
Photo today by Derek Berg

The vast majority of Citi Bike trips, 98 percent, are shorter than 45 minutes, and nearly half clock in at less than 10 minutes.
“People are using Citi Bike in short distances that are perhaps too short to jump on a subway, but may be too long to walk,” said Rudin Assistant Director Sarah Kaufman. “Citi Bike introduces a new option that ... really cuts down on travel times.”
The stats show the bikes are being used for errands and commuting, rather than leisurely cruising.
“It’s not being used by tourists, it’s being used by commuters and regular New Yorkers,” Kaufman said.

A happy hedonist wife has come to the end of her patience with her husband, a forever-experimenting artist. The late 1960s resounds throughout Tokyo Hotel in masterful staccato rhythms, which serve as breaks in the lilt of Williams' earlier dialogue.
This intense and personal late-60s Williams one act features the original cast of the 2012 New York production.
Charles Schick and Regina Bartkoff are both well-acquainted with the more experimental plays that Williams wrote late in his life, which have been enjoying a renewed interest in recent years. Charles Schick played in "The Strangest Kind of Romance" as part of a touring Tennessee Williams festival in early 2011, and both he and Regina Bartkoff had roles in "Now the Cats With Jewelled Claws" that same year along with Everett Quinton and Mink Stole. Their original performance of "In The Bar of A Tokyo Hotel" in 2012 received rave reviews. In 2014, they gained even more recognition in their hilarious and beautiful rendition of "The Two Character Play," starring as deranged brother/sister duo Felice and Claire.
Most recently they resumed the roles of Miriam and Mark for "In the Bar of a Tokyo Hotel" at the Provincetown Tennessee Williams Festival.
Located in the East Village at 292 E. 3rd St. between Avenues C and D, 292 is a small house of 20 seats with big theatrical gifts in the tradition of Caffe Cino and other exceptional, influential tiny stages of the 1950s and 1960s. Charles Schick and Regina Bartkoff have been mounting plays here since the early 1990s, when the building was a squat surrounded by other squats. The first play they performed here was their own version of Medea.









8th Annual Chaharshanbe Sori (AKA the Persian/Zoroastrian fire-jumping holiday)
Tuesday, March 14, 6:30-8:30 PM
La Plaza Cultural, southwest corner Ninth Street and Avenue C
What we will do: We will light small fires at sunset, then jump through the fire. It is customary to sing the phrase, "zardi-ye man az toh, sorkhi-ye toh az man" as you jump. Literal translation: my yellow is yours, your red is mine. This is a purification rite. Loosely translated, it means you want the fire to take your pallor, sickness, problems and winter blues and in turn give you health, warmth, and energy.