Diversions: the trailer for Martin Scorsese's 'The Irishman'

[Photo from 2017 by Dan Efram]

Back in November 2017, EVG regular Dan Efram documented how the crew for Martin Scorsese's "The Irishman" transformed the corner of Orchard and Broome into 1970s-era Little Italy. (You may revisit that post here.)

Anyway, "The Irishman" — via Netflix — is set to world premiere as the opening night selection at the 2019 New York Film Festival.

And earlier today, the film's first trailer arrived. Here's the set-up via IndieWire:

“The Irishman,” based on Charles Brandt’s book “I Heard You Paint Houses,” reunites Scorsese with his former muse Robert De Niro and his “Goodfellas” Oscar winner Joe Pesci. The gangster movie also stars Al Pacino, who has never worked with Scorsese until now.

“The Irishman” stars De Niro as Frank Sheeran, a World War II veteran who became a mob hitman and played a role in Jimmy Hoffa’s disappearance. Pacino is starring as notorious mob-connected union boss Hoffa. The supporting cast includes Harvey Keitel, Ray Romano, and Anna Paquin.

Previously on EV Grieve:
A look at Orchard Street's transformation into the 1970s for Martin Scorsese's Jimmy Hoffa film

'Another' DeNiro movie filming on East 12th Street

In addition to "30 Rock" filming around here today ... @jschauma points out that "Another Night" — starring Robert DeNiro and Paul Dano — set up shop this morning on East 12th Street between First Avenue and Second Avenue. (P.S. — you're too late to pose as a crew member for a free breakfast from craft services) ... This is the adaptation of Nick Flynn's memoir "Another Bullshit Night in Suck City."

BoweryBoogie has more on "Another Night" filming around the LES...

Righteous Hams 2: Bad to the Bone

Meant to add this to my original post...

Oh, and the Post gave the film one star. Lou Lumenick, taking a break from being a dick to Roger Ebert, writes: Al Pacino and Robert De Niro collect bloated paychecks with intent to bore in "Righteous Kill," a slow-moving, ridiculous police thriller that would have been shipped straight to the remainder bin at Blockbuster if it starred anyone else.

And in the Times, Manohla Dargis writes: In “Righteous Kill” these two godheads of 1970s cinema go macho-a-macho with each other — furrowing brows, bellowing lines, looking alternately grimly serious and somewhat bemused — in a B-movie (more like C-minus) duet that probably sounded like a grand idea when their handlers whispered it in their ears.