Showing posts with label East Village history. Show all posts
Showing posts with label East Village history. Show all posts

Wednesday, October 14, 2009

The East Village has a new landmark



According to an e-mail alert from The Greenwich Village Society for Historic Preservation yesterday afternoon:

Today the Landmarks Preservation Commission voted unanimously to landmark the 1838 Isaac T. Hopper House at 110 Second Avenue in the East Village, a designation strongly supported by GVSHP. This impressive Greek Revival house located between 6th and 7th Streets is a rare intact vestige of the earliest stages of the East Village’s urban development. Since 1874 it has also served as the home of the Women’s Prison Association (WPA), a reform organization seeking to better the lives of women who have been through the criminal justice system. The house is named for Isaac T. Hopper, the Quaker Abolitionist and reformer who founded the WPA. Hopper’s daughter, Abigail Hopper Gibbons, was the first president of the WPA.


Read the entire history here. (PDF)

Of course, there's plenty left in the neighbor to preserve.

Thursday, September 10, 2009

Flashback: When the Christodora House became a Greek house

Jill's post yesterday on the 12th Street NYU frathouse reminded me of a post I did almost one year ago to date...Here it is again...from Sept. 9, 2008...

[Photos by Charlie Kerman]

In 1983, when the Christodora House on Avenue B was still abandoned, members of the Tau Delta Phi, Delta Eta Chapter at Cooper Union, placed their Greek letters on the west side atop the 17-floor building. Don't have a lot of details, such as how long the letters remained there. Long enough for a photo opp, of course. Photos of the letters crew are below. (Note the condition of the Christodora...)



Friday, July 24, 2009

Your chance to get inside the New York Marble Cemetery

On Sunday, the New York Marble Cemetery (or Second Avenue Cemetery) is open to the public from 11 a.m. to 3 p.m. A little background in case you don't want to visit the Web site:

It is the oldest public non-sectarian cemetery in New York City. Most of the 2,070 interments took place between 1830 and 1870; the last was in 1937. All burials are in 156 below-ground vaults made of solid white Tuckahoe marble. Although there are no gravestones, the names of the original owners are on plaques in the surrounding walls. Their descendants may still be buried here.


The cemetery is only open on the fourth Sunday of the month, April through October. (It won't be open if it's raining.) It's on Second Avenue between Third Street and Second Street.

If you're lucky, you can get the caretaker to discuss the Bowery Hotel... (Spoiler: "a bunch of tourists who think they're slumming it on the Bowery in a $500 hotel room!")

Anyway, here's what you may see Sunday....the new and old of the neighborhood....















Sunday, May 31, 2009

"No place stays the same for 15 years, certainly not in Manhattan"


Jim Dwyer writes about Surma Books & Music on Seventh Street near Cooper Square in the Times today. An excerpt:

When Myron Surmach moved from shopkeeping to beekeeping in the 1950s, he turned the store over to his son, Myron Jr., who had a fine run as impresario of Ukrainian dances and parties and outfitting the flower children of the 1960s. Peasant blouses were in demand. Janis Joplin and Joan Baez and members of the Mamas and the Papas shopped in Surma Books & Music.

The grandson, Markina Surmach, whose first language was Ukrainian, lived above the store until he was 6. He left Little Ukraine and New York behind in 1991. “You want to define yourself, apart from the mold,” he said. “I chose to run away.” He started a Web-development business in Denver.

Surmach the beekeeper and store founder died in 1991, not quite 99 years old. His son died in 2003, at age 71. Markina has a sister, who was busy raising her children.

“If I didn’t come back, the store was going to close,” he said.

No place stays the same for 15 years, certainly not in Manhattan. With a few exceptions, Ukrainians have long since drained from the Lower East Side. So have the artists living cheaply. “The homogenization of city life is not unique to New York, or this country,” Mr. Surmach said. “It’s all over the world.”


[Image via]

Tuesday, February 17, 2009

Digging into the archives



In the last few days, Jill at Blah Blog Blah has posted many photos from her 1980s archives of the East Village/LES, such as the one above of the northwest corner of Second Street and Avenue A. You can find her photos here and here and here. But not here. Meanwhile, Alex has also dug into his thankfully-never-ending archives at Flaming Pablum.

Happy 155th birthday, McSorley's (or not)



According to the caption that accompanied the Associated Press archival photo seen below:

Regulars and tourists raise mugs of ale to toast a century of good food and grog and no women at McSorley's Old Ale House, a landmark bar in the Lower East Side section of Manhattan, New York, Feb. 17, 1954. Although the present owner is a woman, she cannot cross the threshold because of the "no women" rule. (AP Photo/John Rooney)




I recently reread parts of Joseph Mitchell's "McSorley's Wonderful Saloon" from 1943. (It appeared in The New Yorker as well as in the 1992 compilation "Up in the Old Hotel" and the 2001 compilation "McSorley's Wonderful Saloon.")

McSorley's was discussed in a obituary for Mitchell in the Times from May 1996:

Mr. Mitchell had discovered McSorley's Old Ale House shortly after he joined The New Yorker. The saloon opened in 1854 and, as the oldest continuously run institution of its kind in New York, immediately endeared itself to Mr. Mitchell. He loathed most forms of progress and technology and so did the succession of people who drank in McSorley's.

"It is equipped with electricity," he wrote of it, "but the bar is stubbornly illuminated with a pair of gas lamps, which flicker fitfully and throw shadows on the low, cobwebby ceiling each time someone opens the street door. There is no cash register. Coins are dropped in soup bowls -- one for nickels, one for dimes, one for quarters, and one for halves -- and bills are kept in a rosewood cashbox."

And what of the service?

"It is a drowsy place; the bartenders never make a needless move, the customers nurse their mugs of ale, and the three clocks on the walls have not been in agreement for many years. "

Who went to such a place?

"The backbone of the clientele is a rapidly thinning group of crusty old men, predominantly Irish, who have been drinking there since they were youths and now have a proprietary feeling about the place. Some of them have tiny pensions, and are alone in the world; they sleep in Bowery hotels and spend practically all their waking hours in McSorley's."


But maybe we're celebrating a birthday without good reason. As New York magazine noted in 2005, NYC historian Richard McDermott used public records to prove McSorley's really opened in 1862. Confused!

P.S.
Oh, didn't realize that King Bloomberg made this proclamation...

Thursday, January 15, 2009

Recessive economy, high unemployment, falling housing market: What year is this...?



I'm currently reading a rather academic book titled "From Urban Village to East Village: The Battle for New York's Lower East Side." It was first published in 1994. The chief author is Janet L. Abu-Lughod, at the time of the book's release a professor of sociology at the Graduate Faculty of the New School for Social Research.

Her section on the the beginning of 1992 is particularly interesting...perhaps you can draw a few parallels to another time in the city. Like now...

The economy of the city also appeared to be going to seed. Recently released data on jobs and unemployment revealed that in 1991 the city had lost jobs at an even faster rate than in the 1975 recession. And these were jobs not only in manufacturing, which had long been deserting Manhattan, but in the services as well. Service job losses, while they began at the high end of the scale when the stock market first tumbled in 1987, were now being translated, through a multiplier effect, into losses within demand sectors that "yuppies" had formerly supported.

Vacancy rates in hotels were rising. It was easier to get a cab, even in bad weather. Reservations were no longer needed at many good restaurants and tickets to concerts and the theater were once again more available. Employees of commercial firms, both high on the ladder and now, in back offices as well, were being let go, and in the interests of reducing municipal and state costs -- and New York City and the State struggled with mounting budget defecits -- the number of public employees was also being reduced. The 1991 Christmas buying season was one of the most disappointing on record.

The bottom was also falling out of the housing market. Real estate agents, never ones to suggest at any time that housing might be a poor investment, were estimating that sale prices on luxury flats in the city had dropped a fourth to a fifth from their peak values in the late 1980s and that there were "real bargains" to be had in rental units, co-ops and condominia. But sellers, even those offering "bargains," reported months without a single buyer nibble. Advertisements in the Sunday real estate section of The New York Times for auctioned residential and commercial units expanded from half a page to several pages, and the lower auction prices established a ceiling beyond which other prospective buyers refused to bid.

The commercial firms in Lower Manhattan, whose job holders were the "white-collar workers" that a walk-to-work gentrifying zone of the East Village was intended to attract, were especially hard hit. Vacancy rates in privately owned buildings soared from under 3 percent in 1981 to over 20 percent in 1991.

In the East Village, although properties were too downscale to warrant private auctions and many residents were already so marginal to the economy that its collapse left them relatively unaffected, the wind was definitely out of the gentrifiers' sails.


The book includes the map of the East Village below...it's included in a section that discusses 1987. (Click to enlarge.)

Friday, December 26, 2008

Founder of the East Village History Project can no longer afford to live in the neighborhood



The Times has a nice piece today on the East Village Trivia Night held at the Bowery Poetry Club this past Tuesday. As the paper reports:

“Who was born there? Who died there? Who was shot there?” said the organizer of the event, Eric Ferrara. “We’re interested in everything that’s notable and not so notable.”

Indeed, even before the neighborhood trivia contest began, there was much discussion over the little matter of what to call the neighborhood.

Although contemporary maps generally refer to the area of the East Side between 14th Street and Houston Street as the East Village and reserve the Lower East Side label for the neighborhood south of Houston, most older maps call the entire area the Lower East Side. Some old-timers eschew the East Village name as an aspirational invention of real estate interests trying to pump up property values.

“I use East Village professionally because it is what people know today,” Mr. Ferrara said. “But with family and comrades we still call it the Lower East Side.”


Ferrara grew up on Suffolk Street and is a fourth-generation Lower East Sider. He and some like-minded residents started the East Village History Project in 2001. (Their mission: raise the public's awareness of the East Village/Lower East Side's historic significance and influence in world history.)

The article ends on a rather sad note...it's a shame that a lifelong resident and passionate advocate for the area has to now live elsewhere...

Mr. Ferrara said that he does not reflexively oppose gentrification, but lamented that he had recently moved across the East River to Brooklyn after being evicted from a rent-stabilized apartment on East Third Street.

I can’t even afford to live in my own neighborhood anymore,” he said.

Tuesday, December 23, 2008

"Back then this whole area was just people who were into art and you know…"


Speaking of the St. Mark's Bar & Grill, Matt Harvey profiles author Michael Largo — the man who owned the bar — in the latest Chelsea Now. Largo (pictured right from the old days) recently saw the publication of his latest book, "Genius and Heroin." To mark the occasion Harvey and Largo went on a mini walking tour of the East Village:

Largo, a compact man with a gray-flecked auburn goatee, spent the 1980s owning and operating the legendary St. Marks Grill, which sat on the corner of St. Marks and First Ave. Since then, the generic black canopy façade of the lounge Tribe has erased all evidence of his bar; it served as a louche retreat for Joni Mitchell, pop art “godfather” Larry Rivers and — for a short time — Keith Richards. (The Rolling Stones used the Grill as the setting for their video of “Waiting on a Friend,” their jazzy portrayal of coolly anticipating the drug connection.)

“The first thing Keith asked me when he came into the bar was ‘Where can I cop?’” Largo said, perfunctorily tossing off a worn over anecdote. “My liquor license is right above my head and cops and producers are around.” A smile crept to his lips, as he continued. “I said, ‘Here’s a bottle of Jack, that’s all I can help you with.” His barroom charm managed to infuse his name-dropping with some life.

Twenty-five years, and several layers of gentrification later, Largo — who moved to Miami in 1990 and stayed there — couldn’t find his bearings in his old neighborhood. His usual wry grin turned slack and he said; “Back then this whole area was just people who were into art and you know…” His soft, Staten Island-accented voice broke up into a slightly sinister laughter.


Previously.

Thursday, December 11, 2008

"When the cultural embodiment of the East Village can’t work up a single quote about his neighborhood, it’s in a lot of trouble"


Check out East Village native Matt Harvey's article in NYPress this week titled "The East Village Isn't What It Used To Be... And It Never Was."

Too much in the article to try to excerpt here. I'll do one. Harvey contacts Richard Hell, who apparently doesn't get out and about much while working on his book:

I email Hell to tell him that he keeps coming up in my conversations around the dusky old town. What’s the deal man, are you up in your rent-controlled apartment with just your memories and Rimbaud? Have you withdrawn from the street and all humanlike zones? He politely replies that he doesn’t want to be bothered. It reads, in part: “Sorry to be a disappointment, I can’t work up much fresh to say on the subject.” When the cultural embodiment of the East Village can’t work up a single quote about his neighborhood, it’s in a lot of trouble.


Matt also talks with Jeremiah Moss, on the phone from his bunker.

Tuesday, December 9, 2008

"After watching all three films, New York just looks like the craziest place on Earth"


We've talked before about the work of photographer/filmmaker Richard Sandler. He has made several documentaries, including Brave New York, which chronicles the East Village from 1988-2003. Then there's Sway, which is 14 years of camcorder-recorded subway rides that have been edited together. These two films -- along with Subway to the Former East Village -- are being released on Brink DVD today.

Mike Everleth reviews the package in Bad Lit:

After watching all three films, New York just looks like the craziest place on Earth, which, for some including myself and obviously for Sandler, makes it just about the most beautiful place on Earth. There’s one touching scene in Sway when Sandler talks with an elderly gentleman about how great NYC is. The old man can’t find anything to love about it while Sandler gushes about the amazing parade of life that passes by everyday. And thank God Sandler was there with a camera to catch it all.

Sunday, December 7, 2008

Tom Lee talks about life in the East Village and his late partner, Arthur Russell


I've been a champion of Wild Combination: A Portrait of Arthur Russell, the debut feature from Brooklyn-based filmmaker Matt Wolf. Russell, who died of AIDS in 1992 at age 40, was an East Village resident who "bridged the gap between the artistic vanguard and dancefloor hits, The Kitchen and Studio 54." The film plays at MoMa on Dec. 19.

On Friday, Gothamist published a Q-and-A with Russell's partner, Tom Lee. Here's an excerpt:

How have you seen the city change, both personally and through the music/social scene, from the era that was shown in the film? Of course there were many parts of the East Village that were not safe in the early ‘80’s, and you were always looking over your shoulder or had a heightened sense of awareness that I feel isn’t as necessary now. But it was also our ‘neighborhood’, and if we didn’t know where the other one was we would know to stop in at The Bar on Second Avenue, or at the St. Mark’s Bookstore. In that time before cell phones we would leave each other quick notes on the kitchen counter, such as: “I’ll be right back,” “I went for a run,” “Be back at 9:00, put the rice on.”

Given the opportunity, how would you change New York? As many people might hope for I wish that New York was an affordable place for people to live…not just artists and musicians and dancers, who enrich our lives with their work, but for anyone who might want to live here and take advantage of life in the city.

Previously on EV Grieve:
Friday, September 26, 2008
Starting tonight at the IFC -- Wild Combination: A Portrait of Arthur Russell

Celebrating Arthur Russell

Friday, November 14, 2008

East of Bowery



I've been spending time lately at East of Bowery, a site that features the work of writer Drew Hubner (or Huebner) and the photography (and mp3s!) of Ted Barron, who's behind Boogie Woogie Flu. Hubner writes about his misspent drug days circa 1980s East Village. Each post includes an iconic photo taken by Barron, like the one above of the International Bar in 1986. For the record, according to a post by Barron introducing East of Bowery: "I didn't know [Hubner] then, but it seems we were in the same place at the same time. Life is sweet."

Tuesday, October 21, 2008

Happy 100th birthday John's of 12th Street


Just got a press release announcing that East Village mainstay John's of 12th Street "is celebrating their 100th year anniversary on Thursday, Oct. 23 by rolling back the prices on their menu to approximations of those available in 1908."

The release included a few historical tidbits. Like!

During prohibition Momma John kept a "hootch" still in the backyard behind the kitchen and made wine in the basement. John opened a speakeasy upstairs and patrons would enter through the restaurant, where he served Momma John's brews in espresso cups in case of a raid. To celebrate the end of prohibition, John put candles on each of the tables in the restaurant and started the wax candelabra which is still in use and being added to nightly in the back room.


And celebrities!

Patrons though the years include an eclectic range of bold face names including Jackie Kennedy (who brought her young family in for spaghetti dinners), Ben Stiller (who dines with his parents), Pete Townsend (lore has it he sketched the idea for Tommy on a napkin), Christian Slater (who had his 9th birthday party in the restaurant's back room), Tom Cruise (who initially went unrecognized and waited patiently for a table for an hour), and Kelly Ripa (her first date with now husband Mark Conseulo was at John's).

Wednesday, October 15, 2008

Remembering the East Village of the late 1970s

In the Voice today, Lynn Yaeger recalls moving to her first apartment in the East Village on East Ninth Street between First Avenue and Second Avenue. (Rent: $135.)

Lots of people think that those days — the late 1970s and early 1980s —were really the best days of New York, and it's true that the city — despite (or maybe because of) the legendary graffiti, the burgeoning art scene, the clattery punk bands, and a general climate, especially in my neighborhood, of weirdness and unease — did have an undeniable louche, gritty glamour.

Friday, October 10, 2008

Getting nostalgic 10 years in advance

I've been enjoying Alex's "things that aren't here now" series of photos. Made me think that I shouldn't delete any photos on my computer, no matter how insignificant they seem now. What if we're looking at the photos below 10 years from now? What might we be saying? (Oh, I did something similar to this during my guest stint at Curbed this past August...)




"Wow, this area was still called the Bowery."





"The last ATM that the government shut down!"





"$5 for a Subway sub? So cheap! And this was before Subway merged with Starbucks to create StarSubs (SubBanks?)."





"Who?"





"Freedom Towers should be completed in just another 7 years."





"Only $4.75 for a Coke at old Yankee Stadium? Bargain!"





"Ha! Look! No ads on the bridge!"





"How quaint! When there were shoe repair shops run by people who have been in business 40-plus years!"





"Pay phones....Wha....?"





"Wow, the Christodora was the tallest building on the block; and before Ford Models bought it for their girls!"





"No shopping mall on Grand and Clinton?!"






"The Staten Island Ferry was free!"



"Ha ha ha -- remember when there were newspapers?"





"Wonder when that $20 million will kick in for the repairs at St. Brigid's..."




"Ah, Coney Island..."





"Iggy hasn't aged a bit!"





"Wow, a corner on the Bowery without a high rise...and that was the best Bond since Thunderball!"