ICYMI 2 — In a trademark lawsuit filed last week, MoMa officials claim that people are already being confused into thinking their museum is connected with the cafe, as Reuters first reported. There isn't any connection between MoMa and MoMaCha.
“I don’t understand what MoMA wants from us,” the café’s co-owner, artist Eric Cahan.” Do they want us not to exist? They don’t own the word ‘cha,’ it means tea; they don’t own the word ‘more.’ To me it’s a little confusing. They can have Richard Prince in their collection, but I can’t use Helvetica? It doesn’t make any sense.”
As you likely read about somewhere, "Club 57: Film, Performance, and Art in the East Village, 1978–1983" opened last month at MoMa ... the retrospective explores the influential venue at 57 St. Marks Place between First Avenue and Second Avenue. (This exhibit has generated a lot of press... most recently with this interview published Thursday at The Brooklyn Rail with guest curator Ann Magnuson.)
Yesterday, MoMa posted this video from the opening...
You have until April 1 to catch "Club 57" at MoMa.
MoMa is currently showing the exhibit Dalí: Painting and Film (through Monday). In conjuntion with that tonight and tomorrow, there's a discussion-and-films series titled Dalí in New York.
According to MoMa, "Dalí in New York explores the artist's diverse experiences and encounters in New York from the 1930s to the 1960s."
Among the films:
Screen Tests: Salvador Dalí. 1966. USA. Directed by Andy Warhol. By the mid-1960s Dalí had successfully created a marketable persona that was better known to the public than his paintings. This conflation of art and commerce was of distinct interest to Andy Warhol, and he recorded a pair of screen tests — one shot with the camera upside down — that depict a shrewd Surrealist performance by Dalí. Silent. Approx. 7 min.
Dalí in New York. 1966. USA. Directed by Jack Bond. Dalí, amid preparations for an exhibition at the Huntington Gallery of Modern Art, takes to the streets of New York City. He visits the Art Students League studios, comments on the work of Michelangelo, and creates performance art by lying in a coffin atop one million dollars in cash as ants crawl out of a broken egg and across his face. 57 min.
Here's a snippet of the screen test for Warhol:
And here's part of an interview in New York from last October with Robert and Richard Dupont, the underage twins Warhol fancied who became part of The Factory scene:
Richard: Andy brought us to dinner one Sunday with Salvador Dalí at the Versailles Room at the St. Regis. Dalí always had these dinners, and there were always a lot of drag queens. One named Potassa would be wearing a beautiful gown from Oscar de la Renta or Halston, and she would run around with a big bottle of Champagne and say, “Cham-pan-ya!” After we met her, she would always let us know when Dalí was in town and invite us for these dinners. Sometimes Andy wouldn’t be invited, which would make him upset.
