Atlantic City became the place for pasty hipsters this summer. "It is the new post-ironic destination," says Alexis Swerdloff, managing editor of Papermag.com. She has seen plenty of the flannel shirt–wearing, Parliaments-smoking contingency head for the revitalized seaside resort town since the July opening of the Chelsea Hotel. Paul Sevigny and Matt Abramcyk, the duo behind Manhattan hot spot the Beatrice Inn, consulted on the hotel's fifth-floor nightclub and literally moved their scene down to AC in July with a free party bus, to hype the modern, chic space. "Once it was announced that these guys were involved, it gave AC more cred," Alexis says. And since then, Sean Avery, Chloë Sevigny, John Mayer, members of Maroon Five and James Murphy of LCD Soundsystem have all visited — and changed the notion that Atlantic City is for pensioners carrying social security checks, oxygen tanks and crab legs they stole from the buffet.
Still, the boardwalk is not quite gentrified, thanks to a Hooters to Go restaurant and various cheap sundry stands. "The thing to do is to buy a cheesy Atlantic City loose tank top from one of them," Alexis suggests. "Hipsters wear them with their cut-off jeans shorts and boots."
[T]his weekend a note from Mr. Amato was posted on the refrigerator in the offstage area at the company’s home in a small building on the Bowery in the East Village: he was shutting down the company after this season.
“Now, with Sally gone, I have decided that it is time for me to start a new chapter in my life,” the note read. “It has been a great 60-year run!”
In an interview on Monday, Mr. Amato said he had sold the building; the club CBGB was a neighbor for years before it, too, closed.
“I’m 88 years old, and I’m a little tired,” he said. “I have a few years left.” Mr. Amato said he might write his memoirs and wants to establish a foundation to give awards to young singers, conductors and directors. He also plans to study scores, especially Wagner’s.
Amato Opera opened originally with two goals in mind: to present entertaining opera at popular prices, and to give singers a stage on which to gain much-needed experience in full-length productions. The early company utilized students from Tony Amato's opera classes. ... Early performances were free because union regulations would not allow them to charge admission. Contributions were requested during intermission. Tony Amato had invested his own money to get the company started. At 319 Bowery, when admission could be charged, tickets were $1.20 an reserved seats, $1.80. In 1975, 15 years later, ticket prices were only $3-4 a performances. Today, at only $23 for an orchestra seat, ticket prices are still a fraction of what is charged at other opera houses. Amato is believed to be the only self-sustaining opera house in the United States. ... The Amato Opera is often referred to as a "mom and pop" operation.
All is well. We will reopen this Friday.Or something like that.
The no-frills pub, between First and Second Aves., has served as a watering hole for artists and eccentrics for more than four decades. It’s worth noting that another East Village dive, Sophie’s on E. Fifth St., encountered similar troubles a year ago due to the failing health of its owner, but managed to negotiate a deal to stay open. Stay tuned.
