Photo by Stacie Joy
Village View today...and especially enamored by the three-headed skull clutching a pumpkin but also a gold cup on the front of the riding lawn mower...
I moved Desnivel from the basement of my home to the storefronts of the East Village — the neighborhood I’ve lived in for the past 15 years — to highlight the financial challenges of establishing and running an art space, and to make art more accessible to viewers who may not have the opportunity to engage with it otherwise.Desnivel aims to increase visibility and accessibility, allowing the artwork to be seen and experienced at various times of the day, in a way that is convenient for visitors and hopefully leaves a lasting impact.
Due to decades of grassroots organizing, the Lower East Side is home to many Housing Development Fund Corporation cooperatives (HDFCs), a unique type of affordable housing collectively owned and operated by residents.Offering a glimpse into this vibrant community, "Placeholders" showcases items from local businesses located in HDFCs in a site-specific installation created by local artist Delphine Le Goff. Items include a camera from Fourth Street Photo Gallery, the city's oldest Black-owned photography studio; a hand-painted mortar and pestle from Puerto Rican restaurant Casa Adela; and handmade Mexican folk art from La Sirena.Cooper Square Committee co-created "Placeholders" with Scott Kelly and Le Goff as part of "Design Sprints: Building Creative Capacity," an initiative of Van Alen Institute and the NYC Department of Small Business Services.
Sing for Hope is an NYC-based nonprofit founded in 2006 by opera singers Monica Yunus and Camille Zamora. The two vocalists established Sing for Hope as a resource for New York artists who want to use their art to give back to their community, and the program fosters interaction between artists and communities and makes the arts accessible to the public.The Sing for Hope Pianos project brings (one-per-key) artist-painted pianos for three weeks in June each year since 2011 to parks, street corners, subways, and other outdoor public spaces of the five boroughs of New York City.
It's hard to underestimate the impact Billy had on the NYC music scene of the last 20 years. His taste was impeccable and the clubs he ran became places you hung out even if you weren't there for the band... More than anything, Billy was a friend and also a very rare bird in the music industry: a genuinely nice person who would always greet you with a smile and hug.
[I]n spite of this critical restoration work, the Merchant's House is still at risk from development next door. It is disheartening that after spending $3.6 million, the City may still allow the development next door to move forward, destroying all the work that is currently taking place and wasting taxpayer dollars.