"Altercation around midnight on D between 8th Street and 9th Street among young males escalated and one party came back and fired shots. No one hit. Car on D took some shots and [the former] Joselito's took one in the window. Multiple 911 calls placed last night and half a dozen detectives plus a new surveillance tower van out there now."
In 1984, Dan Root took some photographs for a book that a friend of a friend was going to write about the changing East Village. For a couple of months he took pictures, when time and money allowed, of this changing neighborhood. The book was never written (of course?) and the photographs were put away.
Last year Dan revisited those locations and photographed them again. Most were vastly different than they were 30 years ago. He embarked upon a project of framing the original photos and placing them at these sites. Residents and visitors were able to see how much the East Village has changed, and a Tumbler page brought international attention to this photographic documentation.
East Village: 1984 and 2014
A photo journey with Daniel Root
Thursday, May 7
6:30 – 8:00 P.M.
Free; reservations required
Sixth Street Community Center
638 East 6th Street, between Avenue B and Avenue C
[This venue is wheelchair accessible.]
To register, please call (212) 475-9585 ext. 35 or email.
Name: Philip Van Aver
Occupation: Artist
Location: 6th Street and Avenue B Community Garden
Time: 3 pm on Saturday, May 2
I first came to this neighborhood in 1966. I’m originally from Bellingham, Washington. I had been living in West Hollywood and I had an opportunity to come to New York for the summer in 1966 and I ended up staying.
I started coming to this neighborhood regularly, I think it was about 1968, and there was a bar called the Old Reliable. It was located on 3rd Street between B and C and it had plays in the back. It wasn’t strictly speaking a gay bar but a lot of gay people went there. I started going there and I met a lot of great people. Eventually one of my friends decided that he wanted to go to San Francisco and so he said, ‘Would you like to take over my apartment and keep my belongings for me?’ So that’s how I moved to East 6th Street. I moved in there February of 1969 and I’ve been living there ever since.
I was 29 years old and I was kind of ready to settle down. At the time, I was working at an art gallery where the IBM building now is on 57th Street. I wanted to live in a neighborhood, which wasn’t going to, as they say now, gentrify any time soon.
I started doing freelance illustration around 1970. I’ve had jobs and employment and freelance work, but I have been active as an artist in New York for many years. I do small works on paper. I work in a consistent style that’s hard for me to describe but it’s something that has sustained me all these years.
And I’ve been lucky to have a rent-regulated apartment. Those of us who stayed in our apartments were fortunate to make that decision. It could have been the wrong decision. Many of my friends going back to the 1970s and those who are still alive were able to sustain themselves and either have a small business or to be the artist because they had this stable housing situation. Rent-regulation is generally bashed by people but it is a good program. It’s a kind of a partnership with the tenant, the landlord and the city. All three of these entities have to work together to sustain this program.
What happened to this neighborhood, very, very suddenly in the early 1970s, was that it started to deteriorate. Places like the Old Reliable closed. This happened almost like somebody had flipped off a switch. There was a suddenness about it, but I stayed on. There were a lot of people leaving New York then. Most of my college friends left in the 1970s and went back to California.
I became politically active in the 1970s. There was a sense in the 1970s that nobody was really paying much attention positively to this part of the Lower East Side. I tend to avoid the term East Village. I’m the last of the dinosaurs. In 1975, it was the Abraham Beame administration and the New York Public Library wanted to close 18 branch libraries throughout the system. One of the ones they wanted to close was on 2nd Avenue, the Ottendorfer Library.
That was the beginning of it for me, because I signed a sheet – ‘Would you be willing to volunteer?’ I think I worked with them for seven years and we formed something called the Interbranch Library Association. We had meetings downtown with Deputy Mayor Zuccotti. Our neighborhood was politically savvy. The people whom I met, they weren’t like established leftists or anything like that; they didn’t have party affiliations, but they knew how to get things done.
I also worked with other groups like the Third Avenue Tenants Association, which was opposed to the zoning on 3rd Avenue. I eventually became a member of the executive committee of an organization called the Lower East Side Joint Planning Council, which was an umbrella organization for 36 independent groups. I was involved in the Friends of Tompkins Square Park, which succeeded in defeating the plan to create a policeable park in that area. So in addition to my personal life and my professional life, I was very involved in these activities.
I have been very lucky to have lived on the Lower East Side — the friendships, the atmosphere. I had a chance to be politically active, which probably wouldn’t haven’t happened if I had lived somewhere else, considering my politics and my point of view. I always found myself in sympathy with somebody. This neighborhood, as far as I’m concerned, there has been quite a lot of continuity. Of course people die, people move away, but I still have friends that go back to the 1970s. This neighborhood has a history of progressive politics and what that means, changes.
“I don’t know who can afford that much rent,” she said, declining to say how much the landlord charged. “I know it’s a nice location on the corner but it’s way too much for what they’re asking.”
… the cafe will live on in some form down the street at Gnocco, an Italian eatery [on East 10th Street near Avenue B] owned by the same people. "We're moving June 3rd," Kristen told us. "We're still going to have our breakfast and some of our staff moved. They're usually just doing dinner, but now we're going to be serving breakfast, lunch, brunch and dinner, cocktails. We're going to expand a little as well."
To kick off Lower East Side History Month, we are pleased to present Punks, Losers, Screw-Ups & Goofballs, an exhibition of the LES Art of Cliff Mott. The opening reception will take place tonight from 6-10 with the prime LES cuts of DJ Joe McGinty, founder and director of the Loser’s Lounge.
Drawn by it’s Punk buzz, Mott spent many formative hours of his youth roaming the Lower East Side of the late 70s/early 8’s. This is where he came into contact with musicians who needed band flyers, promotional art, stickers, t-shirts & record sleeves. He has maintained many of these early relationships and continues to produce images for bands like the Fleshtones, Dictators and the Jon Spencer Blues Explosion.
In the LES Mott met many fellow comics obsessives, which eventually led to his being named art director at Cracked magazine where he spent over a decade. This is also where he came into contact with countless artists, writers, and editors that led to work for the New York Post, Screw, Penthouse and Marvel Entertainment. The exhibition showcases Mott’s antic drawings and comics, each with its own maniacal story to tell.
