"They're like Lennon and McCartney." Righteous Kill opens Friday.
Meanwhile, Pacino in Panic in Needle Park tomorrow night at the Anthology Film Archives at 7.

Two thirds of a 15,000-square-foot East Village playground that was home to a popular flea market is under contract in a quiet, all-cash sale for $10.4 million to the Archdiocese of New York, court documents said.
The playground, divided into three ownership lots, is adjacent to the shuttered Mary Help of Christians Catholic Church on the east side of Avenue A between 11th and 12th streets. The Archdiocese owns the church located on a 13,000 square foot lot, city records show.
The Archdiocese did not respond to requests for comment, but real estate professionals speculated the church parcel and playground would be sold and developed into residential housing.
[Photos by Charlie Kerman]

It almost became a grocery store in the 1970s. In the 1980s, it was nearly jackhammered into a cavernous disco with a triple-tiered restaurant. Somehow it escaped becoming a multiplex. And through 78 years, the neglect of the Beacon Theater in Manhattan — aside from occasional spasms of partial renovation — has often been profound.
The Beacon, at 2124 Broadway, at West 74th Street, is familiar to generations of New Yorkers living on the West Side who grew up there when it was a movie house, performance space and, in recent decades, what some have called the Carnegie Hall of rock rooms.
The Beacon went dark last month for a six-month, $15-million restoration by Madison Square Garden Entertainment, a division of Cablevision Systems Corporation, which announced in 2006 that it was leasing the theater for 20 years. The interior face-lift is to be completed by Jan. 31, in time for a February opening.

Low ceilings. Columns in the living room. Drainage grates outside the windows.
What sounds like a Lower East Side tenement is actually a $53.5 million pair of Plaza penthouses bought by Russian hedge-fund manager Andrei Vavilov, who says the developer promised him the epitome of luxury and then handed over an "attic-like space."




In his 1962 poem “An Urban Convalescence,” James Merrill captured the feverish yet methodical sacking of the city and the way it toys with our sense of comfortable familiarity.
As usual in New York, everything is torn down
Before you have had time to care for it.
Head bowed, at the shrine of noise,
let me try to recall
What building stood here.
Was there a building at all?
Among Merrill’s disciples is one Jeremiah Moss, who maintains the engagingly gloomy blog Jeremiah’s Vanishing New York, which he terms “an ongoing obituary for my dying city.” His topic is the steady erosion of the city’s texture. He is the defender of all the undistinguished hunks of masonry that lend the streets their rhythm and give people a place to live and earn a living: bodegas, curio stores, a metalworking shop in Soho, diners, and dingy bars.

Our city is molting.
Bricks flake away. So do brittle fire escapes, terra-cotta encrustations, old paint, cracked stoops, faded awnings, sash windows, and stone laurels fashioned a century ago by Sicilian carvers. New York is shucking off its aging walk-ups, its small and mildewed structures, its drafty warehouses, cramped stores, and idle factories. In their place, the city is sprouting a hard, glistening new shell of glass and steel. Bright, seamless towers with fast elevators and provisional views spring up over a street-level layer of banks and drugstores. In some cities, a building retains the right to exist until it’s proved irredeemable. Here, colossal towers are merely placeholders, temporary arrangements of future debris. New York lives by a philosophy of creative destruction. The only thing permanent about real estate is a measured patch of earth and the column of air above it. The rest is disposable.
And the metamorphosis has sped up. In the past fifteen fat years, more than 76,000 new buildings have gone up, more than 44,000 were razed, another 83,000 were radically renovated—a rate of change that evokes those time-lapse nature films in which flowers spring up and wither in a matter of seconds. For more than a decade, we have awakened to jackhammers and threaded our way around orange plastic netting, calculating that, since our last haircut, workers have added six more stories to that high-rise down the block. Now that metamorphosis is slowing as the economy drags. Buildings are still going up, but the boom is winding down. Before the next one begins is a good time to ask, has this ferment improved New York or eaten away at the city’s soul?
"Earlier the 9th precinct had decided to arrest Sturgeon for tossing donuts at them at the concert claiming that per the Penal Code such an action constituted harrasment of a police officer . They waited for an hour to arrest Sturgeon apparently because they felt that it would be easier and less risky than doing so at the concert with a crowd that might protest such an arrest .
Arresting Sturgeon-- charges were harrasment of a police officer , disorderly conduct and resisting arrest--in TSP was not so difficult , there was little resistance , but the unexpected consequences of the arrest were for a while somewhat chaotic .
After Sturgeons arrest some present decided to attempt to prevent the police RMP containing Sturgeon from leaving the park . Police cars were damaged ,broken mirrors etc . Bottles were thrown and trash recepticles were upset and emptied . People climbed on top of police cars with some standing or lying down in front of the police vehicles . For a few minutes the situation was quite eye-ball-to-eye-ball and nose-to-nose physical but police eventually gained control with minimal use of force . 3 additional arrests were made before the brief melee ended.