From the first wave of immigration from Europe to lower Manhattan, through the rise of the Beats and avant-garde performance art in the mid-20th century, to the gentrification of recent years, the same building on East 7th Street has encapsulated one era after another after another.
The Parsonage, which takes from the worlds of jazz, classical, and "post-classical" music, makes its debut on April 7 from Sunnyside Records. The song cycle features libretto by cultural historian David Hajdu and music by eight composers: Darcy James Argue, Theo Bleckmann, Regina Carter, Ted Hearne, Kirk Nurock, Renee Rosnes, Sarah Kirkland Snider and Dan Tepfer.
McMillan now uses a wheelchair and walker as he rebuilds his balance and leg strength. He paces the living room of his garden apartment, back and forth from his couch to an exposed brick wall. He also walks along St. Mark's Place with the help of a home health aide who visits for a few hours each day.
And...
"I'm glad he's home,” said his niece Tennille McMillan, a designer who lives in Bedford-Stuyvesant, where rents are spiking. "It's been interesting to see how he saw what was going to happen before it was happening. In 2010, people thought he was exaggerating, but now we're here.'
She said she hopes he continues to speak out, "but he has to pay his rent."
Read the full article here.
Bill's depiction of New York with his Proustian attention to detail creates a kind of visual mythology of the city. He gives equal attention to the bodies and lives of men he loved as to the landscape of taxis, automobiles and storefronts which inhabit his paintings, drawings and notes, interacting with the city through a distinctly erotic gaze. In centering the tangible and the visual Rice creates an ode to the city like a more "out" version of Whitman, using his memory and experience to construct a narrative of his surroundings.
I am interested in what happens around the corner of the surface. My paintings are not designed to be viewed only from the front. The edges are important, I like the feel of paint and canvas and paper. Ideally, I would like to invest the rectangle — the basic unit in any cityscape — with the sensuality, color, texture I find in the streets. — Bill Rice
