![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrrEJnnDZH1GaZxrIAaYbmkPBCEXajfyaK-56JizjWJF_CAZ8QxqRHeGZKwZnVdmFNRcNQcd9UDLQ5P2XDqCgmB_DkoXzQjKOkcq1na0WljtyaQEg8vjQ95fAQIGxd_Wgk0d6DIE2ylfo/s620/unnamed.jpg)
Hi, and welcome. Just wishing you all an early Merry Memorial Day Christmas.
Photo on Seventh Street at Cooper Square by EVG reader Meredith Rendall.
Name: Jerry Shea
Occupation: Photographer and Art Director
Location: 10th Street between 1st And A
Date: Tuesday, May 23 at 2:30 p.m.
My first visit to the neighborhood was in the late 1950s. I was living upstate, where I was raised, and it was my habit as a kid just to roam the streets of New York. I would come down here on the Third Avenue El, which was a real treat. That was a lucky day when I discovered the El.
And as soon as I was old enough, I got down here and settled in. I lived on 10th Street between Second Avenue and Third for a long time. The East Village and the West Village back then were the favorite places of mine. I liked being here because it was more relaxed. It wasn’t pretentious, and I loved the mix of people.
It drew me, and I kept coming back. And of course there were clubs that were fun. Then I had a girlfriend who lived here, and together we really explored the neighborhood, all parts about it, and we read about the history of it. When you read the history of a neighborhood, it gets you closer to the neighborhood — you care for it more. And especially the history here — it’s extraordinary.
Then in the late 1980s and early 1990s, it was really kind of grim here. You could easily walk across the East Village and pick up a couple hundred vials that were used for crack ... but when it changed, that was the period of time where I was working and I was in Midtown and uptown, and it was only later that I came back down here. I’m retired, but I’m a photographer and art director. I was the art director for Sears, Roebuck & Company, and my photography today is street photography. And I got involved in the community. I was involved with the 9th Precinct Community Council for a lot of years, which meant a lot to me.
Veselka is definitely a favorite, favorite place. I’m there for breakfast and lunch just about every day. I just had lunch from there, and I shared notes with Tom, the owner. I was at Veselka before he was, back in the late 1950s.
I love the skyscrapers of New York, but I love the sky more, and being down here there is more sky. I love downtown. I love the Villages. What makes this place special was the mix of people. It was artists, writers, immigrants. It was so beautiful to walk on a warm Sunday morning across the East Village, and you would pick up three or four different strands of music coming from the buildings. I remember one of the mornings, I counted four or five, but you would certainly pick up Latin music, and there was a building over here I deliberately walked passed because there was always jazz on. It was really sweet.
According to one employee, the letter says workers, who are unionized, will get to keep their jobs for at least three months and at that point will be evaluated.
"They have a big company and room to grow," the worker said the letter from Morton Williams informed them.
This bi-level commercial co-op is approximately 3,000 square feet and has sprinklers throughout. The ground floor is steel reinforced and column-free. Also, includes private backyard of 500 SF. Currently home to a workshop, the space is ideal for office and all creative uses. No food or bar! Commercial parking is permitted in front of the building.
Artist and Bullet Space co-founder Andrew Castrucci discusses the creation of the book "Your House Is Mine."
From the introduction: "This project is a collection of images and texts, defining and expressing the broad and essential issue of housing on the Lower East Side, and is a statement of the underlying force of 'art as a means of resistance.' It is both a documentation and expression of social/political issues in our neighborhood, and on a larger scale to symbolize similar conflicts in other parts of the world."
"Your House Is Mine" included work by Anton Van Dalen, Eric Drooker, Lee Quinones, David Wojnarowicz, Martin Wong ... and writing by Miguel Algarin, Chris Burden, Allen Ginsberg, Eduardo Galleano and Public Enemy, among others.
This event is part of the exhibition "Taking it to the Streets!" ABC No Rio in Exile at the Museum of Reclaimed Urban Space (MoRUS). Check out the recent review of the show from The New York Times here.
The Property consists of two existing mixed-use buildings with frontage on both First Avenue and E. 2nd Street in the extremely desirable East Village. Both buildings will be delivered vacant.
The offering presents multiple options going forward including becoming components of a larger assemblage for a new construction development project, with up to ±30,000 buildable SF, redeveloping the Property by renovating and enlarging the existing structures or repositioning for a national retailer or user purchaser seeking to control a location for ±10,000 SF of multi-level retail and a mix of other uses.
Monday-Friday: 5 a.m. to midnight
Saturday-Sunday: 7 a.m. to 8 p.m.
Barclays Center’s corporate parent, Brooklyn Sports and Entertainment, is teaming with AEG-backed The Bowery Presents to take over operations at the iconic music venue, whose stage has been graced by the likes of Frank Sinatra, Elvis Presley and Tina Turner.
Brett Yormark, chief executive of Brooklyn Sports and Entertainment, told the Post: “We’re going to preserve what Webster Hall means to the consumers and artists, but we will contemporize it.” Expect food and beverage upgrades, with possible bathroom enhancements.
First built in 1886 by architect Charles Rentz, the venue served as a social hall for the Lower East Side’s working-class and immigrant population throughout the Great Depression before becoming an internationally-recognized music hall. It was purchased by RCA Records and operated as a recording studio and acoustically treated ballroom in the 1950s and '60s and then became a full-time concert venue known as The Ritz beginning in 1980.
Ideally located in Lower East Side Manhattan, this spectacular collection of apartments are finished to the highest standard with exquisite Italian Carrara marble and white oak flooring throughout. Private keyed elevators lead directly into each residence, where refined design, spacious floor plans, and a modern neutral color palette perfectly meld minimalist style with contemporary luxury.
With oversized windows, sleek living areas, private outdoor spaces, and expansive common roof top terraces boasting dramatic views of the city, these stylish homes effortlessly embody the sophistication of Lower East Side living.
A tranquil escape from the city, the elegant master bathrooms offer a peaceful space to luxuriate. Smooth Carrara marble walls and floors are complemented by pure white Robern cabinetry, bespoke recessed medicine cabinets, and jet black rainshowers with attached shower heads. The ergonomic double-sinks and marble-enclosed Kohler tubs are fitted with black faucets crafted by local manufacturers Watermark Designs. Secondary baths are finished with glossy white Nemo tile and Restoration Hardware cabinetry.
"We are excited to announce that we will be joining the Jean-Georges Vongerichten & Phil Suarez Restaurant Group as part of their management team, Joe as the Executive Chef and I, as the Operations Manager and will operate their restaurant Le Dock on Fire Island for the Summer 2017 season. We will miss our regulars in the East Village but we look forward to an exciting new time in our careers. Hope to see everyone at the beach!"