Photo by Derek Berg
A gripping moment on Second Avenue and Seventh Street on this first day of May...
He was born to an immigrant family, and his Ukrainian grandmother raised him exclusively in the Ukrainian language until he was 5 years old. His difficult and unstable upbringing in a troubled household influenced his artistry and vision significantly as Hujar turned to a career in photography.
The life and art of Peter Hujar were synonymous with a downtown New York that no longer exists. From the 1960s through the 1980s, the East Village was an urban buffet of creativity and danger, yet always vibrant and inexpensive. Private by nature, combative in manner, well-read, and widely connected, Hujar inhabited a world of the known and unknown.This exhibition at the Ukrainian Museum will feature 75 of Hujar’s earliest photographs — from 1955 until 1969. Portraits, country landscapes, and city life will be the focus of the exhibition. Yet, three important vectors or series that appeared in his work during this period will also be highlighted in-depth for the first time: the Southbury (1957), the Florence (1958), and the Capuchin Catacombs of Palermo (1963).
For 10 years, the Gas Station, with its towering sculpture built from discards ranging from a 1970 Plymouth Valiant to department store mannequins to television sets, has been a symbol of the Lower East Side's Bohemian ways and artistic resolve.
The Gas Station is probably most notorious for being the site of the final, calamitous performance by G.G. Allin & the Murder Junkies. After the show in question ended in a riot (not an atypical situation for the Geeg), Allin tromped off into the East Village afternoon with some new friends, only to overdose on smack later that evening, undermining his oft-stated intention to kill himself onstage.
We will hear about Leiter’s approach to street photography, much of which took place in the East Village, and about the painterly quality of his color work and the features that made him one of the key figures in the New York school of photography.
The new structures are operated as a public-private partnership by consortium CityBridge, and are a revamp of the old 10-foot kiosks the firm set up under former Mayor Bill de Blasio starting in 2015 with free Wi-Fi, USB charging ports, a tablet, a 911 button, and calling capabilities.