A (rather eerie, if you ask me) version of "The Battle Hymn of the Republic" performed on the steps of Federal Hall on Wall Street across the street from the New York Stock Exchange.
We can probably read into this in many ways...
Monday, October 6, 2008
Looking at old Wall Street
Well, old as in 1966, with this spot for Shearson Hammill. Love the ticker tapes and punch buttons on the NYSE floor. And the fat cat getting a shave...
Sunday, October 5, 2008
A comment
There's a lengthy comment about the coming global depression on my post from Friday that was titled From a gilded age to a great emptiness...
New York City to become wedding destination
The Manhattan Marriage Bureau is on the second floor of the Municipal Building downtown. As the Times describes today, its hallways are "lined with cracked tile floors, fading yellow walls and dim fluorescent lighting where city employees . . . have been giving true love a brief, secular send-off since 1916."
No more, though. This fall, the Bureau moves to shiny new digs up the street at Centre and Worth. Why the move? Stupid question! As the Times notes:
The relocation will mean more than just swapping one space for another, or reconfiguring furniture into new surroundings. What will happen, in fact, is the death of the marriage bureau as Manhattan has known it for generations: a storied but shabby place, long on protocol but short on charm and comfort..
The move, an idea that Mayor Michael R. Bloomberg has nursed for almost as long as he has been in office, was inspired in part by concerns about dignity. The bureau’s appearance has not changed much over its 92 years, and despite periodic renovations, Room 257 — which houses the wedding chapel — looks as bureaucratically stiff as all the other Municipal Building offices. The chapel itself has no adornment except a pulpit used by the handful of officiants who perform the ceremonies.
The other reason for the switch is purely strategic. City officials see in the revamped marriage bureau an opportunity to market the city as a wedding destination, offering it as a more tasteful alternative to Las Vegas.
[T]here will be are doors coated in bronze, heating-unit covers fashioned by a Brooklyn artisan to match the building’s Art Deco style, and ornate columns throughout the 5,000-square-foot space
I know a few couples who were married at City Hall. They've said there is something romantic about the drab surroundings. If they wanted fancy (say, art deco style and ornate columns), they'd have got hitched in a hotel ballroom somewhere. According to city records, there have been 1.2 million weddings at the Bureau since 1930. Here are a few of them, via YouTube.
Is technology making the city more boring to discover?
From the Times today:
The only way to learn the city is to get lost a few times, people tell you. Learning your way around a space happens negatively. It is when you take a wrong turn that you really begin interacting with the world around you. You discover the city when you stumble.
Cellphone tracking services like Loopt and Buddy Beacon are increasingly popular, making us all more “connected” with the hundred “friends” in our digital phonebook.
This network of satellites and screens quickly becomes part of our sensory apparatus, replacing eyes, ears, nose and feet, as if these devices are natural extensions of our bodies. We tell ourselves that they will maximize efficiency and minimize the unknown. There’s no time to get lost.
In the back seat of a newly equipped taxi, we watch the two-dimensional map as the three-dimensional world zooms by outside: “Wow! Look at this wonderful touch screen! I can see exactly where I’m at and where I want to go! Latest updates on sports and real estate included!”
Saturday, October 4, 2008
The Marble Cemetery is open today
The Marble Cemetery on Second Street between First Avenue and Second Avenue will be open to the public today....just one of two days a year that this happens, I'm told...In fact, there's a whole block party going on (a good kind of block party thrown by local residents, not professional sausage-on-a-stick types)...The cemetery opened in 1832...and it's one of the loveliest spots in the East Village...this Times piece has much more on the history...
And here are some shots I took from inside the cemetery when it (cough) may not have been open to the public...
And here are some shots I took from inside the cemetery when it (cough) may not have been open to the public...
Friday, October 3, 2008
The networks are taking the presidential debates a little too far
Obama/Luke Skywalker vs. McCain/Darth Vader in front of the NYSE today on Wall Street.
An appreciation: Gramercy Typewriter
Great piece in BusinessWeek on Gramercy Typewriter at 175 Fifth Ave., which was established in 1932.
Every business day, as he has done for the past 49 years, Paul Schweitzer, 69, travels the streets and skyscrapers of Manhattan making "house" calls, carrying his black leather tool bag by his side. Schweitzer, who insists on wearing a suit and tie while on his rounds, is one of the last of his kind: the typewriter repairman.
Here's a piece on the shop from NPR.
[BusinessWeek photo by Stacy Perman]
If the Dow does plunge again today, you have THIS to look forward to...
This e-mail is apparently making the rounds now from FiDi bar and restaurant Pound and Pence on Liberty Street:
If the Dow Jones Closes 100 Points Lower...
HALF PRICE DRINKS AT THE BAR ALL EVENING
Receive Instant Savings When You Show This Message to the Bartender on Your Phone or on a Printed Copy.
Valid Only On Beverage Purchases at the Bar.
East River Park is ready to slide into the river while everyone putters around
From Downtown Express this week:
New Yorkers will be waiting another year for East River Park to be complete — and maybe more if a state agency succeeds in halting the project.
The Department of Environmental Conservation is worried that workers repairing the East River bulkhead are allowing the shoreline to erode into the water, so D.E.C. tried to revoke the construction permit, D.E.C. spokesperson Arturo Garcia-Costas said.
Also in Downtown Express this week: More on the ongoing East Village/Lower East Side rezoning.
[The accompanying photo seems appropriate for some reason...]
Wall Street Week in Review
As our nation's economy gasped and wheezed through another traumatic week, enterprising reporters, tourists, news networks, protestors and, uh, bloggers, braved a chaotic Wall Street to be a witness to history. Or something equally dramatic.
Here are some snapshots from the week that was Wall Street.
Here are some snapshots from the week that was Wall Street.
St. Brigid's gets prepped for something ugly
Curbed reported Sept 25 that the back wall will be coming down at St. Brigid's on Eighth Street and Avenue B. There has definitely been some activity out back the last few days, but nothing major...yet.
From a gilded age to a great emptiness...
An excerpt from Judith Warner's "Waiting for Schadenfreude" column in the Times today:
For those of us who have hated this period — the wealth worship, the wealth gap, the elevation of everything suspiciously shiny and irrationally bubbly and stupidly ebullient, there should be some feeling of vindication. But it just isn’t coming. A great emptiness — and a gnawing kind of fear — has taken its place.
Schadenfreude is impossible because the fat cats — the ones who bent the rules, the ones who pushed the envelopes, the ones who paid lower taxes because capital gains were most of their income, the ones who opposed regulations on the banking and mortgage industries — are taking us down with them.
"In the East Village they’re destroying all the beautiful old buildings"
From an article on exploring Brooklyn Heights in the Times today:
Today Montague Street is home to Joe Coleman, an artist who moved there in 1994 after 20 years in the East Village. A painter known for his meticulously detailed portraits of serial killers and other nightmarish imagery, Mr. Coleman and his wife, Whitney Ward, live in an apartment that he calls the Odditorium. Wax figures of Charles Manson and the serial killer Richard Speck, John Dillinger’s death mask, a bullet from Jack Ruby’s pistol and a letter from the cannibal Albert Fish share the Ripleyesque space with some of Mr. Coleman’s paintings.
“The East Village that I came to know and love doesn’t exist anymore,” Mr. Coleman said. “I like it much better here. In the East Village they’re destroying all the beautiful old buildings. So escaping here seemed comforting.”
[Photo of the former Gaseteria on Avenue B and Houston Street via GammaBlog. Not that the Gaseteria was a beautiful old building...]
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