
Here's part of the neighborhood as seen in the 1986 documentary "There's No Place Like Home: Housing Crisis, USA."
MAN ALL HANDS 85 1 AVE,
— FDNY (@FDNY) January 17, 2015
MAN ALL HANDS 85 1 AVE, 1 FRL AWNING, UNDER CONTROL
— FDNY (@FDNY) January 17, 2015
#NYC scavenger hunt winner still up for grabs! Find my book & win tix to my show 1/17 @GramercyTheatre MIght be here: pic.twitter.com/GSq2nG1U1i
— Marky Ramone (@MarkyRamone) January 15, 2015
The young therapist’s death horrified the city, and brought heightened awareness to the problem of stray voltage leaking from street fixtures. With pressure from Lopez, Con Ed agreed to do annual stray-voltage inspections for all street lampposts and other electrified street fixtures.
David Wilpon, the owner of Ess-A-Bagel said the longtime bagel joint may be moving somewhere close by but it’s nowhere near a done deal. “There’s a lot that’s up in the air,” he said, adding that he’s still holding out some hope of staying put. He’s also requesting a holdover and is in the midst of negotiations.
Wilpon said the trouble with his lease started when his aunt, Florence Wilpon, who’d founded the businesses in 1976, died. This was in September, 2013 during the midst of negotiations for a renewal. After that, while the family was dealing with the will and related issues, “They claimed we weren’t getting back to them in a timely fashion.”
"When we purchased the property, our main priority was to keep Ess-A-Bagel as a tenant. Ess-A-Bagel is a tradition in this city and we had no desire to see them leave. In the three years since, we’ve bent over backwards to come to a mutually fair agreement with Ess-A-Bagel’s owners. Our offer would have allowed Ess-A-Bagel to remain — and even gave them the option to expand — in the space they are in currently. Unfortunately, it takes two sides to make a deal, and Ess-A-Bagel’s owners repeatedly refused to meet us between their below-market rent and current market value.
We regret that Ess-A-Bagel chose to misrepresent our intentions in the press. We take our responsibility as landlords very seriously and worked diligently to keep Ess-A-Bagel as a tenant. At a meeting in September, Ess-A-Bagel confirmed they were actively negotiating a lease at a new location. We wish them the best of luck in all their future endeavors."
As you may know, a Coalition has formed to pursue permanence of the community gardens within the boundaries of CB3. Our community has an wonderful abundance of community gardens which provide numerous environmental, ecological, cultural, social, historical, aesthetic, and economic benefits, and more, to our neighborhoods.
If you believe that these gardens are valuable assets to our community that deserve every type of protection possible, please take 20 seconds to sign the petition below as we pursue the cause of having all gardens declared parklands and designated as part of a designated Community Gardens District. Once designated as parklands, it would take an act of the New York State legislature to alienate the land for a use other than open space.
CB3 is the birthplace of community gardens in New York City and New York State. In 1973, the first garden was established in CB3 by local activists who worked to reverse years of decline and neglect by public and private property owners.
At one time, there were 57 registered community gardens in CB3, and dozens more operating independently. As the neighborhood evolved, however, numerous gardens were bulldozed as development proceeded.
Today, there are still 46 community gardens located in CB3 — the highest density in New York City. Community Board 3 has been strengthened by the history of its community gardens, which provide environmental, cultural, aesthetic, ecological, economic, and artistic benefits to this community, and more.
Penthouse B spans its own private floor and encompasses more than 1,300 Square Feet. With direct and exclusive entry via your own private keyed elevator entrance, you are welcomed to a grand living room with 12 feet of southern facing, fully-collapsible, floor-to-ceiling windows that open onto a generous balcony. Wide-plank, Forest Stewardship Council white oak floors grace the home throughout.
The kitchen, a piece of art in its own right, boasts Italian crafted cabinetry, waterfall countertops, and appliances from Bertazonni and Fisher & Paykel. The master bedroom, with an en-suite bath and its own terrace, is its own paradise.
The second bedroom is equally as large with great closet space. Each feature one-inch thick windows made of sound-attenuating thermal high performance glass. The spacious baths includes custom Italian vanities, radiant heated floors, Porcelanosa tiles, a frameless shower and Zuma Collection soaking tub. The home is fit with built-in speakers, a 3-zone climate control system, and washer/dryer. The roof deck is complete with a state-of-the-art electric grill, a Caesarstone countertop, sink, and Ipe wood cabinets, along with spacious dining and entertaining space.
A woman on the street yelling, "Hey! Look! Assholes moving to the neighborhood!" at the people on the second floor Juliet balcony.
The man, who was caught on surveillance video wearing a black Yankees baseball cap, most recently snuck up behind a 31-year-old woman as she entered her apartment building near Chrystie Street on Jan. 14 at 2:30 a.m., police said.
He grabbed her waist and pulled her pants down but pushed her away and fled when she screamed, police said.
Name: Magic Brian
Occupation: Magician, Comedian, Performer
Location: East 3rd Street and 2nd Avenue
Time: 11:30 am on Wednesday, Dec 17
I was born in Long Island and I grew up in Cornwall, about an hour and a half north of the city. My mom’s from Brooklyn and my dad’s from Queens, but they moved out of the city and I moved back in.
I moved to the city in 1996, to an apartment on 51st Street between 2nd and 3rd Avenues. I didn’t know this neighborhood that well but I was always coming down here for shows or to go to the bar or whatever and then I just fell in love with it. I was just constantly taking the bus down here, so I moved to 7th Street a year and a half later. I then moved to 1st Avenue, above Lanza’s for four years, and 12 or 13 years ago I moved down to where I live now with my wife, to 2nd between C and D.
Any time friends come into town I just walked them around the neighborhood. Benny’s was a favorite place. There was great people watching at Benny’s. Now we’re like, I guess we’ll just set up lawn chairs on the corner and bring our own margaritas. It’s a great neighborhood, it’s just changing. I’ve started taking pictures of all the corners. I’ve got about 60 corners so far.
I started doing magic when I was a kid. My sister works at a daycare center. When she was working there as a teenager, there was construction, so she had a daycare center in our house basically. There was a room in our house with all these kids in it, and she was always trying to come up with stuff to do with them. I had always played around with magic. I had a friend who lived down the street and I said, ‘Hey what if we put on this show for the kids?’
So we started practicing on these same six kids over and over again. So I was like, ‘You know what, we can make money doing this.’ We became Abra and Cadabra. We did a lot of family shows, kids shows, senior citizen centers. I did that for a while and then when I went to college I started doing solo shows and more comedy shows.
It was a bit weird doing it without my partner because I had always had someone else, and then he completely lost interest. He had never really wanted to do it to begin with. So I started doing open mics and things like that. Magic is my tool, but [what I do] is like a comedian or a clown act. A juggler might use juggling clubs or balls, but they’re a comedian that juggles. Magic is my tool.
I started doing that and then I met this circus, the Bindlestiff Family Cirkus, based in Brooklyn. They were doing shows at the Brooklyn Brewery at the time, Winter Cabaret, and they always toured, so I started touring with them for a few years. I loved traveling around the world with the circus. It was kind of like we were a band. We would play rock venues. We had a trailer that said, Bindelstiff Family Cirkus and people would ask, ‘Are you guys in a band?’ ‘No we’re a circus.’ ‘Is that the name of your band?’ ‘We’re a circus, not a band.’ ‘What kind of music do you play?’ We’re a circus.’
After that I started street performing and then I started traveling the world. I had just done so many shows on the road with them that I thought, ‘Well, what else can I do?’ One of my friends on tour, him and his wife were street performing in Europe, so I just asked them some advice and I put a show together. The first time I did it was in Washington Square Park. That was 2000 or 2001. I worked there just at the very start and then left. It was just waiting around so long to do a show because there were so many acts that it took forever. It was hard. Yeah. Back then it was a lot of different acts and so many strange ones. Now it’s just the break dancers. Then I went up to Central Park and it was a nicer experience.
I’m back up in Central Park. [2014] was the first year where I was going up there regularly again. I started going up with a magician friend of mine. The break dancers took over the spot I usually work by the fountain. They kind of do that everywhere — everywhere in the world. They’re kind of a plague. There’s a code among street performers — you share. You show up at some place, you help somebody out. Someone’s new, you explain to them how it works. Break dancers don’t understand that at all. They just decide to do what they want, when they want. They’ll just do show, show, show, show, show and they don’t want to share. There’s only a few break dancers that I’ve ever worked with that are nice guys. They basically force people out of pitches, the spot you work.
It’s a crazy life to live, being a performer. We’re talking about the neighborhood and you’re used to the neighborhood being the way it is. Being a performer, I’m used to what it is that I do and I forget that it’s strange to people that don’t do this. It’s like, ‘Wait, what do you do?’ I hammer a nail in my nose. I swallow razor blades. I put a wig on and talk in an English accent. This is what it is. It’s normal to me and the people that I work with. My colleagues are the sword swallower and the lizard man. That’s not strange to me.