Good afternoon, my name is Rosie Mendez — and I am the City Council Member who proudly represents District 2 — including the entirety of 605 East 9th Street which is the subject matter of this Public Hearing on application 14-2418 concerning the appropriateness of proposed alternations at the underlying site. Thank you for allowing me the opportunity to testify here today on this most important matter.
In 2006, after years of concentrated community effort, the LPC designated the old PS 64/CHARAS El Bohio Cultural and Community Center as an Individual Landmark, citing many
singular facets of its design and century-long role as a publicly accessible community resource. In fact, the beautifully written designation report narrates at length about the rare architectural and community significance of this beloved building. I would go a step further and call the CHARAS building an absolute community treasure that universally symbolizes our shared history, collective struggles and our united path forward.
While the LPC is not specifically empowered to consider use — the history, architecture, cultural and community significance of this building is inexorably intertwined with the role it has played in the lives of successive generations on the Lower East Side. This building embodies a unique composition of remarkable and unequaled architectural features paired with a longstanding community-driven mission that dates back to 1904. Today, I urge the LPC to protect both of the unparalleled features of this building.
With respect to the plans submitted by the applicant, I have very serious concerns about the alterations proposed to the exterior of the building. My specific concerns include, without limitation:
• The proposed work on the roof — including installation of metal screen railings, mechanical equipment, an ATS room, boiler room and four stair bulkheads — will substantially detract from the distinctive roofline profile of the CHARAS building. These alterations may very well compromise the remarkable and striking architectural features of the building — including the mansard roof and pedimented dormer windows that are specifically cited — for their uniqueness and distinction — in the designation report. These dormers are, of course, the very same that were systematically destroyed, removed, and relocated in 2006, leaving nothing but a tarp flapping in the wind for the last seven years.
• I am very concerned that the proposed removal work in the elevated courtyards will undermine the hallmark concept and original design of this unique H-Plan building. The elimination and privatization of floor space on the 9th Street side of the building stands in stark contrast to the preserved vision, as articulated in the designation report which states, “The open space provided by the courtyards, the large groups of windows and the elegant decorative ornament were generous gestures and made this building stand out in this neighborhood of plain, rundown, and overcrowded tenements”... as these courtyards provided… “the luxury of open space in densely packed neighborhoods.”
Many things have changed since 1904, but the need for shared open space that is a source of community pride has not.
Conclusively, I strongly recommend that the LPC refrain from approving this proposal and require the developer to amend the current plans in a manner that entirely preserves the exclusive and remarkable characteristics of the CHARAS building — including the distinctive and landmarked roof, dormers and courtyards — consistent with the original design and designation report.
To those of us who were there, one of the anticipations of screening CBGB once it’s released from captivity is seeing not just how it simulates the squalor, congestion, snarling sound, and cove-like sanctuary of this landlocked submarine, but how it portrays the musicians, bartenders, waitresses, and regulars without whom it would have been just another hangout.
When filmmakers attempt a teeming mural like this, populated with recognizable figures, it’s easy to end up with a Mort Drucker–esque Mad-magazine spread with familiar faces packed like sardines and pressed against the glass, contorted and distorted.
Harry Hopkins, one of the most influential non-elected officials in American history, became a Settlement House worker in 1912 at Christodora, where his exposure to the struggles of new immigrants helped shape his thinking about social reform. Christodora, launched in 1897, was then housed in 143/145/147 Avenue B, and to this day continues its mission to help alleviate inequities among the underserved. In 1933, President Roosevelt asked Hopkins to implement the Social Security Act of 1935, and to direct the Works Progress Administration, which hired more than 3 million unemployed to rebuild highways, bridges, public buildings, and parks. During WWII, he was Secretary of Commerce and FDR's personal representative to London and Moscow. In 1945, Hopkins helped arrange the Potsdam Conference for President Truman, who honored him with the Distinguished Service Medal.
