Michael Sean Edwards, Take Two

Three weeks ago we featured East Village photos that Michael Sean Edwards took from 1978-1985... His work has been very well received...

In a post on Flavorwire yesterday, Edwards provided a narrative to some of his photos (such as the ones below!)...He also gave insight into the technical side of his camera work...

"The film I used was Ektachrome Type B, which is balanced for artificial light, not daylight. I used an 85B filter to correct the color balance. It was a common thing in movie shooting in those days and I was a film editor for a living and had learned most of what I knew in film production."




Go here to see the Flavorwire gallery.

The East Village in photos from 1978-1985

An EV Grieve reader passed along a link to the Flickr page of Michael Sean Edwards, who has a treasure trove of East Village photos from the late 1970s and early 1980s... which include the following shots...

Like this one of Ray's...



...the Gem Spa...



the East Village Fruit Exchange, Seventh Street and First Avenue circa 1979 ...



Avenue A and St. Mark's Place, circa 1979...



On St. Mark's Place...



On Avenue A near Fifth Street, 1979..



...and Leshko's on Avenue A at Seventh Street, from 1979.



And this one may be my favorite, simply marked "Lion, 5th Avenue 1985." Does the woman in the photo look familiar to you?

Mid-1980s East Village via Flickr

I came across the photography of Cactusbones on Flickr. She has plenty of LES/East Village urban landscape photos from her time here in the mid-1980s.

Her photos include:


Life Cafe



An abandoned lot on Seventh Street between Avenue B and Avenue C



Looking north on Avenue C at Seventh Street



And for grins, I tried to line up the same shot today



Thanks to Cactusbones for permission to post these photos. She has more here.

Bill Binzen's "Tenth Street"

Thanks to reader Mick for passing along this link to 12oz. Prophet that features shots from photographer Paul Binzen's book "Tenth Street." The book, published in 1968, documents life on the street from the east side to the west side.



At Avenue B.



At Avenue D.



At Avenue A.

Goodbye New York

Coco McPherson has lived in the Meatpacking District for 25 years ... and has had a front-row seat to its slow death march toward glitz and glass. At her photo-driven site Goodbye New York, McPherson captures three vanishing areas of the city.

As she writes on the site: "The original High Line, the old meatmarket -- before it was banished to the Bronx -- and Coney Island are three of the most beautiful, dreamlike places in New York City."

Here are two of her shots...

The Kelly Building circa 1984 at 400 W. 14th St. at Ninth Avenue. In the 1970s, it was home to The Toilet... Now it's the Gaslight...



The next photo is titled "Digging the Hotel Gansevoort" from 2000. McPherson writes: "I can't remember when they started building that hotel, but this was Day One as they began to rip up the parking lot. Amazing how big and out of place the hotel is, how ugly, and how small and beautiful the scale of the neighborhood once was."



Check out the rest of photos at Goodbye New York.

McPherson contributed an essay to the Voice's "Best of New York" issue in 2000... in the "My Obsession" section:

Until recently, the meat market was my secret dreamworld, a place most alive in the middle of the night, surreal for its rows of hanging animal carcasses and the white-coated men — with names like One-Eye (blinded by bleach after he bugged a waitress once too often), Dog Eddie, and Rabbit — who attended them, and the prostitutes who fought on the cobblestoned streets and who later gathered at Dizzy Izzy's (closed this spring) for coffee. All this is over now, and a new neighborhood is rising like Disney's version of New Orleans, drunk and rich, with lots of money and a little help from writers who shill for developers in the Sunday real estate section. My neighbor rides around on his bicycle shouting into a bullhorn, "Go back to Soho," and like a gentle but insistent traffic cop, "Soho is south of here," and only occasionally, "GET OUT OF MY NEIGHBORHOOD." Indeed.

Nostalgia for 1980s New York in Beijing

From the Times:

What’s interesting about “Ai Weiwei: New York Photographs 1983-1993” at the Three Shadows Photography Art Centre, in Beijing, is that the Americans I know who have visited the exhibit, particularly those born and raised in New York, tend to focus on the location photos: the raw, grimy East Village sidewalks; Tompkins Square Park with its anti-gentrification protesters and drag queens; shirtless students at St. Marks Place; the bums on the Bowery and the gritty sidewalks and graffiti-covered subway cars that inspired “Stranger Than Paradise,” Jim Jarmusch’s 1984 film set partially in New York City. They are drawn to them precisely because they induce feelings of nostalgia for 1980s New York.

But Chinese visitors viewing the exhibit, most of whom have never been to New York (or America, for that matter), tend to focus on the Chinese people in the photos. Where the typical American will focus on how much Times Square has changed from the 1980s to now, the typical Chinese viewer looking at that same photo will focus on what looks like a Chinese immigrant sitting on top of a taxi.

Helen Levitt, 95

"Helen Levitt, a major photographer of the 20th century who caught fleeting moments of surpassing lyricism, mystery and quiet drama on the streets of her native New York, died in her sleep at her home in Manhattan on Sunday. She was 95." (The New York Times)

[Image taken from “Crosstown” by Helen Levitt.]

Looking back (at our future?)

Nice collection of Allan Tannenbaum's photos from 1970s NYC yesterday afternoon over at Gothamist...such as this one of a young woman working on Times Square....

Digging into the archives

In the last few days, Jill at Blah Blog Blah has posted many photos from her 1980s archives of the East Village/LES, such as the one above of the northwest corner of Second Street and Avenue A. You can find her photos here and here and here. But not here. Meanwhile, Alex has also dug into his thankfully-never-ending archives at Flaming Pablum.

Before heading to Pa., John Penley leaves his photography collection to archenemy NYU; still annoyed by NYU students

You may have heard the rumblings since last fall that "Slacktivist" leader John Penley was moving away from the neighborhood for the wilds of Erie, Pa. It is true...and today's Washington Square News has a feature on Penley, who's giving his extensive photo collection to the NYU Tamiment Library. (Scoopy reported this last month -- Runnin' Scared had the news back in October.)

To the article!

Penley made a name for himself documenting the turmoil of life on the Lower East Side and protesting big business, including NYU expansion, through the last decades of the 20th century.

“This one is my favorite,” Penley laughed, holding a Daily News front cover photograph he took after he discovered locals were growing marijuana plants in Tompkins Square Park.

“It was obvious. I mean, I know what pot plants look like,” Penley said. After Penley called the Daily News, a reporter from the paper went to the scene and brought a leaf of the plant to a professor at NYU who confirmed it was, in fact, marijuana.

Penley started taking photographs as a journalist in Nicaragua in 1983 when he covered the Contra War and continued to document life in the Village until about six years ago.

“I quit. I got completely burnt out. You know, it’s a very hard way to make a living. I was arrested multiple times,” he said. “I got tired of looking at stuff like fires and car wrecks.”

The activist will move away from the Village to live in Pennsylvania next month where he plans to deejay at his friend’s bar and ice fish in his spare time.

“To be honest with you, I’m really sick of the [Village]. The people who would generate creative things there have been forced to leave the neighborhood,” he said.

Hordes of NYU students only add to Penley’s annoyances with the comparatively bland flavor of the area has taken on in recent years.

“I think it was irresponsible to dump that many students on the Lower East Side without educating them about how to behave in our neighborhood,” he said.

Meanwhile, who will step up to become, as the Post famously described Penley last July 31, "New York City's cuddliest anarchist"? No one, of course!

Previous John Penley coverage on EV Grieve here.

[Photo for WSN by Arielle Milkman]

Sure, the Hotel Carter may be the dirtiest hotel in America, but it sure is photogenic!

Been meaning to pay a visit to the Hotel Carter on West 43rd Street in Times Square. Yesterday, Gothamist had the roundup on the Carter being named the filthiest hotel in America by the voters at TripAdvisor. Woo-hoo! You're No. 1! So what seems to be the problem(s)? Ah, the usual. Rats. Mold. Dust. Dangerous electrical outlets. Dead bodies. That kind of thing!

So why do I want to pay the Carter a visit? The photo opportunities! Just look at some of the shots I found by typing in "Hotel Carter" on Flickr...(And check out Ken Mac's post on the Carter at Greenwich Village Daily Photo.)


(Photo by fantaz)


(Photo by Bob Jagendorf)


(Photo by 24gotham)


(Photo by Strange Red)


(Photo by Jeffrey Docherty)

Anyway, how bad could it be?



Previously on EV Grieve:
Checking out the Vigilant Hotel: "Perfect for the bored with responsibilities of maintaining a traceable address"

Elk in the City

At the Hotel Edison: An appreciation

New York's disappearing storefronts

A friend recently turned me on to the work of James and Karla Murray, photographers who split time between NYC and Miami. Last month, they released their latest book, "Store Front -- The Disappearing Face of New York." According to their site: "'Store Front' provides an irreplaceable window to the rich cultural experience of New York City as seen through its neighborhood shops. These stores have the city’s history etched in their facades. They tirelessly serve their community, sustaining a neighborhood’s diverse nature and ethnic background, in a city with an unmercifully fast pace and seemingly insatiable need for change.

Through March 29, you can see their work at the Brooklyn Historical Society's exhibition, "The Disappearing Face of Brooklyn’s Storefronts." (Via Gowanus Lounge)

Meanwhile, here's a video they did on Emily's Pork Store in Williamsburg.



Since seeing their "Store Front" work, I've started paying even more attention to the great old shops that remain in the neighborhood...and elsewhere in the city...

Appreciating the photography of Laura Levine

Rockcritics.com has a three-part Q-and-A with Laura Levine, the renowned photographer whose work has appeared in The Village Voice, Trouser Press, Musician, Rolling Stone and New York Rocker.

As Rockcritics.com notes: "Levine’s photography resumé reads like a Who’s Who of those loopy years following punk and disco: from early snaps of Prince and Madonna (pre-world domination) to photogenic weirdos like Captain Beefheart, August Darnell (a.k.a. Kid Creole), and Bow Wow Wow’s Annabella Lwin to No Wave shit disturbers D.N.A. and Glenn Branca to new romantic mop-fops Yazoo to rap icons Run-D.M.C. and Afrika Bambaata to hardcore visionaries Black Flag and X to… well, you get the picure." Indeed.

Save the date/reminder

Photographer/filmmaker Nathan Kensinger -- an EV Grieve favorite -- has a new show opening tomorrow night at 7 at Union Docs called "Abandoned Brookyn."

Looking at the photography of Nathan Kensinger

I first got turned on to the adventurous photography of Nathan Kensinger over at Curbed. From exploring the nooks and crannies of the Brooklyn Army Terminal to an abandoned train tunnel that runs underneath East New York, Kensinger has a knack for finding the most provocative and haunting images of the area's (remaining) industrial wastelands.

Most recently, he went underneath Shoot the Freak at Coney Island. As he wrote:

The freak's frontyard conceals an entrance to the strange world under the boardwalk, with long forgotten hamburger signs, picnic tables and strange lairs. Hidden in the freak's backyard is a concrete porch looking out on a vast empty plain that was once Coney Island's Go-Kart track, batting cage and mini-golf course. Beyond this empty lot lies the Wonder Wheel, which is now surrounded by the demolition of Astroland. The home of the freak, like the gritty spirit of modern Coney Island, may be gone by next summer, replaced by the promise of luxury condominiums.

My (arguably) favorite of his essays: The Victim Services center of Bayley-Seton Hospital on Staten Island. Check it out for yourself here.

The Times did a short profile of him here.

Here's his Flickr page.

Looking at Life (via Google)

Morning time sucker: Search millions of photographs from the Life magazine archives, from the 1750s to today, thanks to Google.

Here are a few shots that I liked from the neighborhood:



"Members of the 10th Street artists group, a loose group of abstract expressionist artists, dancing during a party at artist Milton Resnick's studio." From 1956.



"Peter Stuyvesant Village Housing Project." From 1949.



"A group of artists bringing work into the show at the Tanager Gallery on 10th Street." (Which was 90 E. 10th St.) From 1956.



"Overshot of East 10th Street." From 1956. (Anyone recognize the block...?)

More photo fun: Catching up with Then/Now

As you may know, Times photograher David W. Dunlap has been revisiting some of the sites he shot for 1978's "The City Observed: New York," a guidebook to Manhattan by Paul Goldberger, who was then the architecture critic for the Times. (He's now at The New Yorker.)

The series started on Sept. 11, and has been running every Thursday. Dunlap explains his assignment:

Because I can still remember what the weather was like on the days I took these pictures, what the city sounded and smelled like, I was startled to look through my contact sheets recently and realize how much Manhattan had changed. New York did not just crawl out of its near-collapse in the mid-70s, it had boomed almost without interruption. Towers were inserted. Landmarks were deleted. And even in cityscapes that looked unchanged, I knew that far wealthier occupants -- residential and commercial -- could now be found behind familiar old facades.
My editors and I thought that pairing photos from then and now would be a graphic way to examine the phenomenon of urban churn that so defines this city. The series will visit a dozen or so neighborhoods, uptown and downtown, before the end of 2008. Each diptych tells its own tale, but the overall story is clear: It doesn't take much longer than a generation for New York to regenerate itself completely.

You can see the whole series here.

Looking at the South Bronx 1982-1984

The Museum of the City of New York has a new exhibition of interest.

Broken Glass: Photographs of the South Bronx by Ray Mortenson
Nov. 14 through March 9

Made between 1982 and 1984, the photographs in Broken Glass: Photographs of the South Bronx by Ray Mortenson focus on the burned out, abandoned, and razed structures of entire city blocks in the South Bronx, documenting the aftermath of a widespread urban economic crisis that plagued the United States in the 1970s.

The Lung Block and other shots of NYC circa 1933

Jason Kottke had a post yesterday with many photos of New York from the 1930s. The top shot is from 1933...

Also from 1933..."The Lung Block, Lower East Side, got its name from many cases of respiratory diseases."

More of the photos are here.

Appreciating the work of James Jowers

Stupefaction has an excellent post on the work of photographer James Jowers. In the mid-1960s, Jowers lived on the Lower East Side and worked a night job at St. Luke's Hospital. This allowed him to roam the city streets during the day taking photos. Here is the Jowers Flickr page with some 50 photos, like the one above of Tompkins Square Park circa 1967.