...and a little later...
The inside looks festive as always too....
(And that woman was out front who always asks me for different amounts of change every day... like 85 cents one day, 15 cents the next...do you remember her name?)
Hi Fi's new EL DJ, a redesigned version of the machine first launched in 2003, is the brainchild of the bar's owner, Mike Stuto. The upgraded digital jukebox features a smoother trackball navigation system, more user-friendly interface, and leaner body. The collection now includes some 50,000 songs culled from Stuto's own personal stash.
LONGTIME VILLAGERS OFTEN TALK ABOUT the change in their neighborhood as synonymous with the rise of bars and restaurants that create street traffic and noise unlike that in any other neighborhood. Words and phrases like rowdy, circus atmosphere, zoo are used to describe the street scene at night. When bar owners and nightlife operators argue that the East Village has always been a nightlife destination, they respond: Yes, but. Something’s different now.
Academics have a word for what the neighborhood has become: a nightscape. Bars and restaurants were once peripheral to the main drag's primary economic drivers: supermarkets, coffeehouses, boutique shops, record stores. But in post-industrial cities, nightlife has grown into an industry in its own right. As in any industry, shop owners tend to cluster. A century ago, that meant the creation of a Garment District. Now it means the creation of a Party District.
Superdive was self-conscious, though. It promised not just beer or a dance floor, but an experience directly targeted at a crowd the East Village had perhaps hoped it hadn't overtly been catering to: Not some group of characters out of an old Lou Reed song, so much as the group of characters you'd find on Bourbon Street, or worse, North Avenue in White Plains. There was some irony in the marketing of Superdive, but not much.
“Superdive made a lot of us into activists,” Dale Goodson, 58, said recently.