...and people dress the part...
Octoberfest here runs through Sunday.
Michael Shenker came to live in the East Village in 1970, a 15-year-old, half-Jewish kid from Long Island. His model mother had been the Ipana toothpaste lady in TV commercials, which sometimes featured cameos by him and his brother. But things at home weren’t going well, and Shenker decided he had to get out.
The bohemian East Village, with its rocking music scene at the Fillmore East, naturally drew Shenker, an aspiring musician. At first, he was homeless, hanging out and crashing at night with members of a tough Puerto Rican gang. Working odd jobs — one saw him cleaning McSorley’s urinals — he eventually managed to get his own place. But the storefront he was living in had a fire, and then his rent quadrupled in the early 1980s, and he found himself again facing homelessness.
One day, he recalled, as he was sitting in Life CafĂ©, “This weird girl Natasha I used to play chess with looked over at me and said, ‘Mike, have you ever heard of squatting?’”








Tuesday, October 5, 6:30 PM
In Danger of Extinction: Gentrification in East Harlem and on the Lower East Side
Residents of these two diverse, vibrant neighborhoods have long dealt with the pressures of gentrification and have struggled for affordability. Their story is told in two recent documentaries. Join the filmmakers for a screening and discussion of "The Lower East Side: An Endangered Place" by Robert Weber and "Whose Barrio?" by Ed Morales and Laura Rivera, with opening remarks by The Honorable Melissa Mark-Viverito, New York City Council, District 8.
Co-sponsored by the office of the New York City Council Member Melissa Mark-Viverito and East Harlem Preservation. This program is presented as part of the ongoing series The Urban Forum: New York Neighborhoods, Preservation and Development
Reservations required: 917-492-3395 or programs@mcny.org
$6 Museum members; $8 seniors and students; $12 non-members
$6 when you mention E.V. Grieve
Museum of the City of New York
1220 Fifth Avenue at 103rd Street
A firefighter leaped into crime-fighter mode in the East Village last night -- helping a damsel in distress whose cellphone was snatched by a sticky-fingered thief, authorities said.
Vinny Brennan, 34, who also is a Marine Corps reservist, heard a cry for help near his Ladder 11 firehouse on East 2nd Street around 7:30 p.m.
"I saw a man running towards us on the sidewalk and my Marine intuition kicked in and I decided this one has got to be stopped," he said.
Brennan, who has served in Iraq, Afghanistan and Kosovo, tackled the suspect and his fellow firefighters helped hold him until cops arrived.
Steven Varkony, 32, of The Bronx, was booked for robbery, cops said.



Selected screenings from New York’s own explosive yet fleeting era of filmmaking known as “No Wave” Cinema. Rising from the ashes of a bankrupt and destitute 1970’s Manhattan, and reacting to the modernist aesthetic of 1960’s avant-garde film, No Wave filmmakers threw out the rules and embraced their own brand of vanguard moviemaking. Inspired by the films of Warhol, Jack Smith, John Waters and The French New Wave many of the films combined elements of documentary and loose narrative structure with stark, at times confrontational imagery. Much like the No Wave music of the period from which the movement garnered its label, these filmmakers freed themselves of the constraints of formal training and pillaged the nascent East Village arts scene for co-conspirators in the likes of Lydia Lunch, James Chance, Jean-Michel Basquiat, Debbie Harry, Richard Hell, Vincent Gallo, Steve Buscemi, Nan Goldin, Cookie Mueller and many others. With wildly varying styles, they shared the common mindset of fast and cheap, and catalyzed by collaboration. Equipment could be begged, borrowed or stolen, your friends could be your actors and the city, abandoned and free to roam, could be your set.




