
Donkey Ball Stubbornly Holds On Despite Criticism
[Photo: Jodi Hilton for The New York Times]
Attend the First-Ever Snuggie Pub Crawl in New York, NY
In response to the stunning public embrace of the warm and cuddly Snuggie, the SnuggiePubCrawl.com Team is partnering with PubCrawls.com, who just broke the Guinness book of World Records for the world’s largest pub crawl, to co-host the first-ever Snuggie Pub Crawl in New York. Even though it's just a blanket with sleeves, we're sure that you'll enjoy a spring evening spent drinking with friends and the Snuggie.
What: A pub crawl in New York, New York wearing Snuggies
You must be 21 or older to attend
When: Saturday, April 18th from 12:00pm to 8:00pm
Where:
1. The Village PourHouse - 64 Third Ave at 11th street
2. Side Bar -120 E 15th At Irving Pl
3. Kings Head -222 East 14th Street Btwn 2nd & 3rd Ave
4. Bar None - 98 Third Ave Btwn 12th & 13th
5. Belmont - 117th East 15th street Btwn Park Ave and Irving Pl
6. Still - 192 Third Ave at 17th - 3-5pm
7. Plug Uglies - 257 3rd Ave Btwn 20th St & 21st St
8. Van Diemens - 383 Third Avenue at 27th street
BYO-Snuggie Bring your own Snuggie:
Blankets with sleeves can be purchased at a number of retail stores.
Last month, artists Michael Di Liberto and Sunia Boneham moved into a two-story, three-bedroom house in Cleveland's Collinwood neighborhood, where about 220 homes out of 5,000 sit vacant and boarded up. They lined their walls with Ms. Boneham's large, neon-hued canvases, turned a spare bedroom into a graphic-design studio and made the attic a rehearsal space for their band, Arte Povera.
The couple used to live in New York, but they were drawn to Cleveland by cheap rent and the creative possibilities of a city in transition. "It seemed real alive and cool," said Mr. Di Liberto.
Their new house is one of nine previously foreclosed properties that a local community development corporation bought, some for as little as a few thousand dollars. The group aims to create a 10-block "artists village" in Collinwood, with residences for artists like Mr. Di Liberto, 31 years old, and Ms. Boneham, 34.
Artists have long been leaders of an urban vanguard that colonizes blighted areas. Now, the current housing crisis has created a new class of urban pioneer. Nationwide, home foreclosure proceedings increased 81% in 2008 from the previous year, rising to 2.3 million, according to California-based foreclosure listing firm RealtyTrac. Homes in hard-hit cities such as Detroit and Cleveland are selling for as little as $1.
Drawn by available spaces and cheap rents, artists are filling in some of the neighborhoods being emptied by foreclosures. City officials and community groups seeking ways to stop the rash of vacancies are offering them incentives to move in, from low rents and mortgages to creative control over renovation projects.
"Artists have become the occupiers of last resort," said Robert McNulty, president of Partners for Livable Communities, a Washington-based nonprofit organization. "The worse things get, the more creative you have to become."
Artists have flocked to, and improved, blighted areas for decades -- for example, New York's SoHo and Williamsburg, parts of Baltimore and Berlin, Germany. They often get displaced once gentrification begins. But now, since real estate has hit rock bottom in many places, artists with little equity and sometimes spotty credit history have a chance to become stakeholders, economists and urban planners say.
New York City in the late 1970s. Underground filmmakers collaborated with experimental musicians and vanguard performance artists, all on a shoestring budget, to create the most daring work of their generation. In stark contrast to the poverty and crime that seemed rampant in the economically struggling city, a community of aggressive, confrontational, vibrant artists flourished: hole-in-the-wall screening rooms abounded, manifestos circulated, and Jim Jarmusch, Nick Zedd, and Amos Poe debuted early works to an audience of their peers. These short-lived but profoundly influential movements dubbed themselves "No Wave Cinema" and "Cinema of Transgression."
Director Celine Danhier brings energy and style to her encyclopedic documentary on the figures and history of this rich but gritty era. Blank City includes compelling interviews with such luminaries as Jarmusch, Zedd, Poe, John Waters, Steve Buscemi, Lydia Lunch, Lizzie Borden, Eric Mitchell, Thurston Moore, Debbie Harry, Bette Gordon, Glenn O'Brien, John Lurie, and anyone who was anyone in the late-'70s East Village art scene. Ample film clips from seminal works bring to life a time and a place lost to gentrification and commercialization in the '80s, but that lives on in a still-thriving tradition of avant-garde art.
After CBGB’s closed, the space remained empty for a year before John Varvatos moved in with a men’s apparel shop in 2008. He preserved as much of the original club as possible, with walls covered in graffiti and flyers, and rock memorabilia all around. “Thank GOD for John it’s not a Duane Reade,” Stein says.
In Danhier’s view, the East Village today is, “Construction, construction, construction. It feels strange because a lot of the new constructions don’t seem to fit with the landscape. I do think it’s very tame now. That feeling of being on the edge of something is gone. But, then you find other parts of New York to go to — areas of Brooklyn or a new place in Manhattan will open up — and you’ll feel that energy once again. It just is always shifting around,” she says.
If regular-season Game 1 of this new building is any indication, the dimensions made it across the street from the old stadium, but not the passion. The Yankees wanted to build a museum, a palace, a mall-park. And what they may have ended up with is the House that Mute Built.
Incredibly, after all the anticipation and hoopla, the sellout crowd at this grand opening had about the same zeal as grandmothers playing mahjong. Why? The ticket prices mean a lot more corporate patronage in the seats close to the field, which means far fewer diehards near the action, screaming, taunting, making it uncomfortable for the opposition.