like the shot of Debbie Harry above!) ... and a Q&A session with Bayley and Beth Lasch, the film's director.
Friday, March 12, 2021
Wednesday, March 10, 2021
For most New Yorkers, Manhattan with empty streets is only a beautiful dream. But Veronica Saddler, a pinhole photographer, can clear out the city with her cameras. The two faded cardboard boxes scribbled over with exposure times could not look more unassuming, yet they have produced dozens of majestic photographs.For Ms. Saddler, who is smitten with Manhattan's architecture, pinhole is the ideal medium. The city is transformed into a place where buildings, not people, are the focus, and for anyone used to crammed city streets, the vast stretches of empty pavement in these photos are almost as compelling as the buildings themselves. The pinhole's infinite depth of field and wide-angle capacity have a distorting quality that causes some buildings to appear to stretch out and envelop an entire block, an effect Ms. Saddler enhances by not shooting her subjects straight on.The New York in her photos is serene and slightly haunted: Delmonico's steakhouse is a stony battleship sailing down a deserted Beaver Street; Jefferson Market Library looks more than ever like a misplaced fairy castle, its tower oddly warped like a melting ice cream cone on an abandoned stretch of the Avenue of the Americas. An afternoon shot of Trinity Church looks as if it was taken at the dead hour of 5 a.m.
Friday, April 3, 2020
Earlier this year, East Village-based photographer Martin Mahoney invited me to his upcoming group show at Westbeth Gallery, which was to take place March 19 to April 19.
Given the COVID-19 crisis, Westbeth cancelled the show.
Mahoney had planned to show a selection of his photographs. I asked him if I could share some of his work here (find more at his Instagram account) ...
Mahoney moved to the East Village in 1985 from Wexford Town in Ireland.
"While I’ve always had an interest in photography, I’ve lost many pictures of the old neighborhood and it’s characters and regret not taking more of the rapidly disappearing buildings and people who are being replaced with soulless glass boxes," he told me. "So I decided about two years ago to try to capture the essence of what is left of the old neighborhood and preserve it as best I can before it’s lost forever."
... and here's a selection of his black-and-white shots ....
Thursday, March 26, 2020
Wednesday, February 12, 2020
An EVG reader just shared this with me... The Solas Studio, 117 E. 24th St. (2nd floor) between Lexington and Park, is presenting a 1980s photo exhibit titled "David Vega’s East Village."
The opening is tomorrow (Feb. 13) night from 6-8. Otherwise, the exhibit is open by appointment from 10 a.m. to 6 p.m. weekdays until March 13.
The exhibit coincides with a new book of his photography, "Look Back East Village 1984-1987."
And a few of his 1980s photos ...
Saturday, January 25, 2020
"Collecting New York's Stories: Stuyvesant to Sid Vicious" opened this past week at the Museum of the City of New York.
Per the museum, the exhibit "features highlights drawn from the hundreds of additions to the Museum’s permanent collection over the past three years, running the gamut from the colonial era to the recent past. A gallery of historic and contemporary photographs, currently open, showcases works by both well-known and emerging artists..."
As Lindsay Turley, vice president of collections at the museum, told Gothamist: the exhibit gives people the opportunity to see how New Yorkers have interacted with a city changing "physically, culturally, economically, and aesthetically over more than the past century."
East Village-based photographer Sally Davies has three shots on display. However, her photo titled "Rearview" is the image that greets visitors outside the museum on Fifth Avenue and at the start of the exhibit...
"I had no idea that they were going to use my image to represent the whole show," Davies said via email. "I was absolutely gobsmacked at that 12-foot reproduction that greets you as you walk in... lucky me."
The photo, from 2018, is officially titled "Rearview, From My Apartment on East 5th Street."
The show remains up until Dec. 31. The museum is at 1220 Fifth Ave. at 103rd Street. It's open daily from 10 a.m. to 6 p.m.
Thursday, November 21, 2019
Several years back, Adam Friedberg was crossing Third Avenue and Ninth Street and noticed how strange the block looked — with Cooper Union's 15-story Student Residence Hall towering over the neighboring single-level buildings.
What started as visual stimulus for Friedberg, a photographer and 30-year-resident of the East Village, became a project about six months later as he set out to take photos of every single-story building in the neighborhood.
Starting tonight, Friedberg's work can be seen in a new exhibit titled "Single-Story Project" at the Center for Architecture.
Here's more about the project:
He noticed how quickly these most humble structures were disappearing, a reflection of the rapid development and gentrification of the neighborhood. He completed the project this past fall, and over the course of the documentation many of the buildings have already disappeared or will soon be demolished.
In order to capture the buildings unobstructed, Friedberg mostly shot very early in the morning before cars and trucks obstructed the street-level views. In the process, he got to know many of the people who own or work in these buildings.
In so doing, he came to understand that not only were the buildings being sold, but an entire primarily working-class economy (workshops, garages, fast-food joints) and culture (storefront churches and community centers) was disappearing. Friedberg’s Single-Story Project forms an alternative geography of changing city and captures an urban erasure happening right before our eyes.
The exhibit, featuring 54 prints from his series, will be on display through Feb. 29. The Center for Architecture is at 536 LaGuardia Place between West Third Street and Bleecker Street. The opening is tonight from 6-8.
Gallery Hours (no admission fee):
Monday – Friday: 9 a.m. – 8 p.m.
Saturday: 11 a.m. – 5 p.m.
The galleries will be closed from Nov. 27 at 5 p.m. through Dec. 1 in honor of Thanksgiving.
Also, if you're on Instagram, you can follow Friedberg here. All photos courtesy of Friedberg.
Saturday, October 19, 2019
[Sophie's at dawn via Daniel Root]
Earlier this year, we highlighted an ongoing project of East Village-based photographer Daniel Root.
While out on morning walks, he began taking pictures through the windows or doors of empty neighborhood bars at daybreak. The shots became part of an ongoing #nybarsatdawn project on Instagram.
Tomorrow (Oct. 20) evening at 6:30 at the Sam & Sadie Koenig Garden on Seventh Street, Root will be sharing a sideshow from this project — which tallied 974 bars! — as well as offering commentary about the ongoing changes in downtown NYC....
The Sam & Sadie Koenig Garden is on Seventh Street (north side) between Avenue C and Avenue D...
Previously on EV Grieve:
After the last call: East Village photographer captures bars at dawn