The untold story of Snack Dragon's attempted East Village comeback

Top photo and interview by Stacie Joy

Josephine Jansen, who has lived in the East Village since 1988, embarked on her culinary journey with the inception of Snack Dragon at Ben's Deli, 32 Avenue B, in 2004. Following a year of perfecting her recipes, she relocated just around the corner to 199 E. Third St. between Avenue A and Avenue B, where Kolkata Chai currently operates. 

However, this chapter ended when the space closed its doors in 2015, thanks to a rent hike imposed by landlord Steve Croman (colloquially called "Cromanated").

Despite the setback, Jansen harbored ambitions of reintroducing Snack Dragon in a new format, this time housed within a camper van. However, regulatory challenges with the city thwarted her plans. 

She shares the untold story behind these endeavors and the obstacles encountered here.

What is the history of Snack Dragon, and when did the Third Street space open/close? 

The Snack Dragon concept came about when Ben's Deli had an empty juice kiosk. I told Ben he should sell soup out of there, and he said you should sell soup out of there. 

I had been having taco parties back then, and my dog Loopy's nickname was Snack Dragon; thus, the concert was born. I operated out of there for a year and a half. Many stories to tell from that era and many sagas with Task Force One, the harebrained scheme to take restaurants to a new brand of hell by visiting them/me with all government agencies at once! 

I can't speak for the neighborhood, but I can say so many of us miss Snack Dragon! Can you tell me your plans for the new mobile Snack Dragon van and how the idea came about? 

Thank you. I miss it too! I miss my employees, the energy, the customers…I mean, it was a lot of work. The city is not easy to deal with, but yeah, after the demise of Third Street: Quadruple rent after 10 years, and also Orchard Street (tortious eviction) I was crushed. I didn’t really write it into my business plan that landlords didn’t give a fuck. 

Just to be clear, the 1975 Dodge Diamond Class C Camper that I renovated was to be an indoor sit-down restaurant with a kitchen and was not a food truck per se with food going out a window, although that was an option. It was meant to be like a room where people would come in and order food and drink, etc. It had a dining room for eight and a kitchen, so I was going to bring it into the East Village to see how it would work. Turn on the music—and make food—and margaritas. 

From the beginning, Snack Dragon was always kind of an art project that served food. It was an experiment that happily worked. After things fell apart in NYC, I opened a restaurant down in the Virgin Islands on St. John that, crazy as it sounds, was destroyed by Hurricane Irma. The whole island was crushed. 

I returned to New York and tried to start all kinds of options, but I found this camper in Maine, where I was a chef. It had these wraparound windows in the back, and I just thought it would be so cool to have a communal dining room and a small, efficient kitchen. 

I was also planning on having private dinner parties with high-end Mexican food. Most of the renovation occurred during the COVID lockdown; you couldn’t expect folk to cozy into a camper then, so I had to wait it out. It was ready to launch last May.

And what happened to the vehicle? Can you walk us through the timeline of what occurred? 

On May 24, 2023, at 6 a.m., on the Valentino Pier in Red Hook, my 1975 Dodge Diamond Camper was towed away by the Sanitation Department. It was supposedly destroyed within 24 hours. There were no stickers or tagging on the vehicle at all. 

I had a friend who was staying in and watching my camper and who was there telling them who the owner was. The tow truck driver yelled out an address, which was written down incorrectly. My search for the camper ensued for three days until I finally reached the Sanitation Department and was told that it had been destroyed the previous day. They did not have my vehicle identification number (VIN) on record. 

The VIN for a 1975 Class C camper is only eight digits long, so they argued that it wasn’t a valid number. Going by the description, a DSNY employee said that my camper was, in fact, destroyed. When I finally drove out to 803 Forbell St. [Department of Sanitation lot], I was again told it was destroyed, and they gave me a claim form and sent me on my way. 

I was sobbing, and one of the workers laughed at me. My vehicle did not fit the protocol for destruction. It had no dents in it and was in remarkable shape. Also it had brand new signs saying do not trespass facing outwards. There was no evidence that it was abandoned or derelict. 

Vehicles must be legally embellished with stickers and fluorescent crayon three days before towing. Inside the camper were $3,000-plus value in tools and $2,000 worth of cooking and kitchen appliances, and at least $1,000 worth of camping equipment. 

I personally remodeled every square inch of the inside of the camper while keeping the outside modest. As an artist, I am also a relational aesthetician. The camper was much more than just a food business.

Is there any hope for the truck? Do you have plans to create a new taco truck? What’s next? Any possibilities of opening a new Snack Dragon close by? 

Right now, I am gearing up for a case in Federal Court, as my constitutional rights to due process were not only violated but also not even considered. My burden of proof lies in proving that, along with lost property and emotional distress, I need to prove a loss of income. 

It will be difficult to prove since I have only had parties to test the camper's functionality. I have only my previous businesses and my fans to attest that this, indeed, would have been a success. I hope the damages I receive will help me find a way for Snack Dragon to open again in the East Village.

I recently bought a Shasta 1972 Starflyte trailer camper, which is parked upstate. But the city doesn't take kindly to campers of any kind. So, I'm trying to work out what is viable. 

Josephine is looking for photos of the old Snack Dragon space and asks that people reach out via Instagram. Camper photos courtesy of Josephine.

Monday's opening shot

At the Orthodox Cathedral of the Holy Virgin Protection, 59 E. Second St., on this Juneteenth holiday.

A celebration of Our Lady of Guadalupe on 3rd Street

You may have noticed the colorful procession yesterday outside the Most Holy Redeemer/Nativity Parish on Third Street between Avenue A and Avenue B.

It was a celebration of Our Lady of Guadalupe, also known as the Virgin of Guadalupe. (This was a prelude to the official Feast Day on Dec. 12.)

As NBC News reported back in 2019:

For Mexicans and Mexican-Americans as well as other Latinos, Our Lady of Guadalupe is a powerful symbol of devotion, identity, and patriotism. Her image inspires artists, activists, feminists and the faithful.

EVG contributor Stacie Joy shared these photos from the celebration... 

'Lux' living

 

Local band Pom Pom Squad released "Lux" this week... which features a "Virgin Suicides" tribute video of singer-songwriter Mia Berrin's dreams.

Also, today is Bandcamp Friday, in which the platform foregoes its revenue and gives the bands all the $$$ from the day's sales. You can download "Lux" here. 

Cloud99 Vapes has closed on 2nd Avenue

[Photos by Steven]

Cloud99 Vapes has closed at 50 Second Ave. between Second Street and Third Street.

As you can see, the space has been cleared out...



This had been expected. As reported back in October, the shop announced it was closing amid the public health crisis involving vaping products.

According to the Centers for Disease Control and Prevention, a total of 2,711 hospitalized e-cigarette, or vaping, product use-associated lung injury cases or deaths have been reported from 50 states, the District of Columbia, and two U.S. territories (Puerto Rico and U.S. Virgin Islands) as of Jan. 21.

As MSN reported last fall, business at Cloud99 had dropped by 70 percent.

In December, Mayor de Blasio officially signed into law a ban on the sale of flavored electronic cigarettes and flavored e-liquids in wintergreen, mint and menthol flavors. The ban goes into effect on July 1.

Cloud99 Vapes opened in 2015 at the site of the former Yoo's Convenience Store.

Farmwich pops up with speciality sandwiches at Ben's Deli on Avenue B

Farmwich, serving sandwiches "sourced entirely from local regenerative agriculture farms," is now open through Feb. 4 at Ben's Deli, 32 Avenue B between Second Street and Third Street.

As EVG contributor Stacie Joy reports, Farmwich will offer one speciality sandwich a day during their limited hours of noon to 2:30 p.m. Sunday through Tuesday. All sandwiches are $9, which includes tax and tip.

And some Farmwich details via their website:

All our food is “vegan, organic, local, and fair trade” but we don’t call it that. Rather than focus on the imitation or absence of animal products, we celebrate the rich flavors of seasonal vegetables grown in polyculture soils. The season writes our menu anew each day. It is possible that we never serve the same sandwich twice.

We source almost all our produce from Lani’s Farm (Bordentown, NJ), extra-virgin sunflower oil from Hudson Valley Cold-Pressed Oils (Poughkeepsie, NY), sourdough bread from Hawthorne Valley Farm & Bakery (which grows and mills almost all its own grain on-site; Ghent, NY), heirloom beans from GrowNYC (mostly Caledonia, NY), pumpkin seeds from Stony Brook Wholehearted Foods (Geneva, NY), and fruits from Wilkow Orchards (Highland, NY).

With the exception of a few dry spices from the East Village’s Dual Specialties, we buy all ingredients directly from our farmers without a middleman or distributor.

They also offer a sample menu from a recent preview dinner:

#1: Sunchokes crisped in sunflower flour, mache greens, gremolata, pickled root vegetables (carrot, parsnip, rutabaga, beet)

#2: Honeynut squash, squash seed and Lani’s miso puree, pickled cabbage, mixed baby greens (mustards, kales, sorrel, tatsoi, arugula)

#3: Japanese sweet potato mash, caramelized shallot jam, sautéed broccoli rabe, Tokyo bekana, radish, cumin-coriander vinaigrette

Here are a few scenes from opening day yesterday ...





... and here's the opening day sandwich — "A Massion in Addis," Berbere sautéed red kale, sweet potato pomme frites, garlic sunflower aioli and root pickles root pickles...

Cloud99 Vapes space for rent, business set to close

A for rent sign hangs in the front window of Cloud99 Vapes at 50 Second Ave. between Second Street and Third Street. The shop will be closing in the months ahead, a victim of the public health crisis involving vaping products.

According to published reports, vaping-related injuries and deaths are continuing to mount, with the Centers for Disease Control and Prevention (CDC) reporting 1,080 lung injuries in 48 states and the Virgin Islands and more than 20 confirmed deaths from 15 states. (A Bronx teenager was the first person to die of a vaping-related illness in New York, officials said Tuesday.)

On Sept. 17, New York passed an emergency ban on flavored vaping products. However, the ban was halted on Oct. 3, when an appeals court issued a temporary restraining order. The next hearing is set for Oct. 18.

Still, the damage has been done. As MSN recently reported, business at Cloud99 is down 70 percent.

Pete Foran, a co-owner, is a retired NYPC officer. Per MSN:

Electronic cigarettes had become a galloping trend, and a vape store seemed like a lucrative second act.

Sure enough: Offering dozens of flavored vaping products, the Second Avenue shop was a hit. Foran and his partners opened two more locations in Nanuet and Suffern. Revenue hit $2 million.

And now...

Foran and his partners are stuck with $300,000 of inventory, 95 percent of which is flavored. The manufacturers won't take the product back, and Foran isn't even sure how to dispose of highly concentrated nicotine, each bottle of "vape juice" the equivalent of packs if not cartons of cigarettes. "You can't just throw it in a landfill," he said. "It's poison."

In Foran's view, officials didn't approach the outbreak rationally. "They should have handled it like a homicide investigation," tracing the potentially illness-causing cartridges to their sources, he said. "What's coming out is that it's black-market products that are causing these things."

NBC News did conduct an investigation late last month:

NBC News commissioned one of the nation's leading cannabis testing facilities to test a sampling of THC cartridges — 18 in all — obtained from legal dispensaries and unlicensed dealers.

The findings were deeply troubling.

Of the three purchased from legal dispensaries in California, the CannaSafe testing company found no heavy metals, pesticides or residual solvents like Vitamin E.

But 13 out of the other 15 samples from black market THC cartridges were found to contain Vitamin E.

CannaSafe also tested 10 of the unregulated cartridges for pesticides. All 10 tested positive.

Still, a new poll conducted by Siena College finds 61 percent of New Yorkers support the ban, and 78 percent believe that vaping is a serious public health problem.

Cloud99 Vapes opened in 2015 (at the site of the former Yoo's Convenience Store). And it won't be the only local vape-related shop impacted by the current crisis.

Dance dance dance

New wheatpaste art — David Bowie, Madonna and Nile Rogers — spotted next to the mural wall on the Bowery at East Houston yesterday. (What connects the three? Rogers produced Madonna's Like a Virgin and co-produced Let's Dance.)

Here's an up-close look at the art, created by The Postman...





... and here's a sampling of other wheatpaste stickers by the Postman that have been around (spotted on either First Street or Second Street) these past few months...

Local Faith Communities of the East Village present their annual 'Spiritual Sounds' on Sunday

Via the EVG inbox...

The 10th annual "Spiritual Sounds" will be presented on Sunday, Jan. 27, 5-7 p.m. at Town & Village Synagogue, 334 E. 14th St. between First Avenue and Second Avenue.

This group of neighborhood faith leaders (priests, imams, ministers, rabbis, cantors and monks) all serving within a few blocks of each other first gathered to stand up to hate, intolerance, and prejudice, then, growing naturally to know one another personally, enjoy each other’s company, build the trust needed, help and support each other, remain a shining example of NYC’s community of diversity who celebrate together the depth and richness of our many traditions.

The event is free, open to all. No tickets are required.

The faith organizations:
Medina Masjid Mosque
The Second Avenue Church
The Bhakti Center
The Light of Guidance Sufi Center
The Catholic Worker
The Shul of New York
Town & Village Synagogue
Sixth Street Community Synagogue
Middle Collegiate Church
Most Holy Redeemer-Nativity Catholic Church
The Nechung Foundation
Orthodox Cathedral of the Holy Virgin Protection
St. Mary’s American Orthodox Church
St. Mark’s Church-in-the Bowery

Union Square Duane Reade available for sublease

An EVG tipster shared the marketing materials with info on subleasing the Duane Reade on Union Square.

There aren't many details about leasing the 12,790 square-foot-space. The rental rate is negotiable. The possession date is this month. Find a PDF with the flyer here.

Several Duane Reades have been closing around the city, including three on the Upper West Side and one on Canal and Broadway.

Parent company Walgreens has an expanded location right there at 14th Street and Fourth Avenue, and there's a Duane Reade on 14th Street and Third Avenue and 10th Street and Third Avenue.

The Union Square Duane Reade opened in the summer of 2010 in the former Virgin Megastore.

Artichoke appears to be moving into a new space on 14th Street

An EVG tipster shares the following from 14th Street between First Avenue and Second Avenue:

"At the end of October, I noticed construction guys at 321 E. 14th St. It has always been a vacant storefront. (I think there was a statue of a Virgin Mary in the window for awhile.) Anyway, imagine my surprise and glee when I read a pizza place was coming!"

Indeed, the work permits do show a "pizza restaurant" in the making...



Furthermore, the tipster said that the space will house Artichoke Basille's Pizza, the growing pizzeria empire that opened its first location nearly directly across 14th Street in 2008. Per the tipster, there's a "rent-hike scenario" brewing at the original location.



Approved work permits list the name of Francis Garcia, who founded Artichoke with his cousin Sal Basille, as the owner. (Public records lists an LLC with a Flushing address as the owner.)

The permits, approved in September, show the estimated build-out cost for the pizzeria at $72,750.

There are currently nine Artichoke locations, eight in NYC and one in Berkeley, Calif.

Q-&-A with Susan Seidelman, director of 'Smithereens' and 'Desperately Seeking Susan'

[Image via]

"Smithereens" starts a weeklong revival today at the Metrograph, the newish theater complex down on Ludlow Street.

The 1982 dark comedy, which marked Susan Seidelman's directorial debut, is set in the East Village (and other downtown locales). Wren (Susan Berman), a suburban New Jersey escapee, is eager for downtown fame, plastering "missing" posters of herself on the subway and elsewhere. She sees a meal ticket in Eric (Richard Hell), the hot guy with a short attention span in a band. And there's the too-nice Paul (Brad Rijn), who pursues the uninterested Wren. Hustling ensues.



Seidelman started filming in late 1979, and continued on and off for the next 18 months. (Production shut down when Berman broke a leg during rehearsal.) "Smithereens," made for $40,000, was the first American indie invited to compete for the Palme d'Or at the Cannes Film Festival.

She went on to make several female-focused comedies, including 1985's "Desperately Seeking Susan" with Rosanna Arquette and Madonna and 1989's "She-Devil" with Roseanne Barr and Meryl Streep, among others. (She also directed the pilot for "Sex and the City.")

I spoke with Seidelman about "Smithereens" and her follow-up, "Desperately Seeking Susan," also partly filmed in the East Village, during a phone call last week. Here's part of that conversation, edited for length and clarity.

On why she wanted to tell this story in "Smithereens":

I was living in the East Village and I was also at NYU. And at the time, NYU Film School, the graduate film school, was on Second Avenue — part of it was where the old Fillmore East used to be. So for three years, that area around Seventh Street and Second Avenue was my stomping grounds.

I started NYU in 1974, and I was there until 1977. So it was interesting to watch the transition from the older hippie generation and hippie-style shops and people as it started transitioning into the punk and new wave kind of subculture. I was a music person, so I frequented CBGB and Max’s Kansas City at that time. And so, that world was interesting to me, and telling a story set in that world about a young woman who’s not from that world, but wants to be part of it in some way, was both semi-personal and just of interest.

On production shutting down:

There were challenges throughout the shoot because I never had all the money. The budget ended up being about $40,000, but I probably only had about $20,000 at any given moment. I was borrowing and racking up bills. I wasn’t really thinking about how I was going to pay it. I figured I’d get to that when I needed to pay it.

Aside from those challenges, when Susan Berman fell off a fire escape and broke her leg during rehearsal, there was no getting around that. We had to quit filming. I kind of thought, oh, you know, fuck it — I’m not going to let this stop me. It made me actually more determined. I had the time to look at what was working and what wasn’t working, and I learned a lot of stuff. I started editing the footage. I could rewrite stuff and change the story a bit.

On casting Richard Hell:

That was when we redefined the character of Eric, who was originally not played by Richard Hell. It was played by somebody else who was not a rock-and-roller — he was more of a downtown painter/artsy type, not a musician — and was also played by a European actor.

By recasting and redefining that role with Richard Hell in mind, it shaped the tone of the movie and changed it, I think, in a good direction. I’m not going to give names, but the other actor — the other person is a working actor, as opposed to Richard Hell, who was acting in the movie, but was more of a presence and an iconic figure even at that time. So trying to make the character of Eric blend in with the real Richard Hell added a level of authenticity to the film.

On filming in the East Village:

In the scene when Wren is waiting out on the sidewalk and the landlady throws her clothing out the window and then splashes her with water, all the people and all the reactions in the background were from the people living on that block who had come out to watch.

At the time, New York was coming out the bankruptcy crisis. There weren’t a lot of police on the street, there wasn’t a lot of red tape and paperwork. These days to film on the street, you have to get a mayor’s permit — so many levels of bureaucracy. Back then, either it didn’t exist … but also I was naïve to what probably needed to be done.

We just showed up with cameras and we filmed. We had some people working on the crew who were friends and they told crowds lining in the street — just don’t look in the camera. Sometimes they did, sometimes they didn’t, but it was all very spontaneous.

That’s the advantage of doing a super low-budget movie — you can just go with the flow. For example, there’s a scene with a kid who’s doing a three-card Monte thing on the sidewalk. He was a kid we saw in Tompkins Square Park with his mother. We didn’t have to worry about SAG or unions or anything. I thought he was interesting and [we asked his mother] if they come to this address at this time and be in our movie.



On the lead characters:

My intention wasn’t to make likable characters. My intention was to make interesting characters and who had some element of ambiguity. There are things that I like about Wren; on the other hand, I think she’s obviously somebody who uses people and is incredibly narcissistic. I’m aware of that. But she’s also somebody who is determined to recreate herself and to live the kind of life that she wants to live, and redefine herself from her background, which you get a little hint at, this boring suburban New Jersey life she must have run away from.

On the independent film scene at the time:

The definition of an independent filmmaker has changed so radically. Nowadays, being an independent filmmaker could mean you’re making a $5 million movie that’s really financed by the Weinstein Company, or it could mean you're doing a cellphone movie like “Tangerine.”

But back then, there weren’t that many independent filmmakers. I know there were some people working out of Los Angeles who were doing stuff and a small pocket of people in New York City. So either you knew them or you were friends with them or you just knew what they were doing and had mutual friends. It was truly a small community. And within that community, there were also a definite relationship between people who were musicians, filmmakers or graffiti artists.

So everyone was borrowing people, trading information or sharing resources. Also, the world wasn’t as competitive as it is today. People were eager and willing to help somebody who was a filmmaker would act in somebody else’s film or tell them about a location or a musician. It was pretty simple, like — hey, let’s make a movie, without a lot of calculation.

On her follow-up film, "Desperately Seeking Susan:"

I didn’t have anything lined up after "Smithereens." I didn’t know what I wanted to do next. I just finished the movie when it was accepted into the Cannes Film Festival.

But I did know that there were very few female film directors. And the one or two I had heard about who had made an interesting independent film ... I knew that your follow-up movie, especially if it was going to be financed by a studio, you needed to be smart about the choice. You had to make a movie that you could still be creatively in charge of, or else you could get lost in the shuffle.

For about a year and a half, I was reading scripts. And they were, for the most part, terrible. I just figured these couldn’t be my next movie. I have nothing to say about this kind of material.

So then I got this script. It was a little different than the way it ended up being, but it was called "Desperately Seeking Susan." I liked that the character, Susan, felt like she could be kind of related to Wren in "Smithereens." I thought I could bring something unique to that kind of a role. So I didn't feel like I was out of my element there.

And also, part of the film was set in the East Village, a neighborhood that I loved and knew. The other good thing was I was so familiar with the characters and able to add my own spin using a lot of people from the independent film community in small parts, like Rockets Redglare, John Lurie and Arto Lindsay. Richard Hell has a cameo.



On working with Madonna:

At the time, Madonna was not famous when we started out. We were just filming on the streets like she was a regular semi-unknown actress. So there wasn’t a lot of hoopla around the film.

And then, you know, so much of life is about being there with the right thing and the right timing. It just so happened that the movie came out at the moment that her "Like A Virgin" album was released and they coincided and she became a phenomenon. But since that wasn’t during the actual filming, there wasn’t the kind of pressure that one would normally feel if you were working with a big star or a a super-famous person.

On the legacy of "Smithereens":

I think I was trying to document what it felt like to live in that neighborhood in that part of the city at that time. I never really thought about it in terms of whether the film would pass the test of time or be a time capsule or anything.

But the fact that it ended up being pretty authentic to the environment, to the neighborhood, is maybe what enabled it to pass the test of time.

-----

The Metrograph is showing "Smithereens," which features a score by The Feelies, on a new 35-millimeter print courtesy of Shout Factory LLC. Seidelman will be attending tonight's 7 screening. Details here.

There's something about Mary

Yesterday, an EVG reader noted the arrival of three statues of the Virgin Mary in the previously empty spaces outside Most Holy Redeemer-Nativity Church on East Third Street between Avenue A and Avenue B.

EVG reader David sent these shots today...







Per David: "All three are the same — very worn-down-looking statues of Mary, but each has a very different surface. Is that supposed to look like marble? Quite surreal! I kind of like them..."

Remembering Moises Ismael Locón Yac

[Image via Facebook]

The New York Times has a report on the wake and funeral for Moises Ismael Locón Yac, one of two men killed in the gas explosion at 121 Second Ave. on March 26.

In Queens, where Mr. Locón lived in a rented room decorated with images of his adopted city, the Guatemalan Consulate had arranged a funeral at the Church of the Presentation of the Blessed Virgin Mary, which has connections to Guatemalans in Jamaica, as well as the wake in Brooklyn. It had been up to Mr. Locón’s three brothers and his cousin, far from their family in Guatemala, to take care of everything else.

“He was just working,” Mr. Locón’s cousin, Pablo Yac, 23, said during the wake. “I’m crying for him.”

Mr. Locón’s brother Alfredo, 30, stood off to one side, trying to organize things. He was the oldest, the one who had tried to take care of his brothers in New York. Asked if he knew that people had been donating to a fund for the family, created by a woman in the East Village, Alfredo nodded. “We’re thankful for everything that people have done for us,” he said, his voice breaking.

Hugo Ortega was the only one of Locón's Sushi Park co-workers to attend the wake.

“I’m always going to miss him. I love him. He was my best friend,” he said, distraught. “He was a very good person. Everyone loved him very much.”

Previously on EV Grieve:
Remembering East Village blast victim Nicholas Figueroa

Tenements of the holy: 'Physical Graffiti' 40 years later

Feb. 24 marks the 40th anniversary of the release of Led Zeppelin's double studio album "Physical Graffiti."

And on Feb. 24, the band is releasing a remastered/expanded super-duper-deluxe version of the album.

Over at Dangerous Minds, Richard Metzger relays some facts about the "Physical Graffiti" cover — a heavily doctored photo of 96 and 98 St. Mark's Place…



Anyway, in case you are new to all this. Per Dangerous Minds:

The front cover is a daytime shot, while the back cover was taken at night. Amongst the tenants who can be seen through the die-cut windows are JFK assassin Lee Harvey Oswald, astronaut Neil Armstrong, Elizabeth Taylor as Cleopatra, King Kong, the Virgin Mary, Judy Garland and the main cast of The Wizard of Oz, members of Led Zeppelin in drag, their infamous manager Peter Grant, body builder Charles Atlas, the Queen and Laurel & Hardy.

As for that super-duper-deluxe release ...



And since we're all here…



Previously on EV Grieve:
Fire scare on St. Mark's Place at iconic Physical Graffiti building

I'm not waiting on a lady...say, what the hell is Mick wearing anyway?

[Photos via Off the Grid, who has a nice history of the buildings here]

Updated: Skylight falls from St. Brigid's; Virgin Mary destroyed

There was some drama on East Eighth Street at Avenue B early this morning after one of the skylights from the Church of Saint Brigid – Saint Emeric came crashing down from the roof... @MediaJorge shared these two photos showing the FDNY on the scene...



As far as we know there weren't any injuries... we'll update when we get more information on what happened...

The combined parish reopened on Jan. 27, 2013.

Updated 10:18 a.m.

EVG reader Peter from 8th St. shared these photos from this morning...





The plastic encasement that houses the statue of the Virgin Mary was also damaged...



... as well as the Virgin Mary...

Protest against 'Paradise: Faith' at the Village East; 'a terrible pornographic attack on Jesus’ crucifix'

A group of protestors are outside the Village East City Cinemas on Second Avenue at East 12th Street this afternoon, per this photo via @RTSNYC.

The film in question is "Paradise: Faith," from Austrian filmmaker Ulrich Seidl. Here's the Rotten Tomatoes recap:

In "PARADISE: Faith" Ulrich Seidl explores what it means to bear the cross. For Anna Maria, an X-ray technician, paradise lies with Jesus. She devotes her vacation to missionary work, so that Austria may be brought back to the path of virtue. On her daily pilgrimage through Vienna, she goes from door to door, carrying a foot-high statue of the Virgin Mary. One day, after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, comes home. Hymns and prayers are now joined by fighting. "PARADISE: Faith" recounts the stations of the cross of a marriage and the longing for love.

(Read the review in the Times here.)

According to Wikipedia, "the film has been named as a favourite of director John Waters, who presented the film as his annual pick within the Maryland Film Festival 2013."

There was a similar protest of the film in Hollywood this past week. According to a blog by the executive director of America Needs Fatima:

The movie Paradise: Faith, by Ulrich Seidl, is a terrible pornographic attack on Jesus’ crucifix.

EXTREME CAUTION

The NY Times (8/22/13) reports: Speaking of the main character in the film, “…Later in the movie, she m*****bates with the same crucifix.” [redaction ours: Ed.] Other press reports contribute… A woman…“m*****bates using a crucifix.” “it is right to show her m********ing using a cross, as she is making love to Jesus,” responds the director Ulrich Seidl when asked about it.

The protest consisted in praying the fifteen decades of the rosary, some other prayers (especially the St. Michael prayer) and the Litany of Our Lady. Our people spread out single to double file to cover the entire front of the cinema.

We were very happy and consoled to be able to offer this public act of reparation against such a terrible pornographic attack on the Holy Crucifix of Our Lord and Savior, Jesus Christ.

Meanwhile, there haven't been any protests over "We're the Millers," also playing at Village East City Cinemas, for being billed as a "comedy."


[EVG reader John]

Out and About in the East Village

In this weekly feature, East Village-based photographer James Maher provides us with a quick snapshot of someone who lives and/or works in the East Village.

By James Maher

Name: Michael Feeney (and Misty)
Occupation: Electrical Contractor, Marine
Location: 6th Street between 1st and A.
Time: 2:55 pm on Monday, November 26

I'm 79 and this coming April 16, I'll have been living in this same building for 50 years. I came here with my family when I was 10; that was in 1943. I grew up on 9th Street between C and D and there were no projects around there; it was all tenements. These buildings (Village View) were tenements also. It was all together different around here. Everybody hung out on their stoops. The women sat with other women; the men sat together listening to the baseball games on the radio; the kids played stickball, kick-the-can, ringalevio. People on these blocks were not neighbors; they were all friends.

This neighborhood was Russian, Polish, Ukrainian and Jewish. It was a working-class neighborhood. You had a lot of greasy spoons back in those days; nothing like this. There were a lot of Polish and Jewish restaurants. The prices were, forget it, dirt cheap. Back in those days when summers rolled around, everybody slept with all the windows and doors opened. Some people slept on fire escapes and some slept on the roofs to get some air. Nobody had a fan or air conditioning.

I was only a kid when I got here and when I was 13 the courts put me and my brother into a home on Staten Island. I was supposed to be there until I was 18, but I was so bad and they were so angry with me that they threw me out when I was 16. I was Catholic and went to Catholic school.

They whooped you in those days when you did something wrong. They would whoop me all of the time. I said little gems like, “Jesus was not the son of God, he was the son of Joseph of Arimathea,” and they did not like that. So I got whooped for that. And then I said, “I have a brain. God gave me a brain and I like to use it. How can you in good conscience, how can any religion call her the Virgin Mary when she was married and had two kids before Jesus. How in the hell was she a virgin?” I got whooped for that one.

At 16, I was working uptown in Hell’s Kitchen, loading and unloading trailer trucks. Then, in 1950, I located my old man and got him to sign the papers so I could enlist in the Marine Corps and I made it to the Korean War. I didn’t turn 17 until two and a half weeks before we landed in Korea.

After that I just hung out for awhile and then worked for a laundry where I made $35 a week, plus tips. Then I went into the electrical business, working for contractors and my salary went up to $50 a week for 40 hours. That’s a buck and a quarter an hour. I worked in that business for 29 years.

Misty is a rescue dog. She’ll be a year old next month; I just got her about 3 months ago. They used to use her as a bait dog to train pit bulls to fight. She had three infections. They tied her up at a factory in Jersey and left her to die. For four days she didn’t have any food or water until a night watchman heard her crying and saw her laying there. He called up animal rescue, who got her and took care of the infections. Then, when I got her she was all skin and bones. She loves people; she’s so friendly, but you can’t bring her anywhere near other dogs or she’ll attack.

James Maher is a fine art and studio photographer based in the East Village. Find his website here.

Summer Fridays rehash: Desperately Seeking 1985 New York City

Hey, we're digging into the EVG archives for these next few summer Fridays... first posted on July 22, 2008, before I learned when a post was getting too fucking long... (and keep in mind that there is not a free screening of the movie tonight — this was four years ago...)

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There's a free screening tonight of 1985's Desperately Seeking Susan at McCarren Park Pool in Greenpoint. It's a silly movie (stolen ancient Egyptian earrings! amnesia! mistaken identities!) that I enjoy watching every summer. (In fact, I just watched it Sunday night.) As Brian J. Dillard writes in his review at allmovie.com, "A classic Hollywood screwball comedy transposed to modern-day Manhattan, Desperately Seeking Susan offered mid-'80s moviegoers a mall-friendly version of hip New York style, much like Madonna did throughout her early musical career."

I like it for a lot of reasons, such as seeing youngish John Turturro, Steven Wright and Giancarlo Esposito, among others, in small roles. And director Susan Seidelman rounded out the film with several downtown musicians/performers — Richard Edson, Rockets Redglare, Richard Hell, John Lurie, Arto Lindsay, Ann Magnuson. And, of course, you get to see some mid-1980s New York, including several scenes in the East Village. (Nice, too, that many of these places are still around some 23 years later, including Gem Spa, Trash & Vaudeville, B & H Dairy and Love Saves the Day.)

Wacky Neighbor had a post on Susan's production design in September 2004. As he notes, the players behind the look of the film were Woody Allen regulars at the time.

Meanwhile, here are a few screenshots from Desperately Seeking Susan.

On St. Mark's.

On Second Avenue.

In front of Love Saves the Day.

Ohhh! Don't mess with the guy with the bucket of the Colonel hanging around Second Avenue and 7th Street!

Scary clubgoers! Do all New Yorkers look like this?!

Outside the Magic Club. (In the film, the club is said to be on Broadway. According to Wikipedia, some of the interiors and exteriors were filmed in Harlem.)

Now, some Desperately Seeking Susan trivia from Wikipedia, which means it may or may not be right:
* The filmakers had initially wanted Diane Keaton and Goldie Hawn to play the roles of Roberta and Susan. But the director decided to cast newcomers Rosanna Arquette and Madonna instead. 

* Bruce Willis was up for the role of Dez. Melanie Griffith was up for the part of Susan as well.
* Madonna barely beat out Ellen Barkin to the part of Susan. Barkin was the producers first choice for the part, but the director claimed Barkin had a lack of substance.
* The Statue of Liberty can be seen in the film when it is still covered in scaffolding during its two year renovation.
* The DVD commentary track for the film (recorded in 1996) noted that after Madonna's first screen test, the producers asked her to take four weeks of acting lessons and get screen-tested again. Although the second screen test wasn't much of an improvement, the director still wanted her for the role, as much for her presence and sense of style as for anything else.
* The 1964 sci-fi movie The Time Travelers is playing in scenes 6 and 23 (melts at the end of the movie).
* The movie was originally filmed in the summer of 1984, early in Madonna's rise to popularity, and was intended to be an R-rated feature. However, following the success of the singer's 1984-85 hits "Like a Virgin" and "Material Girl," the film was trimmed in content by Orion Pictures in order to receive a PG-13 rating in order for Madonna's teenage fanbase to be able to see it
* The interior / exterior shots of The Magic Club were filmed in Harlem.
* Some of the scenes were filmed in Danceteria, a club that Madonna frequented and which gave her a start in the music business.