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Meant to note this earlier in the week… Lucy is on a break until next Thursday here on Avenue A.
Frowny face.
The New Jersey-based owner of the ubiquitous ice cream trucks is suing a rogue Queens vendor, charging he opened his depot in Long Island City to peddle a knockoff version.
A mix of about two dozen nearly identical Master Softee and Mister Softee trucks are lined up inside and outside Dimitrios Tsirkos’s 11th St. garage.
The fledgling business has soured tempers throughout Mister Softee headquarters in South Jersey and its franchisees across Queens and the Bronx. Owner Jim Conway cried trademark infringement in a March lawsuit filed in Manhattan Federal Court and demanded Tsirkos drop the Softee con.
“They want to confuse the public,” said Conway, who is no stranger to the courthouse. His 58-year-old family-owned company has spent “hundreds of thousands” of dollars in legal fees since the mid-1990s chasing down copycats in more than 10 cases.
May 2014 brings the first annual Lower East Side (LES) History Month, a month-long celebration of the rich, diverse history of New York City's Lower East Side, including the neighborhoods of the East Village, Chinatown, Little Italy and Alphabet City. With participation by more than 60 Lower East Side-based cultural and community groups, LES History Month will feature over 80 affordable and unique events, including live performances, exhibits, gallery and walking tours, talks, film screenings, festivals and more.
LES History Month opens with Chalk/LES, a weekend-long participatory project to bring LES history, art and stories onto the streets of the neighborhood. Starting Friday, May 2, numerous LES sites will be emblazoned with chalked trivia and memories of their lived histories. On Saturday, May 3, public chalking sites will be open for all, encouraging passersby to participate with their own stories and images of the LES. Game participants are also invited to join scavenger hunt teams, organized by Guerilla Haiku Movement, who will head out and cover the neighborhood with sidewalk-chalked poetry, and engage passersby in their own creative storytelling about the LES.
Chalk/LES culminates on Sunday, May 4, as artists and volunteers will chalk a pathway from various LES transit hubs toward East River Park, along the waterfront, and arriving at Pier 42 for Picnic on the Pier. As a partnership with Paths to Pier 42, LES History Month will present salsa dancing with las Dinimicas of Grand Street Settlement, gypsy swing from Sugar Hill Gypsy Jazz, songs from the young singers of Downtown Art, and an afternoon of family friendly art activities led by The Tenement Museum and the Museum of Chinese in America.
To celebrate, LES History Month will also announce the inaugural LES Heroes award, recognizing the often unsung contributions of neighborhood residents, activists and leaders.
To find out more about LES History Month, its participants and opening weekend programming, visit here.
Paul Mil Cafe Inc, 11-17 2nd Ave (op/alt/gut renovation) (Mars Bar)
The development company BFC Partners reached an agreement with the Mars Bar crew that would allow the next commercial tenant to occupy a 4,456 basement and ground floor space under the proud, stubborn and – who knew? – business-minded Mars Bar auspices.
You are invited to attend a press conference at Tompkins Square Park and join an East Village Parade to resist gentrification in NYC communities. The loss of affordable regulated housing in the East Village and the displacement of tenants have been caused by landlords like Steven and Harriet Croman of 9300 Realty.
This landlord currently owns about 70 buildings in the East Village alone and hundreds throughout the city. He has been exploiting the vacancy decontrol laws for over 20 years using abusive tactics to force tenants out of rent-regulated apartments.
After the press conference the parade will go to Croman’s 9300 Realty buildings in the area to reach out to his tenants. Many of Croman’s tenants have the same problems and need to know how to protect their rights.
Paradise Alley
The parade will stop at Paradise Alley to dramatize the difficulty of being an artist in NYC today. On Avenue A and East 11th St. the building known as Paradise Alley was located before being replaced by the current building in 1987. While this little-known location is famous for the beat artists, musicians and writers from the 1950s and 1960s, there is a lesser-known association with East Village artists during the depression.
In 1938, Paradise Alley was known as a bohemian artists’ colony. The landlord raised rents so high that the residents refused to pay it. The landlord got evictions but when the artists still refused to leave, the landlord got the police to brake down the doors and evicted the artists at gunpoint. This event in 1938 mirrors what artists are experiencing today in NYC.
Rent Freeze
The goal of the Parade action is also to alert the East Village tenant community about the need to support the Rent Freeze. Mayor de Blasio is asking the RGB to impose a rent freeze this year to put a brake on rising rents. NYC tenants have to demand the same with feet on the street.
Come to the East Village Tenant Parade and Paradise Alley remembrance. The parade will move through the East Village starting at noon at the corner of East Seventh Street and Avenue A.
NEIGHBORS
Back Forty, Discovery Wines, Eleven B, Mercadito, Ninth Street Espresso, Waffles [sic] & Dinges
COMMENTS
Newly created retail space
New storefront, HVAC, bathroom and mechanicals
Non-contiguous Basement space can be made available
Situated at the base of a luxury residential building
Steps from Thompkins (sic) Square Park
Venting is possible
All uses considered
Directed by Danny Garcia ("The Rise and Fall of The Clash"), "Looking For Johnny" is the definitive documentary on New York legendary guitar player Johnny Thunders.
In 90 minutes, this film covers Johnny Thunders career from his beginning in the early 70's to his demise in New Orleans, where he died under mysterious circumstances in 1991.
Johnny Thunders had an apartment on Avenue A. His closet was like — everything would be pressed and dry cleaned. He had a real unique way of dressing and picking this and this and that and putting it all together.
When we were picking names for the band, he called me, well, he called Ricky Corvette, and run names by me. 'What do you think of Johnny Thunder?' I'd was like Yeah, that's pretty cool Johnny. The phone would ring five minutes later. What about Johnny Thunders?
Name: Karen Fleisch
Occupation: Clothing Designers, Artist, Door Girl at Delancey
Location: 14th Street and 1st Avenue
Time: 3:30pm on Thursday, April 24
I’m originally from North Jersey, so I used to take the bus over from the time I was a teenager. I would go shopping and go to CBGB on the weekends. I moved to the Lower East Side around 1997.
I design clothing and I also design for theatre, I do styling, and I’m an artist. I work with film and often end up often doing set design and background acting. Throw me in and I’ll do it. For my art, I do illustration and I to create these mirror collages that are kind of fairly land based. That I do for me. I’ve never really shown my art.
Originally, I lived down on Grand and I’ve lived in the same area of the Lower East Side ever since. I remember coming to my friends up here on 10th Street and hanging out, getting drunk, going home, and as soon as I would get to Houston Street, I’d have my keys through my fingers. I was suddenly aware of everything and no longer as drunk as I was. There were no beat cops and hardly any streetlights. You still had the shops on Orchard Street, but they were the stores that had been there forever.
Within around five years it changed immensely. Now it’s designer shops and chic restaurants and there are now beat cops. There are cops out on their horses at night. I find it funny, walking down the Bowery late at night, how you have all these kids running around and these girls in their six-inch heels running around, ready to fall over. Granted, I used to do the same thing, but the Bowery was different. We’d go to CBGB and the whole vibe was different. You were on the Bowery and you were aware that you were on the Bowery. Now the Bowery still has a lot of that element there, but no one pays attention to it in the same way.
It’s going to be like the Meatpacking District. On one hand, it’s New York City and it’s supposed to change. It’s supposed to keep moving forward. I’m all for that. My only problem is that you don’t really have these funky neighborhoods anymore with people that have been there forever. Fifteen years ago there were a lot more artists and musicians. I have artist friends who’ve all moved out because they can’t afford the rent anymore.
That’s the whole reason that most people come here, I think, because there is this creative energy. You can be a misfit. I’ve always called it the island of misfit artists. You can be a misfit here and it’s okay, no matter what you’re into or what your sexual preferences are. No matter what, you will find your niche here. I find that most people that do get messed with here are getting messed with by people who don’t live here. It’s like they come in to go to the zoo and they’re looking for misfits to make fun of. Which, again, is something that’s always happened, but I’ve noticed it more. There’s more of a dividing line now, whereas before it was not as much.
I’m also the door girl at the Delancey on Friday and Saturday nights, which are the nights where it’s more of a dance party kind of thing. I’ve been there for a year, you know, just a way to make some extra money for groceries and things. I’ve had more jobs than… everything and anything.
Funny thing, doing one of my art projects six weeks ago, I recently sliced the top of my thumb off with an Exacto knife. It was hardcore. I went to the emergency room and they wanted me to do all this follow-up stuff, and at the time I had no kind of insurance. So I’m like, ‘How the hell am I going to do this?’ I can’t afford to go to all of these specialist doctors. Of course, as I’m working the door, everybody that’s coming in is asking what happened to my thumb, and then, all of a sudden this one guy comes up to me and he’s like, ‘Oh do you need to see an orthopedic doctor?’ I’m like, ‘Yeah as a matter of fact I do.’ He was one, so he gave me an appointment immediately to go to Columbia Presbyterian. It’s a walk-in clinic, but he told me to just mention his name, no problem. So I did and they took care of me. It was totally awesome. The perks of being a door girl. You never know.
Permits indicate that 644 East 14th Street will total 61,789 square feet, including 8,578 square feet of commercial space on the ground floor. The remainder of the first five stories will host a ‘community facility,’ which will span 18,937 square feet, and apartments will sit above; the structure will stand 15 stories tall, with 34,274 square feet of residential space divided between 50 units. At only 120 feet to its roof, ceilings heights will apparently be crypt-like.
It's one of those good news/bad news things. The bad news first: Calliope has closed. It's sad to see something that meant so much to all of us and to you come to its end... but we're putting together a new project right here in the same space. That's the good news... starting this weekend, you can come into dinner at Contrada! Full details coming soon!