Showing posts with label Anthology Film Archives. Show all posts
Showing posts with label Anthology Film Archives. Show all posts

Friday, April 1, 2022

A 1-day strike at Anthology Film Archives

Photos by Stacie Joy 

Here are a few scenes from last evening's strike at the Anthology Film Archives on Second Street at Second Avenue. 

As previously reported, AFA staff voted unanimously last year to unionize with UAW Local 2110, whose members include employees at cultural institutions such as BAM, MoMA and the Guggenheim. 

According to employees: "AFA's negotiating position and current contract offer are untenable."

Thursday, March 31, 2022

Workers at Anthology Film Archives set to strike this evening

Workers at the Anthology Film Archives have decided to hold a one-day strike. 

Tonight from 6:30-9:30, workers will set up a picket line outside the theater on Second Street at Second Avenue. The activities include a selection of "anti-capitalist shorts" screened outside.

According to the letter posted to the @AFAworkers account, AFA staff voted unanimously last year to unionize with UAW Local 2110, whose members include employees at cultural institutions such as BAM, MoMA and the Guggenheim. 

As the letter states, "AFA's negotiating position and current contract offer are untenable." 

Read on for more details. Tonight's screenings at the 52-year-old theater include two showings of Ted Fendt's "Outside Noise."

H/T Leo

Tuesday, October 12, 2021

Cinema Salons — 'a mini-festival of radical films' — coming to the Anthology

Starting on Wednesday night, the Anthology Film Archives will host a series of one-hour Cinema Salons dubbed "Cinesymposia."

Per the Anthology's website:
Each Salon is a mini-symposium organized around a specific theme. Each Salon features three short films and three rounds of arena discussion. Each Salon invites you to come prepared with thoughts, manifestoes, and democratic screeds. Each Salon invites you to engage in ideas and exchange in communion.

Host and curator cherry brice jr. described it this way in an email to EVG:

These Salons are a mini-festival of radical films: a screening and discussion series with rowdy, audience-led debate, moderated by a panel from film, community organizing, and philosophy backgrounds. 

 The first screening on Wednesday night (at 8) is free:

The Civic Cinema. The enclosure of the commons was a political project long before it was a public health one. Whatever happened to the ancient agora? What became of the public sphere? Can the film theater — especially one closed to the general public — fill the role of a community consciousness-raising space? Featuring three experiments in cross-cultural discourse, the films in this program beg the question of just what the nature of dialogue is. 
The subsequent screenings on Oct. 20 and Nov. 3 are each $7. Find more details here.

The Anthology Film Archives is at 32 Second Ave. at Second Street.

Tuesday, July 20, 2021

The Anthology Film Archives returns with in-person screenings on Aug. 5

Quick update to our last post... The Anthology Film Archives will start hosting in-person screenings again on Aug. 5.

The 51-year-old NYC institution on Second Avenue and Second Street is returning with a very Anthology-like screening... 
Anthology Film Archives marks its long-awaited post-pandemic reopening with a program that could only take place "in real life," projected theatrically and on film: our brand-new restoration of Paul Sharits's rarely screened early masterpiece, Razor Blades (1965-68). 

The latest in our ongoing series of restorations of Sharits's films, Razor Blades is a typically mind-bending, consciousness-expanding experiment in perception and a classic among "expanded cinema" works. 
By means of color combinations, the strobe-like flickering of the dueling projectors, a high-volume stereo soundscape, and single-frame imagery, it demonstrates the cinema's capacity for exploring the mysterious interaction between light, color, rhythm, eye, and mind. The double projection piece never exhibits precisely the same way, rendering every screening a unique experience.

Find more details about the reopening here

As previously noted, the Anthology has been showcasing its independent, experimental and avant-garde fare online since the start of the pandemic. 

Monday, July 12, 2021

Anthology Film Archives teases a return

Updated 7/17: The theater reopens on Aug. 5!

The Anthology Film Archives has remained closed for in-person screenings since the start of the pandemic in March 2020... continuing to showcase its independent, experimental and avant-garde fare online. 

However, they've added the word "soon" on its entrance here on Second Street at Second Avenue...


The Anthology's website now lists an August return for in-person screenings and events. (You can support the 51-year-old institution in a variety of ways, including an annual membership and gift cards.)

Most local movie theaters have reopened, except for the Anthology and Metrograph, which is back with in-person attendance on Ludlow Street in September.

Thursday, March 11, 2021

Anthology Film Archives will remain closed for the time being

One year ago today Anthology Film Archives temporarily closed its doors at the start of the pandemic.

Although NYC theaters were OK'd to reopen at limited capacity last Friday, the theater on Second Street at Second Avenue was not among the movie houses electing to restart its in-person programming. 

Here's more via the Anthology Instagram account
[D]espite that announcement, Anthology is not planning to rush it — given the current COVID numbers in NYC, the uncertainty surrounding new variants of the virus, and the increasing momentum of the vaccination program, we are keeping our theaters closed for the time being. 

We're hard at work developing the protocols that will allow us to safely reopen when the time is right, and we’ll keep you updated. 

Meanwhile, we'll continue to offer online programming before and after we open our doors, so that until everything returns (as much as possible) to normal, watching our programs from home will still be an option.

The Anthology is a vital part of this neighborhood (and NYC)... looking forward to when they are ready to safely return.

Thursday, March 5, 2020

Breaking the internet 1995 style at the Anthology Film Archives



A weeklong series titled "1995: The Year the Internet Broke" starts tonight at the Anthology Film Archives.

Per the description:

The groundwork for interconnected global computer networks was laid in the 1960s, but it didn’t capture the public imagination until the mid-1990s, at which time a confluence of factors including the release of Netscape Navigator, the Windows 95 operating system, high-profile hacking arrests, and aggressive direct marketing campaigns by commercial service providers AOL, CompuServe, and Prodigy fast-tracked the information superhighway for mainstream traffic. Once the domain of scientists, hobbyists, hackers, and role-playing gamers, the internet had irreversibly broken into the public imagination.

And!

1995 opened the floodgates to a torrent of internet-themed films. Suddenly, the paying public was confronted with the radical new idea of Sandra Bullock ordering delivery by logging on to Pizza.net. Much as Hollywood valorized the Wild West, it was now pursuing a new kind of Manifest Destiny across the information superhighway at breakneck speed. Instead of their parents’ “Hi-yo, Silver!”, the young generation of keyboard cowboys had a new rallying cry: “HACK THE PLANET.”

Featured titles include "Hackers," "The Net" and the so-bad-it's-bad-AND-good "Johnny Mnemonic."



And why not...



Find all the screening times and titles at this link.

The Anthology Film Archives is on Second Avenue at Second Street.

Any questions? You can email me at 76839937373662222.998844774999@compuserve.com.

Wednesday, February 5, 2020

At the opening night of 'The Devil Probably: A Century of Satanic Panic' series at the Anthology Film Archives



Text and photos by Stacie Joy

There’s a line forming when I arrive early this past Friday for the opening night of "The Devil Probably: A Century of Satanic Panic" series at Anthology Film Archives.



I’m at this East Village treasure, 32 Second Ave. at Second Street, where I meet guest curator, Genevieve HK, media preservation coordinator at the New York Public Library, Kolbe Resnick, head theater manager, and Jed Rapfogel, programmer at the Anthology.


[Genevieve HK]


[Resnick]


[Rapfogel]

Tonight, Lucien Greaves, cofounder of The Satanic Temple, as well as some members of the Satanic Temple of NYC, are leading what’s billed as a black mass ritual but may, in fact, be a destruction invocation ritual before the sold-out screening of "HÄXAN." I'm there as everyone is setting up for the screening...











There's also a slideshow by Greaves that touches on pseudoscience and the history of satanic panic and hysteria in the media. Before his arrival, Temple chair of events and rituals Stryder Crown urges the enthusiastic audience to chant “Hail Satan” as part of the call-and-response to the ritual.



The evening included an appearance by several protestors, who prayed and demonstrated on the sidewalk outside the theater...



The series runs through Feb. 20 with notable visits from filmmaker Jacqueline Castel and occult historian Mitch Horowitz, who'll provide an intro to horror classic "Rosemary's Baby" this coming Saturday night.



You can see the schedule and learn more about the series at this link.





--

The Anthology Film Archives will celebrate its 50th anniversary later this year. Visit this link to learn more about their expansion project.

Wednesday, October 30, 2019

The devil in the details: 'Satanic Panic' at the Anthology Film Archives



If you're looking for some more legit Halloween-related movie fare, then look no further than this upcoming series at the Anthology Film Archives.

Here's more about The Devil Probably: A Century of Satanic Panic:

With so many treating Halloween as nothing more meaningful than an excuse to party till dawn in a half-assed superhero costume, it’s safe to say the holiday has drifted far from its historical roots.

Nevertheless, by virtue of its relationship to various traditions honoring the dead – as well as to ancient festivals marking the onset of the “darker half” of the year, a transitional moment when the boundaries between the worlds of the living and the dead were thought to become porous – Halloween also conjures up images of the underworld, and by association, notions of Satan, witchcraft, and other dark forces.

Films include Roger Corman's "The Masque of Red Death," Mario Bava's "Black Sunday" and George Miller's "The Witches of Eastwick." The series runs tonight through Nov. 8 at the Anthology on Second Avenue and Second Street. Find more details at this link.

Tuesday, April 2, 2019

CineKink returns to the Anthology Film Archives


[2018 photo by Stacie Joy]

CineKink NYC returns for its 16th annual engagement starting tomorrow (Wednesday) through Sunday ... and the Anthology Film Archives on Second Street at Second Avenue will be the main venue again for the curated program of films and videos that celebrate and explore a wide diversity of sexuality.

A few details via the EVG inbox...

Billing itself as "the kinky film festival," the event is presented by CineKink, an organization dedicated to the recognition and encouragement of sex-positive and kink-friendly depictions in film and television. Works featured at CineKink NYC will range from documentary to drama, comedy to experimental, mildly spicy to quite explicit — and everything in between.

The CineKink NYC festivities commence tomorrow (Wednesday) at 8 p.m. with a fundraising kick-off extravaganza to be held at M1-5 Lounge (52 Walker St.)

The festival then moves to Anthology Film Archives from Thursday through Saturday with several different film programs scheduled for each day.

The festivities conclude Sunday with an afternoon workshop titled "From Fantasy to Film: Design Your Own Porn Film."

One item of local interest to mention: Saturday's slate of shorts includes "The Baroness," who "navigates the ever-growing world of latex fashion." The Baroness has her shop over on 13th Street between Avenue A and Avenue B.

Find all the detail about CineKink 2019 at this link.

And here are a few photos from last year's CineKink via EVG contributor Stacie Joy...







Thursday, March 28, 2019

Essential Cinema at the Anthology Film Archives



I'm browsing through the Anthology Film Archive's new spring catalog (featuring a sketch of the late Jonas Mekas on the cover) ...

There are, as always, a lot of interesting offerings... most immediately, there are several films this weekend from the Anthology's Essential Cinema collection. "Citizen Kane" plays tomorrow and Saturday night at 8 in 35mm. On Sunday, you can catch Warhol's "Eat" and "Harlot." Find more details at this link.

Essential Cinema screenings are $9 (no entry fee for Anthology members). The theater is on Second Street at Second Avenue.

Wednesday, March 27, 2019

Screening of this Bowery film classic benefits the Bowery Alliance of Neighbors



The Bowery Alliance of Neighbors is presenting a special benefit screening of Lionel Rogosin's 1956 documentary "On the Bowery" in a restored 35mm print on April 7.

The 65-minute film chronicles three days in the life of Ray, a railroad worker who drifts onto the Bowery. He enters the Confidence Bar & Grill and begins a weekend of drinking ...

The film was nominated for an Academy Award for Best Documentary Feature in 1957.



Per the invite:

We're especially excited to have it introduced by the filmmaker's son Michael Rogosin, who will be presenting a slideshow peak at a rare trove of his father's Bowery photographs from the 1950s. He'll also share an excerpt of an interview of Martin Scorsese discussing the film's impact.

This benefit screening for the Bowery Alliance of Neighbors takes place Sunday, April 7 at 7 p.m. at the Anthology Film Archives on Second Street at Second Avenue.

Thursday, January 24, 2019

A memorial for Jonas Mekas outside the Anthology Film Archives



There's a makeshift memorial for Jonas Mekas outside the Anthology Film Archives on Second Street at Second Avenue. Mekas, the filmmaker, writer, poet, curator, historian as well as co-founder of the Anthology, died yesterday morning. He was 96.

Steven shared these photos...









Here are several links for more on Mekas and his impact on cinema...

Jonas Mekas: how a Lithuanian refugee redefined American cinema (The Guardian)

Jonas Mekas, Underground Filmmaker Who Cast A Long Shadow, Dies At 96 (NPR)

Jonas Mekas, RIP: Why This 96-Year-Old Legend Was Our Most Important Cinephile (IndieWire)

And among his many, many works... "My Mars Bar Movie," an 87-minute documentary on one of the filmmaker's favorite bars.

Wednesday, January 23, 2019

RIP Jonas Mekas


[Image via Facebook]

Jonas Mekas, the award-winning filmmaker, poet, publisher and co-founder of the Anthology Film Archives on Second Street and Second Avenue, died today. He was 96.

The Anthology announced the news on Instagram and Facebook: "Jonas passed away quietly and peacefully early this morning. He was at home with family. He will be greatly missed but his light shines on."

In 1954, he co-founded the seminal publication Film Culture. He was also the first film critic of The Village Voice, where he championed noncommercial work from 1958 to 1975 in the "Movie Journal" column.

Here are a few passages from the intro of an interview with The Village Voice in September 2017...

Born in Lithuania, Mekas first came to New York in 1949 as a refugee; he had been imprisoned by the Nazis, then found himself stateless after the Soviets invaded. Plunging himself into the underground film scene, he became the Village Voice’s first full-time film critic in 1958 ... fervently championing independent and experimental cinema.

Mekas didn’t just write about movies. He made them, he showed them, and it would be fair to say he lived them. Much of his prolific cinematic output was built around footage of his everyday life. (Start with his masterpieces — "Walden,' from 1969; "Reminiscences of a Journey to Lithuania," from 1972; "Lost, Lost, Lost," from 1975; and "As I Was Moving Ahead Occasionally I Saw Glimpses of Beauty," from 2000.)

By founding the Film-Makers’ Cooperative and the Film-Makers’ Cinematheque in the 1960s, he made it possible for underground filmmakers to bypass traditional distribution schemes. The Cinematheque eventually grew into Anthology Film Archives, which continues to be one of New York’s essential screening venues.

But the past tense doesn’t fit Mekas. He still makes films; he still writes, teaches, programs, and champions. This man who worked with Andy Warhol and John Lennon and Lou Reed and Maya Deren might be the least nostalgic person I’ve ever encountered. And he remains more excited than discouraged by what he sees in the world — even when he’s perplexed by it.

Several filmmakers have paid their respect to Mekas... (We'll update this post later...)



Updated:

The Anthology added a second Instagram post about Mekas, which reads in part:

Jonas was the guiding force here at Anthology from its founding through to the present day, and even as he reached the age of 96 the idea that he might not be here in person to continue to inspire us has been inconceivable. But Jonas was nothing if not forward thinking, large spirited, and devoted in every fiber of his being to celebrating what is most vibrant in life and culture.

His work as a filmmaker, artist, writer, and archivist (among many other roles) was animated precisely by a powerful, paradoxical balance between a preoccupation with the past and an inexhaustible openness to new ideas, forms, and experiences. What better model for confronting the fact of his passing, for balancing sorrow at his death with a celebration of the vitality of his legacy?

His absence will be difficult to accept, but his spirit will continue to suffuse Anthology, New York City, and avant-garde culture around the world.

Updated 1/24

There's a makeshift memorial for Mekas outside the Anthology Film Archives on Second Street at Second Avenue ... Steven shared thee photos...











Selected reading:

Jonas Mekas: how a Lithuanian refugee redefined American cinema (The Guardian)

Jonas Mekas, Underground Filmmaker Who Cast A Long Shadow, Dies At 96 (NPR)

Jonas Mekas, RIP: Why This 96-Year-Old Legend Was Our Most Important Cinephile (IndieWire)

Tuesday, November 20, 2018

Scenes from a (re)marriage: Comedy classics at the Anthology Film Archives


This holiday weekend (and through Nov. 29), the Anthology Film Archives on Second Street at Second Avenue is screening a classic series titled "Stanley Cavell & the Comedies of Remarriage."

Cavell, a writer, philosopher and scholar, published several books on pop culture during his lifetime (he died in June at age 91), including "Pursuits of Happiness: The Hollywood Comedy of Remarriage" in 1981.

Per the Anthology: "Cavell astutely identified and brilliantly analyzed the hidden micro-genre that he called the 'comedies of remarriage,' a group of classic Hollywood romantic comedies whose unassuming wit belied their capacity for sustained, penetrating analysis."

Here's a look at the classic romantic comedies screening in the days ahead (find more details here) ...

Frank Capra
"It Happened One Night"
Nov. 23 at 6:45 PM
Nov. 25 at 6:15 PM

Leo McCarey
"The Awful Truth"
Nov. 23 at 9:15 PM
Nov. 25 at 8:45 PM

Howard Hawks
"Bringing Up Baby"
Nov. 24 at 2 PM
Nov. 28 at 6:45 PM

George Cukor
"The Philadelphia Story"
Nov. 24 at 4:15 PM
Nov. 26 at 9 PM
Nov. 29 at 6:30 PM



Howard Hawks
"His Girl Friday"
Nov. 24 at 6:45 PM
Nov.r 26 at 6:45 PM

Preston Sturges
"The Lady Eve"
Nov. 24 at 9:15 PM
Nov. 27 at 6:45 PM
Nov. 28 at 9 PM

George Cukor
"Adam's Rib"
Nov. 25 at 4 PM
Nov. 27 at 9 PM
Nov. 29 at 9 PM

Thursday, August 2, 2018

Cinema of rock at the Anthology Film Archives this month


["Viva Las Vegas" at the Anthology Film Archives this month]

A rockin' month-long series kicks off tonight over at the Anthology Film Archives on Second Street at Second Avenue.

Here's a quick overview:

This extensive film series — inspired by David E. James’s extraordinary book, “Rock ‘N’ Film” — ranges from major and minor studio productions to independent documentaries and avant-garde projects. Borrowing its structure from the successive chapters of “Rock ‘N’ Film,” this series functions as a kind of illustrated edition of James’s definitive book, and demonstrates how intertwined the cinema and popular music have been since the inception of rock ‘n’ roll.

Among the titles playing during August:

Richard Brooks
"BlackBoard Jungle"

Fred F. Sears
"Rock Around the Clock"

George Sidney
"Viva Las Vegas"

Richard Lester
"A Hard Day's Night"

Michael Wadleigh
"Woodstock"

Donald Cammell & Nicolas Roeg
"Performance"

Albert Maysles, David Maysles & Charlotte Zwerin
"Gimme Shelter"

Mel Stuart
"Wattsstax"

D.A. Pennebaker
"Ziggy Stardust and the Spiders From Mars"

Find more details about the films and the schedule here.

Monday, February 12, 2018

True romance: Valentine's Day at the movies



On Wednesday (Valentine's Day), the Anthology Film Archives once again presents their slate of "radically anti-romantic films."

Here's more about Valentine's Day Massacre 2018 via the Anthology's website:

The series is anchored by two films that are virtually identical in many ways, save for their wildly different tones: Maurice Pialat’s grueling, autobiographical study of a dysfunctional off-and-on relationship, WE WON’T GROW OLD TOGETHER, and Albert Brooks’s hilarious yet no less painful MODERN ROMANCE. This Jekyll and Hyde pairing is supplemented by Andrzej Zulawski’s POSSESSION, a batshit crazy depiction of an imploding marriage that’s perhaps the ultimate dysfunctional relationship film, and two masterpieces by the great Elaine May: A NEW LEAF, a jet-black comedy that’s outrageously cynical yet in its way genuinely heartwarming, and THE HEARTBREAK KID, which in the spirit of Valentine’s Day Massacre is at once a hilariously funny and bitterly corrosive depiction of male/female relations.

The series plays through Sunday. Find the more about each film here. The theater is on Second Street at Second Avenue.

Also on Wednesday ... the Village East on Second Avenue at 12th Street is showing "From Here to Eternity" at 7 p.m. ... the Metrograph on Ludlow Street has an array of films including Maurice Chevalier's 1932 musical "Love Me Tonight" and the 1998 trashy guilty pleasure "Wild Things" with Denise Richards, Neve Campbell and Matt Dillon. Find the full slate here. And on 13th Street, the Quad is premiering François Ozon’s "Double Lover" on Wednesday... described as "a kaleidoscope of kinky eroticism and cinematic double takes that raises the stakes of the classic erotic thriller."

Saturday, November 18, 2017

A double dose of 'Generation Wealth'


A two-week series is underway at the Anthology Film Archives on Second Street and Second Avenue titled "Generation Wealth." Here's more about it:

Continuing our ongoing collaboration with the International Center of Photography, Anthology hosts a film series in conjunction with the ICP’s latest exhibition, “GENERATION WEALTH by Lauren Greenfield.” Using photography, oral history, and film to examine the pervasive influence of money, status, and celebrity in America and abroad, Lauren Greenfield explores the ways in which the pursuit of wealth, and its material trappings and elusive promises of happiness, has evolved since the late 1990s.

Weaving together stories about affluence, beauty, body image, competition, corruption, fantasy, and excess, Greenfield’s sweeping project questions the distance between value and commodity in a globalized consumerist culture.

The film series kicked off last evening... upcoming screenings include Mary Harron's "American Psycho," Harmony Korine's "Spring Breakers," Robert Bresson's "L'Argent" and Amy Heckerling's "Clueless." Find the full slate of films here.

Thursday, August 10, 2017

Report: LPC signs off on expansion for the Anthology Film Archives

On Tuesday, the Landmarks Preservation Commission OK'd the long-time-coming expansion of the Anthology Film Archives on Second Avenue and Second Street.

DNAinfo's Allegra Hobbs was at the hearing. She has more background on the expansion, which has been in the works for years:

The landmarked structure operated as a courthouse until 1979, when Anthology Film Archives bought it to renovate and convert into a theater and archive space. Anthology moved into the building from its original Wooster Street location and reopened there in 1988.

But the renovation carried out by renowned architect Raimund Abraham remained incomplete for decades, said [co-founder Jonas] Mekas and architect Kevin Bone, who said at the hearing there had been many proposals for the completed project before the final one.

"We did all we could to get the Anthology doing what the Anthology did best, which is to start showing the great art works of the independent cinema," he said of the initial renovation, which he undertook as an architect with Abraham. "So here we are, now 35 years later."

The design from Bone/Levine Architects includes an additional story that will house the Anthology's library as well as a cafe on the ground floor, archival storage space and an elevator.

To help pay for the $6 million expansion, the Anthology staged a fundraising auction back in March featuring donated works by Cindy Sherman, Robert Frank and Chuck Close, among others. In addition, as artnet reported, Maja Hoffmann’s LUMA Foundation pledged $3 million toward the library.

Previously on EV Grieve:
Checking in on the 'completion project' at the Anthology Film Archives

Tuesday, August 8, 2017

A look at the revised design for an expanded Anthology Film Archives


[EVG file photo from March]

The the Anthology Film Archives takes another step today toward realizing their building "completion project" on Second Avenue and Second Street.

As previously reported, there are plans to add an addition to the landmarked building that will include a library and cafe, two amenities planned for the space ever since co-founder Jonas Mekas bought the building in a city auction in 1979.

These plans go before the the Landmarks Preservation Commission today.

And New York Yimby reports that there have are some changes to the revision and expansion:

The submission to the LPC represents a major change from the previous iteration of the plans, which was substantially glassier. The extension of the facade will consist of a coated copper base, and accents clad in corten steel will line the windows of the library, which have been downscaled substantially. Above that, the addition will feature ‘Anthology Film Archives’ in metal-mesh lettering, covering the penthouse level of the project.

Anthology Film Archives’ expansion will measure a relatively small 14’4″, and even with the extension, the structure will be shorter than its neighboring buildings.

Here is the new rendering from Bone/Levine Architects ...



...and the previously revealed rendering...



"The time came that we cannot postpone anymore," Mekas told Bedford + Bowery in January. "Because we have so much material, we have so much paper, books, periodicals, documentation on cinema that we have to build a library and make those materials available to researchers, scholars, students."

If all goes well, then the expansion would be complete by 2020, per NY Yimby.

Previously on EV Grieve:
Checking in on the 'completion project' at the Anthology Film Archives