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Taylor Mead, the artist and Warhol superstar, died on May 8 after suffering a stroke in Colorado. He was 88. And his spirit lives on at Art Around the Park this weekend ...
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For the Love of Taylor Mead (1924-2013)
Bowery Poetry, 308 Bowery
Monday, May 13, 6-9 p.m.
Come celebrate the oft-storied life and "brilliant downtown zen" poetry of this quintessential New York figure. Facebook event page is here.
Mr. Mead was the quintessential Downtown figure. He read his poems in a Bowery bar, walked as many as 80 blocks a day and fed stray cats in a cemetery, usually after midnight. His last years were consumed by a classic Gotham battle against a landlord, which ended in his agreeing to leave his tenement apartment in return for money. At his death, he had been intending to return to New York after visiting a niece in Colorado.
The film critic J. Hoberman called Mr. Mead “the first underground movie star.” The film historian P. Adams Sitney called one of Mr. Mead’s earliest films, “The Flower Thief” (1960), “the purest expression of the Beat sensibility in cinema.”
When Taylor drifted to New York, after a stint in the poetry clubs of San Francisco in the late fifties, he found himself in the midst of a vibrant scene. “McDougal Street is where everything was,” he remembered. He fondly recalled night after night spent at the Gaslight, a basement cafĂ© that no longer exists. Allen Ginsberg and Gregory Corso would read there often. Bill Cosby was a regular. “The police wanted to close the place because of Allen's and my language. The owner would sit there with a shotgun. This was the early days of New York. He sat down there with a shotgun! New York was so wild.”
After Max’s closed, things weren’t the same. Taylor spent some time at the Mudd Club, where he filmed a public-access television show and continued to read poetry and perform in theatrical productions at La MaMa Theatre; later, he spent time at Max Fish, before, as he claims, he was insulted by the bartender and forced to take his business elsewhere. The Mudd Club closed in 1983; La MaMa is a shell of its former self; Max Fish will, it’s being said, close in the next year due to escalating rents. People and places are gone for good, and during our conversation the East Village begins to sound more and more like a ghost town. Taylor is the last resident, the final holdout.
Since going to press with our Spring schedule, we've learned that Taylor Mead will be temporarily leaving NYC (for an undetermined period of time) just before our originally scheduled program on Sun, April 14. As a result, we have added a screening on Tues, April 9, with Taylor in person! Since this may be the last chance to see Taylor here in NY for some time, this evening is not to be missed! Come say goodbye to Taylor as he embarks on an adventure out west!
Workers hammer outside his door from 7 a.m. till the evening. Plaster falls from his walls and roaches crawl up his legs. The kitchen sink doesn’t work.
Mead’s friends suspect Shaoul wants the poet to evict himself.
“It’s going to kill him,” said Clayton Patterson, a neighborhood activist and longtime friend. “This is elderly abuse. It’s pretty Third World when you think about it.”
“[Shaoul] is out for profit. He doesn’t give a shit about who I am,” he said. “It’s going to be hell.”
Taylor wanted to make clear that, although the neighborhood has changed drastically, he still enjoys being here. “I love my neighborhood. And I love the new yuppies, they’re very nice. They help me get out of cabs.”