
The discussion is Thursday night at the Ukrainian Restaurant on Second Avenue...
The owner of a new tea lounge in the East Village wanted a liquor license. After her community board denied the request, she started crying, "shocked by the backlash," according to one board member.
Welcome to Community Board 3. The restaurant and night-life industry may be buzzing downtown, but some of the biggest fireworks take place in dreary meeting rooms where tempers flare, tears are shed and the back and forth can stretch on for up to eight hoTrs. Confrontations have gotten so bad that some businesses have just given up and withdrawn applications.
Now, a group of high-profile restaurateurs are trying to form a trade association. One of their main gripes: Community boards are unfair.
"In a way, we're making or breaking dreams," said Ariel Palitz, who has straddled two roles, as nightclub owner and member of Community Board 3's committee. She said she was speaking as an individual, not for the committee.
Some restaurateurs say community boards can be the biggest obstacle to doing business in the city. "They should call them communist boards instead of community boards," said Keith Masco, whose application for a liquor license for a proposed seafood restaurant and market in the Lower East Side was denied several months ago. "What they're doing is really unfair."
Community Board 3 District Manager Susan Stetzer says a real concern of residents in her district is having a diversity of businesses, not just bars and restaurants. "It's about having services for people who live here," she said.
The other Hyatt-branded property announced today, slated to open Fall 2011, will be located at 13th Street and 4th Avenue, a block off Union Square, and near Washington Square Park. Union Square is adjacent to some of Manhattan’s preeminent residential and commercial neighborhoods including Chelsea, Gramercy Park, and the Flatiron District. Some of Manhattan’s most celebrated restaurants and popular nightlife spots surround the hotel. The area is extremely popular with residents and tourists alike, and is an activity hub for major hospitals, universities and retail centers. The hotel will offer stunning accommodations to its guests, including private terraces on the second floor, a well-appointed fitness center and an exclusive rooftop lounge. The historic façade and 23 foot ceilings in the lobby will create a grand space for the stylish lounge opening up to 13th Street and a restaurant concept inspired by the local and organic Greenmarket.
Living on St Marks place (b/t 2nd & 3rd no less) for 33 years is bound to have some effect on a person (me), but I have to say last night was something truly unheralded. As close as I can describe between 12-4, the street resembled nothing so much as Times Square on New Year's Eve. What was even more sobering (ha) was the arrival of cops who placidly navigated the drunk, screaming, traffic stopping, collectively shouting crowd without even attempting to clear the street or the sidewalk. Living on SMP for so long, one adjusts to the fact that inhabitants are deprived of certain civil rights — quiet, privacy, garbage pick up, but this was stunning. I have seen everything here — 70s speed freaks to 80s junkies to the riots in the park. I thought for sure, the same cops (and helicopters) who turned out for that event — or the Republican convention — would show. Nope. What up with that?
Lives: exhibition and catalogue organized by Jeffrey Deitch
The Fine Arts Building, 105 Hudson St., NYC
November 29 - December 20, 1975
The "Lives" exhibition by Jeffrey Deitch that opened in November 1975 at the Fine Arts Building featured the experimental artists that I had admired and identified with in the early 1970s. The exhibition also marked the start of a brief period when the Fine Arts Building, a large, eleven-floor office building at 105 Hudson Street, was the center of an energetic art scene that helped rejuvenate the deserted neighborhood just south of Soho -- the now fashionable Tribeca. With its abundance of cheap live-in studios, offices and exhibition spaces, the building fostered the camaraderie and networking that helped nourish radical new directions in the 1980s. For those who were there it was a stimulating time that ended abruptly when the building went co-op in the late 1970s. The young artists and fledgling galleries that helped develop the building and neighborhood were priced out and had to seek new quarters. Most migrated to the East Village and the Lower East Side where a new phase in the evolution of the art of the period began.