Newspaper discovers East Third Street

The Wall Street Journal checks in today with a piece titled "New Crowd Descends on East Third Street."

Let's jump into it!:

A once-seedy slice of the East Village is turning into a new night-life Mecca, drawing crowds of late-night revelers to increasingly trendy nooks.

The stretch along East Third Street between Avenues A and D has long appealed to culinary and night-life entrepreneurs. Now, the area is teeming with newly opened bars and restaurants, more of which are venturing farther east toward the grittier Avenue D.

Surely there are repercussions from this new-found popularity?

"The rents have gone way, way up, so that the people who made this community vibrant in the first place can't afford to live here," said Susan Stetzer, district manager of Community Board 3, who lives on East Third Street.

Still, it's good that Nuyorican Poets Café is doing well. But there's always a but.

Despite those signs of success, some ponder the impact of the changing demographics on the neighborhood.

"It's a weird vibe when people come here for events who have no context of the economics or politics of the Lower East Side—they just come for events." said Steve Cannon, a poet, playwright, novelist and retired professor at City University of New York, who founded A Gathering of Tribes in 1990.

Next week... East Fourth Street!

[Image via The Wall Street Journal]

NY1 looks at a 'landmark dispute' on East Fourth Street

NY1 ran a piece last night titled "Plan To Redevelop East Village Row Houses Draws Fire."

A landmark dispute on Manhattan's Lower East Side is pitting some longtime residents against one another as a developer sets his sights on the neighborhood. NY1's Rebecca Spitz filed the following report.

They may not look like much, but to some, a cluster of 1830s row houses located at 326 and 328 East 4th Street mean a lot. The buildings currently house an arts collective, but they're moving out and a new developer is coming in — and that has some people worried.

"We're just concerned about inappropriate alterations to the building, or actual demolition itself because these are the only buildings that have ever been on these sites and it's so rare that a 170-year-old building is still around in the East Village," said Kurt Cavanaugh of the East Village Community Coalition.

A developer, who would not talk with NY1, has already signed an agreement to buy the buildings. He has also filed an application to build two new stories on top of the existing structures.

"To destroy them with a high rise or something crazy would be nuts," said one East Village resident

.

You can watch the video here.



It's a good piece, — I'm glad that word of this potential development is getting out there .... Here's a little more background on the two townhouses between Avenue C and Avenue D that hit the market back in March for $4.6 million. As the Times reported last month, this was home to "an artists’ collective and burial society called the Uranian Phalanstery and First New York Gnostic Lyceum Temple, was started in the East Village in the late 1950s by the artists Richard Oviet Tyler and Dorothea Tyler." Per Colin Moynihan's article, the group is faced with tax liens, and sold the building they have owned since 1974.

Meanwhile, the Greenwich Village Society for Historic Preservation (GVSHP) and the East Village Community Coalition are working to to get landmark status here.

In any event, the historic townhouses are now in contract. The Corcoran listing shows they went for $3.95 million. The Times story last month noted that the developer is Terrence Lowenberg, who's also behind the work at Ninth Street and First Avenue. Curbed pointed out that the two-story rooftop additions are designed by architect Ramy Issac, "the neighborhood's most controversial tenement topper."



Previously on EV Grieve:
Historic East Fourth Street artists' collective soon to be condos

Two side-by-side townhouses on East Fourth Street await your renovation

Breaking: The East Village is expensive (thanks 10003!)

Curbed points out this morning that the East Village is now the 22nd Most Expensive Neighborhood in America. This is part of the America's Most Expensive ZIP Codes listicle in Forbes.

And it's specifically for the 10003 zip code, which extends west to Fifth Avenue and north to 20th Street. And where:

Median home price:
$2,825,587

Median household income:
$60,891

Anyway, here are the 10003 boundaries:



At least we beat those pussies from Gibson Island, Md., who came in at No. 23.

Historic East Fourth Street artists' collective soon to be condos

Back in March, we wrote about the side-by-side townhouses for sale on East Fourth Street near Avenue D....



There's a new listing for two townhouses at 326-328 E. Fourth St. between Avenue C and Avenue D... 12 bedrooms in the two homes... and both buildings are going for $4.6 million... According to the listing:

Extraordinary Opportunity. Two side by side townhouses that have 46 feet of street frontage and a 46 foot by 50 foot rear garden await your vision, dreams and renovation. Extensive original details throughout the townhouses. These properties will be delivered vacant, are currently over 7,000 square feet and come with an additional 10,000 square feet of air rights. Beautifully located across community gardens and on a charming block. This could also be a development site or for institutional use.

As the Times reports today, this is home to "an artists’ collective and burial society called the Uranian Phalanstery and First New York Gnostic Lyceum Temple, was started in the East Village in the late 1950s by the artists Richard Oviet Tyler and Dorothea Tyler."

Per their article by Colin Moynihan:

For decades, the East Village has been home to countless avant-garde organizations and collectives, drawn to the area by its cultural vitality and low cost of living.

Those days of affordability, however, appear to have largely vanished, and over the last decade or so many of the creative groups that once had a home in the East Village have moved or become defunct.

Faced with tax liens, the group is selling the two old brick buildings on East Fourth Street near Avenue D that it has owned since 1974. The group is also beginning the complicated process of cataloging the contents.

The Times also notes that the Greenwich Village Society for Historic Preservation (GVSHP) and the East Village Community Coalition are working to to get landmark status here. "In letters to the Landmarks Preservation Commission, the groups said the houses dated to around 1840 and retained original cornices, molded stone sills, windows and ironwork, among other features. 'That these houses have remained virtually unchanged in the past 170 years is miraculous and noteworthy,' the preservation groups wrote. 'That they could be lost to irresponsible development would be nothing short of tragic.'"

Read more about it at the NYPress.

Speaking of development, the campaign is well under way to sell the buildings. Per Blumstein at Corcoran:

Deep in the Alphabet lies a potential Gem of an investment. Two buildings, old and in disrepair, are on the market as a set. Just recently the price was reduced from $4,300,000 to $3,950,000.

What makes them so special is the air rights that come with the buildings – 17,630 buildable square feet. At the current asking price, that is $224 per square foot to buy. Even with good quality construction you could put up condos at under $700 a square foot, and the lowest condo (a resale) is on the market in the Alphabet for $800 a square foot with the average at $1,051 and the highs around $1,700 per square foot (The Copper Building is selling at 215 Ave B with the remaining units averaging around $1,256 a square foot). Given the 2-3 years minimum before completion, the fact that it would be new development and a likely upturning real estate market, a buyer/developer could be poised for considerable returns.

Anyway, the GVSHP has documentation showing "the house’s original owner built the first steamship to cross the Atlantic Ocean (nearby Avenue D was the East River’s edge, which in the early 19th century was full of working piers before shipping activity shifted to the wider and deeper Hudson); that in the late 19th century these houses were transformed from homes of successful merchants into tenements to house the waves of immigrants moving into the area; that in the early 20th century 326 and 328 East 4th Street were converted to house a Hungarian Synagogue."

Per the GVSHP:

YOU CAN HELP! Please write a letter to the city today urging the Commission to consider landmark designation for 326 and 328 East 4th Street right away, and to protect these remarkable survivors which capture so many important aspects of the evolving history of the East Village and New York — CLICK HERE for a sample letter and contact information.

The "new urban pioneers:" Yeah, but do they have plentiful FroYo and Momofuku? (Oh, wait...)

From The Wall Street Journal today, an article titled Artists vs. Blight. This is a complex topic that deserves more than a smart-assy treatment on a Friday morning. But for now, let's just read some of the article.

Last month, artists Michael Di Liberto and Sunia Boneham moved into a two-story, three-bedroom house in Cleveland's Collinwood neighborhood, where about 220 homes out of 5,000 sit vacant and boarded up. They lined their walls with Ms. Boneham's large, neon-hued canvases, turned a spare bedroom into a graphic-design studio and made the attic a rehearsal space for their band, Arte Povera.

The couple used to live in New York, but they were drawn to Cleveland by cheap rent and the creative possibilities of a city in transition. "It seemed real alive and cool," said Mr. Di Liberto.

Their new house is one of nine previously foreclosed properties that a local community development corporation bought, some for as little as a few thousand dollars. The group aims to create a 10-block "artists village" in Collinwood, with residences for artists like Mr. Di Liberto, 31 years old, and Ms. Boneham, 34.

Artists have long been leaders of an urban vanguard that colonizes blighted areas. Now, the current housing crisis has created a new class of urban pioneer. Nationwide, home foreclosure proceedings increased 81% in 2008 from the previous year, rising to 2.3 million, according to California-based foreclosure listing firm RealtyTrac. Homes in hard-hit cities such as Detroit and Cleveland are selling for as little as $1.

Drawn by available spaces and cheap rents, artists are filling in some of the neighborhoods being emptied by foreclosures. City officials and community groups seeking ways to stop the rash of vacancies are offering them incentives to move in, from low rents and mortgages to creative control over renovation projects.

"Artists have become the occupiers of last resort," said Robert McNulty, president of Partners for Livable Communities, a Washington-based nonprofit organization. "The worse things get, the more creative you have to become."

Later...

Artists have flocked to, and improved, blighted areas for decades -- for example, New York's SoHo and Williamsburg, parts of Baltimore and Berlin, Germany. They often get displaced once gentrification begins. But now, since real estate has hit rock bottom in many places, artists with little equity and sometimes spotty credit history have a chance to become stakeholders, economists and urban planners say.

And, for the record, I like Cleveland. My cousin moved there.

Goldfish in the Flowerbox

The Times has a Home & Garden feature on a young family's home in the Flowerbox building on East Seventh Street between Avenue C and Avenue D.

The feature is titled "A modernist temple."

The photo below includes the caption: "The couple were drawn to the condo's indoor-outdoor feel. A wall of ivy was planted along the interior balcony that overlooks the living area. Directly below the garden is a shallow, 12-foot-long reflecting pool, where goldfish dart just below the surface."



Speaking of this building...in 2007, the triplex penthouse apartment here at 259 E. Seventh St. sold for about $10 million — a neighborhood record.

As the New York Sun reported at the time:

The luxury building, around the corner from Avenue D, is attracting big dollars to a street that most New Yorkers a decade ago would not have considered even for a stroll.

"This is Perry Street, this is 77th Street between Amsterdam and Columbus," the lead broker for Flowerbox, Larry Carty of Warburg Marketing, said. Eight loft units in his building, which started at $1.495 million, sold out in three months. The gigantic Lillian Wald and Jacob Riis housing projects down the block are hardly a liability, according to the broker. "So what? You pay 800 bucks a night at the Maritime Hotel, and you're looking out your window at projects," he said.

"Buyers weren't worried about Avenue D," Mr. Carty said. "If anything, they were saying, ‘Where exactly is that?'"

[Photo: Elizabeth Felicella for The New York Times]

Digging into the archives

In the last few days, Jill at Blah Blog Blah has posted many photos from her 1980s archives of the East Village/LES, such as the one above of the northwest corner of Second Street and Avenue A. You can find her photos here and here and here. But not here. Meanwhile, Alex has also dug into his thankfully-never-ending archives at Flaming Pablum.

Before heading to Pa., John Penley leaves his photography collection to archenemy NYU; still annoyed by NYU students

You may have heard the rumblings since last fall that "Slacktivist" leader John Penley was moving away from the neighborhood for the wilds of Erie, Pa. It is true...and today's Washington Square News has a feature on Penley, who's giving his extensive photo collection to the NYU Tamiment Library. (Scoopy reported this last month -- Runnin' Scared had the news back in October.)

To the article!

Penley made a name for himself documenting the turmoil of life on the Lower East Side and protesting big business, including NYU expansion, through the last decades of the 20th century.

“This one is my favorite,” Penley laughed, holding a Daily News front cover photograph he took after he discovered locals were growing marijuana plants in Tompkins Square Park.

“It was obvious. I mean, I know what pot plants look like,” Penley said. After Penley called the Daily News, a reporter from the paper went to the scene and brought a leaf of the plant to a professor at NYU who confirmed it was, in fact, marijuana.

Penley started taking photographs as a journalist in Nicaragua in 1983 when he covered the Contra War and continued to document life in the Village until about six years ago.

“I quit. I got completely burnt out. You know, it’s a very hard way to make a living. I was arrested multiple times,” he said. “I got tired of looking at stuff like fires and car wrecks.”

The activist will move away from the Village to live in Pennsylvania next month where he plans to deejay at his friend’s bar and ice fish in his spare time.

“To be honest with you, I’m really sick of the [Village]. The people who would generate creative things there have been forced to leave the neighborhood,” he said.

Hordes of NYU students only add to Penley’s annoyances with the comparatively bland flavor of the area has taken on in recent years.

“I think it was irresponsible to dump that many students on the Lower East Side without educating them about how to behave in our neighborhood,” he said.

Meanwhile, who will step up to become, as the Post famously described Penley last July 31, "New York City's cuddliest anarchist"? No one, of course!

Previous John Penley coverage on EV Grieve here.

[Photo for WSN by Arielle Milkman]

About last night's CB3 SLA meeting...

Yesterday, I noted that Sintir, an aspiring Moroccan place under wraps at 424 E. 9th St. between Avenue A and First Avenue, was going before the Community Board 3's SLA Licensing Committee.

So, how did it go? Bailly Roesch was there last night to cover the meeting for Eater.

Here's the lowdown on Sintir:

Sintir . . . met some opposition from nine members of the Block Association. They collected a petition with 109 signatures trying to block the restaurant and cited ads the owners had apparently posted on their MySpace pages advertising upcoming live music performances. After a half an hour struggle, the ap was denied, the owner was in tears.

You can read the rest of Roesch's report here.

Two items of interest:
There's a new restaurant going into the old Affetati/East Village Pie Lounge space at 131 E. Seventh St. Cure will serve Italian cured meats and cheeses along with Italian wine.

And! One thing that I was confused about...I noticed on the CB3 site that there was a transfer from Lucky Stiffs to something called Stokes (a sports bar, natch) at 211 Avenue A. According to Grub Street: "They were approved to open the bar with the stipulation that the outdoor patio be removed from the request."

Drop Off Service is at 211 Avenue A near 13th Street. Do they share an address with the now-closed Boysroom next door on the corner? Never been to Drop Off Service... just want to make sure that I didn't miss anything.



BONUS:
Salvatore D'Aquila, the first boss of what is now the Gambino Organized Crime Family, was shot and killed on Oct. 10, 1928, in front of 211 Avenue A.

The Villager remembers "the father of bicycles"

Emey Hoffman, who ran several shops through the years, most recently Busy Bee Bicycles on East Sixth Street near First Avenue, died on Jan. 7. He was 63. “Emey started on bicycles when he was about 10 years old hanging around bike shops on the Lower East Side,” his brother Jon told The Villager. “When I told George, who has a bicycle shop on E. Fourth St., that Emey died, he started to cry and said, ‘The father of bicycles is dead,’”

When 2-3 apartments in the same building just aren't enough

Tom Cruise has reportedly gobbled up five units in the American Felt Building on 13th Street, where he and Mrs. C have been staying of late. "One they use for a gym, and two apartments are for staff." You may now make a "he must have a big staff" joke. Or not. (Page Six)

Previously on EV Grieve:
Noted (ZOMG edition)

14 year old against Bloomy's third term (no matter where she may actually go to school)

LimeWire has the following post on Rachel Trachtenburg:

At 14 years old, the Trachtenburg Family Slideshow Players drummer (and daughter of its singer/guitar player Jason and costumer/slideshow operator Tina) is already playing a more active role in local politics than most of us ever will.

New Yorkers are, by now, familiar with the proposal to extend term limits and allow our mayor, Michael Bloomberg, to run for the city's highest office a third time. As part of the process, the city council is now holding public hearings, allowing citizens to argue for or against the plan. On Thursday, Rachel spoke to the council, making the case against allowing Bloomberg to seek a third term.

In her testimony, Rachel told the council that, because Bloomberg raised taxes to give money to the Yankees and move the fountain in Washington Square Park slightly (and continuously sided with landlords on rent stabilization and affordable housing issues, I might add), her family was priced out of their East Village home. Now, they live in Bushwick, where their friends are often mugged at gunpoint. "Any monkey can raise taxes," says Rachel. "No offense to monkeys."

Meanwhile, BushwickBK.com has an important addition to the story:

A minute of research shows that Rachel is enrolled in school in SEATTLE — which means her family’s apartment in New York is at best a business necessity and at worst a luxury or status item, even if it is now in Bushwick. Boo. Hoo.

Like a crash virgin...

Doree Shafrir and Irina Alexksander look at "crash virgins" in this week's Observer, young New Yorkers experiencing their very first economic downturn.

An excerpt!

Lizzy Goodman was one of the fortunate ones of the class of 2002; upon graduating from Penn, she had a job lined up as an assistant teacher at Buckley, the all-boys school on the Upper East Side. Six years later, she’s an editor at large at Blender. Like some of her peers, she seems hopeful that, instead of being a harbinger of utter doom, this crash will instead level the playing field just a little bit.
“I don’t think anyone is hoping for American financial collapse just so that the Bowery can be seedy again,” said Ms. Goodman, who lives in the West Village. “But on the other hand, if in the wake of this collective shuttering and fearing comes a return to old school ’80s boho New York, I would certainly be in favor of that.”
The disconnect between the New York of legend and the reality of living here has perhaps never been starker. “I know a lot of people who moved to New York for something that isn’t in New York right now,” said Mr. Fischer, the marketing strategist. “There is a sense that things are in transition. I think there’s a big question of how this will change the social and cultural landscape of New York in the next two or three years. I wouldn’t necessarily say it’s excitement—but it’s apprehension that something is definitely happening.”
Of course, that’s a story that’s been years in the making; the disappearance of Lehman Brothers and the conversion of Goldman Sachs and Morgan Stanley into bank holding companies—as recently as last year thought to be a sacrilege—isn’t going to make $4,000 a month one-bedrooms on the Lower East Side any cheaper. (Or if it does, they’ll go to $3,500 a month, not $1,500.) The days when a photographer could buy an abandoned bank building on the Bowery for $102,000—as the photographer Jay Maisel did in 1966—are over; they are not coming back. (See also: the Playpen, smoking in bars, liquid lunches, Passerby, subway tokens, the Barnes & Noble on Sixth Avenue and 21st St., et cetera, not to mention the Algonquin Round Table, the Automat, Spy magazine, Warhol’s Factory, and the Palladium. Also: typewriters.) Some Wall Street types may flee; a few Wharton grads might move to Boston or San Francisco. But it seems highly unlikely that the crash will herald in some utopian new era of “creativity” or allow artists to colonize Soho, or even the East Village, again. It’s over! You missed it! Even Rent has closed! Besides, the Russians are here now.

NYPD Daily Blotter item on Friday night's arrests

Here's a description of the arrests Friday night following the Donut Social. From the NYPD Daily Blotter in the Post today:

Five protesters were arrested Friday after clashing with police in the East Village following a rally against police brutality and gentrification.

Cops said the rally, on East Fifth Street near First Avenue down the block from the 9th Precinct station house, had ended peacefully at 8 p.m. when anger flared.

One man was busted for throwing objects at police.

The arrest sparked more violence from the crowd and led to the arrest of a man who allegedly threw a chair at cops.

Two protesters were arrested for damaging patrol cars, including an 18-year-old man.

A fifth person, an 18-year-old woman described by police as homeless, was arrested when she tried to interfere with police, laying down in the street and refusing to move, cops said.

Previously on EV Grieve:
Friday night in Tompkins Square Park: Unity and a sitdown (and several arrests)
At the Donut Social
Coverage at Neither More Nor Less

Scoopy sees the Christodora's fabled swimming pool

In The Villager this week, Scoopy gets a guided tour of the Christodora's fabled swimming pool and gym. He reports:

Wanting to get to the bottom of this mystery once and for all, this week we found ourselves gazing into an empty, gray, 50-foot-long pool in Christodora House’s basement. It was 8 feet deep at one end and sloped up from the center to a shallow depth at the other end. From the looks of it, it hadn’t been used for 50 years.

We also toured an adjacent gym with decrepit, old basketball backboards without rims and a high, cement-slab ceiling barely hanging onto rusted rebar and looking like it was about to come crashing down any second. The gym and pool spaces are zoned for community-facility use, meaning they could be offices for doctors or nonprofit groups. But, according to our tour guide, the building isn’t under any obligation or deadline to rent these spaces. In fact, Christodora tried to convert the gym to residential use a few years ago, but the city’s Board of Standards and Appeals rejected the condo tower’s hardship application.

The Heterosexuals are coming!

Ugh. On 10th Street. Near Second Avenue.

You may need some boots for this walk

As you know, there's a public hearing at 9 a.m. Wednesday in Vanderbilt Hall at NYU's School of Law to discuss the 141-block rezoning of the East Village and Lower East Side.

Ramping up to that, the Daily News went on a walking tour of the neighborhood with Amanda Burden, who chairs the city planning commission and will lead Wednesday's meeting.

Here are a few excerpts from the article:

She looks at each neighborhood block by block, lot by lot. To her, the city is a jewel that needs constant care and safekeeping.

"Each neighborhood has its own personal DNA," says Burden, who had an immediate impact on the city when she took her position in 2002 by allowing restaurants, bars and cafes additional sidewalk space for outdoor dining. "It's my job to find it and save it."

To understand communities, Burden walks miles of city streets. Armed with a tape measure, sunglasses and comfortable yet stylish shoes (she is, after all, a former socialite), the planning commissioner eyes building heights, studies the flow of people and contemplates how an area's past relates to its present and future.

"It's my job to affect the process for the betterment of the people who live here, shop here and own businesses here," says Burden, pointing to the row of iron fire escapes that give a sculptural frame to the brown brick tenement buildings of the lower East Side.

"I picture myself part of the community. Here, there is a vibrant commercial and residential history. We want to keep ground-floor retail and ensure nothing can be built that will take away from the symmetry of these historic buildings. The magic here is in the density of people using these streets and living together."

"This wasn't here two weeks ago," Burden says, sneering at a vacant lot. "There was a building. Once you lose a building, you lose character and history. The Bloomberg administration is about growth and preservation. This is why we have to act fast to change the zoning, so developers aren't allowed to come in here and build whatever they chose. I don't mind a building that is in context with the others, meaning the same height with architectural guidelines, but small streets shouldn't have large development."

Orchard St. bustles on a Sunday afternoon. People shop, eat outside and ride bikes on narrow streets. Some construction sites show tall buildings made of concrete with no ground-floor retail.

"I'm biased toward skyscrapers," says Henry Brown, a physics student at City College who moved to the neighborhood from St. Louis. "I like them. I don't like ugly buildings. But even if they rezone, won't all these modern stores still look different than the old ones?"

"The essence of the East Village is tree-lined cool streets, small boutiques and community gardens," Burden says, walking along Avenue B toward Tompkins Square Park. "That's its DNA. Once you break it down to that fabric, you can act. Here, we want five- to seven-story buildings and small retail on the first and second floors. And we have to ensure these gardens stay put. No other community has this asset."

[Updated] "Artists, filmmakers, movie theaters — we're getting pushed out of Manhattan"

That's Ray Privett, programmer at the Two Boots Pioneer Theater. In a New York Sun feature today, Privett discusses his latest project: the Queensbridge Theater. According to the article, "As envisioned, Queensbridge will occupy an entire building in Long Island City housing a restaurant, a dance floor, and a space for concerts and performances. Mr. Privett said the venue, which is scheduled to open in the fall, will ideally remain open for 20 or 21 hours a day and cater to both Manhattanites and local residents."

More from the article:

It is yet unknown whether Mr. Privett's decision to remain involved in the local film scene will help to assuage mounting fears that Manhattan is no longer a place where independent artists can thrive. Queensbridge, for starters, has left the borough entirely.

"This is all definitely part of the general trend," Mr. Privett said. "With Queensbridge, I'm working with a lot of people from the Lower East Side who can no longer continue having things on the Lower East Side. People in the film world are going to Texas and Germany. Artists, filmmakers, movie theaters — we're getting pushed out of Manhattan, and my evolution is yet more proof of that."

[Updated] Ray Privett left a comment to this post...He had posted a few clarifications to the Sun article:

The Pioneer is still open. My departure from the Pioneer did not close the Pioneer, nor did the two things coincide. Indeed, my successors booked the three films mentioned in the first paragraph of Mr. Snyder’s article. Clearly, the Pioneer can do interesting things without me. Hopefully they continue to. Good luck to them.

Moreover, the Lower East Side’s gentrification did not cause me to leave the Pioneer. I have never claimed it did.

I left the Pioneer because professional opportunities emerged at the Queensbridge Theater - which is not a movie theater but a performing arts club, and which is now where the bulk of my efforts have shifted. Meanwhile, in film related endeavors, I felt I could be more effective as my own boss.

However, while gentrification did not cause my shift to Queens, that shift does coincide with the general trend of Lower East Side arts people relocating to the outer boroughs. For example, several of my colleagues in Queensbridge have tilted much of their work to the outer boroughs.

Nonetheless, they still sometimes put on shows in the Lower East Side and elsewhere in Manhattan. Many will continue to do so; from time to time, I know I will, too.