Speaking of flea markets...

There's one today at the East Side Community High School on East 11th Street between Avenue A and First Avenue ... 12:30-5 p.m.

Lawsuit claims a British empire at the World Class Learning Academy on East 2nd Street

An axed admissions director at the World Class Learning Academy — a U.K.-based independent school for kids from 3 to 11 — claims in a lawsuit that British employees are treated much better than their American counterparts, the Post reports today.

In the suit claiming national-origin, sex and age discrimination, Sarah Bottoms, who lives in Brooklyn, alleges that administrators at the school on East Second Street "gave British employees greater allowances for time off, raises, excusal from student supervisory duties and subsidized lunches."

The school, at the site of the former LaSalle Academy, is run by Brits John and Dawn Taylor.

Also, there's this claim:

"On more than one occasion, Ms. Taylor told Ms. Bottoms that men preferred Asian woman because" their sexual organs were smaller, the suit claims.

Bottoms says she went to HR — and was fired.

An attorney for the school, where tuition is upwards of $34,000 annually, said that they will conduct a thorough investigation of the allegations.

[Image via Facebook]

[Updated] Fire at Village View tonight

[Via an EVG reader]

We're still waiting for more information about the fire that broke out tonight around 7 in an apartment in Village View at East Fourth Street and First Avenue...

.@evgrieve RT @buzzfeednews Whoa! -- Fire in the East Village, New York vine.co/v/bXplZmiW3Er

— matt L (@longoM) March 1, 2013

To be continued...

Updated:
Per a source: Fire in one room on 18th floor. Quickly extinguished. One firefighter slightly injured.

At John Penley's NYU protest

This afternoon, longtime activist John Penley started his campout to call on NYU to help house the homeless.

Bobby Williams stopped by to see what was happening...

Pirate treasure

Johnny Thunders and the Heartbreakers (or, just the Heartbreakers) with "Pirate Love" from 1985.

'Walter Robinson: Indulgences' opening tonight at Dorian Grey

From the EVG inbox...

Walter Robinson: Indulgences
Recent Paintings & Works on Paper Exhibition: March 1-31
Reception: tonight, 6-9

Dorian Grey Gallery is pleased to present "Walter Robinson: Indulgences," a solo exhibition of new paintings and works on paper.

Robinson's work visualizes the idea of indulgence, both in terms of contemporary consumer appetites and in reference to the religious practice by which sins can be forgiven. Using a straightforward illustrative style, he presents pop culture images of cheeseburgers, alcoholic beverages and other comestibles, as well as pin-ups (both female and male), pharmaceutical products, portraits of celebrities, and paperback images of romance and drama.

Walter Robinson was born in 1950 and has lived in New York City since 1968. He has a long career as an art critic and editor, co-founding "Art- Rite" magazine in the 1970s, serving as news editor for "Art in America" magazine in the 1980s and early '90s, and as founding editor of "Artnet Magazine" from 1996 to 2012.

Gallery info here. Dorian Grey is at 437. E. Ninth St. near Avenue A.

[Image via Dorian Grey]

Musical interludes: Steve Cannon plays piano at Tribes Gallery

Love the ending. Video by Jim Flynn. Learn more about Steve Cannon and A Gathering of the Tribes on East Third Street here.

Jennifer's Way Bakery now opens tomorrow

Had to push opening just one more day- sat at 12 !Just making things better for u all. Xoxo @jenniferswayje

— Jennifer'sWay Bakery (@JWayBakeryNYC) March 1, 2013

In case you were planning on waiting in line... Actress Jennifer Esposito's gluten-free, dairy-free, refined-sugar-free, soy-free, peanut-free, allergy-friendly, organic bakery is at 263 E. 10th St., between Avenue A and First Avenue.

Previously on EV Grieve:
Actress Jennifer Esposito's Jennifer's Way Bakery opening soon on East 10th Street (46 comments)

John Holmstrom on the CBGB movie and the East Village of 2013

In part 1 of our interview with John Holmstrom yesterday, the Punk Magazine founding editor talked about launching the publication with Ged Dunn Jr. and Eddie "Legs" McNeil that chronicled the burgeoning NYC punk scene and seeing the Ramones for the first time at CBGB in 1975.

Today, Holmstrom, who has lived in the East Village since the mid-1970s, discusses putting the recently released "Best of Punk Magazine" compilation together as well as his feelings about the neighborhood today.

Why did you think the time was right for "The Best of Punk Magazine" collection?

I didn't decide that the time was right — I had been trying to get this book done since the 1980s! I was able to get a small collection of Punk Magazine material together when I was the publisher at High Times, but we had no budget for promotion. So when it sold great in book stores regardless, I figured that a full-fledged collection could do well.

I shopped the proposal around in 2008, after trying to work with Legs on a similar project, which he seemed disinclined to make happen. He was too busy with other projects so I moved on. Then the economic meltdown happened and we couldn't shop the book proposal for a while. Then once it was accepted, I missed a few production deadlines because the whole thing was just so much damn work. I still feel burnt out from it all!

However, as in 1976, I seem to have accidentally brought the book out at the right time. There seems to be a resurgence of interest in all this stuff right now. Which is great, since I did worry that it was being forgotten forever, once again.



Was there a particular issue or feature that you enjoyed revisiting? Maybe something that you hadn’t looked at for some time?

Although I have pretty much memorized all the Punk Magazine material so it's imprinted on my brain forever and ever, I always loved "Mutant Monster Beach Party" the best — even though it sold poorly and became our death knell in a way.

In fact, the main reason I wanted to publish the book was to make this available to the public: MMBP but everything else as well. A lot of people kept bugging me to either reprint back issues or somehow make the material available: not everyone enjoys biding on eBay, I guess.

The most gratifying thing about getting this book out is that I have found out that a lot of people agree with me! They think that MMBP was our high point. At the time, no one made a big deal about it.



I understand that you did some consulting on the CBGB biopic. Depending on if you’ve seen any rough cuts or the final print — what are your thoughts on what you’ve seen?

Please help me quash this rumor: I did no consulting whatsoever on this film. I did meet with the filmmakers early on and showed them Punk Magazine, I might have loaned them a few issues. But they never really consulted with me about anything.

They did send me a film script and asked me for my thoughts but they pretty much ignored all of my suggestions — by that time it was much too late for them to make any significant script changes since they were filming in just a few weeks! It turns out that they had their own plans for me — they wanted to be able to use Punk in the movie, and I enjoyed their script so much I gave them permission to use the magazine however they wanted to. Then it turned out that they wanted to use Mary Harron, Legs and I as characters in the film. They even flew me down to watch the filming of the scenes with my character!

I thought the three actors: Peter Vack (portrays Legs), Ahna O'Reilly (playing Mary), Josh Zuckerman (playing me!), did an amazing job. I wanted to interrupt them during every scene and tell them how everything happened back in the day, but I knew that would be the height of unprofessionalism so I resisted the temptation. And after a while I observed how they were playing it in their own way and figured this was the best way for it to happen.

I did see a rough cut — the filmmakers again flew me to see it a few months ago. Naturally there's no way for me to have an objective opinion but I thought it was great. I loved it. The test screening audience also liked it: After the movie, they asked the 20-person focus group if they liked the film, and every single one of them raised their hand.

Of course, there was some nit-picking afterwards, and I think all nit-pickers will have a field day dissecting any and all mistakes that were made. But what no one can argue with is that the film is a funny and nice tribute to CBGB and the whole punk rock scene. Everyone wishes it could have been longer so it could include more people, but all you have is 90 minutes. So at the end, this is the story of CBGB, how Hilly started the club and how it sort-of accidentally became the home of punk rock.

The weird thing is that... back in the 1970s? It was not the "Home of Punk Rock." All those bands, except for maybe the Dead Boys, avoided that label like it was Poison or any other 1980s hair metal band's name.


[John Holmstrom, left, and friends]

What are your feelings about the East Village of 2013?

Like I have always felt about it: It's a nice place to live, but I wouldn't want to visit there.

I am lucky enough to have a cheap rent, thanks to rent-stabilization. On the other hand, if we didn't have it, I probably would have moved to Philadelphia or Detroit or someplace a long time ago. Even so, it's an expensive place to live.

The worst thing about this part of town is how NYU has displaced so many residents and businesses, and how so many laws, regulations etc. have been kicking the nightlife to the curb. All of Manhattan is becoming a huge, gated community.

I never felt all that unsafe living here, even when I was robbed a few times. So what's the difference when you get robbed a little bit every day by high prices for everything and having someone break into your apartment and steal something? Not much, really, except you can stop the break-ins but you can't stop the high prices. I always vote for the "Rent Is Too Damn High" guy, for instance.

But even he couldn't stop this. This is my main grievance with all politicians: They always take the credit or get the blame for social forces beyond their control. This economic problem happening all over the country — except for places like Detroit or Philadelphia where no one wants to live. But the 1970s were so wonderful because the publishing industry was still thriving, there was still a strong middle class, and even though the country was in a recession and New York was going bankrupt, we were still in much better shape than we are now. Sad, isn't it?

Then again, that's what New York's East Village was when I moved here. No one in their right mind wanted to live here.

Do you think NYC will ever see the spirit of that era again?

Nope.

First of all, the cell phone and social media have made everyone narcissistic; doctors are making people crazy with anti-depressants (which block creativity, so all the rebellious teenagers like me are now placed on meds!), and well, I could go on and on and on.

The worst thing to me is that I believe climate change is real, and I don't think the world is doing enough to stop it. Especially after Hurricane Sandy, I am afraid that by the end of this century, my beloved Manhattan Island will be submerged under many feet of water.

Hey — it's not like this is the first time civilizations have been submerged. Like Donavan sang: "Hail, Atlantis!"


------

Find John Holmstrom's blog here.

Find the Punk Magazine site here.

Previously on EV Grieve:
Revisiting Punk Art

Q-and-A with John Holmstrom, founding editor of Punk Magazine

Hello March

Avenue A this morning.

John Penley-led protest will call on NYU to help house the city's homeless

Longtime activist John Penley is staging a campout at NYU starting this afternoon at 4 to call on NYU to help house the homeless.

"There have been almost no street protests about housing in so long someone has to do it," he wrote on Facebook.

He will be stationed at Washington Square South, and hopes to sleep on the Judson Church steps at night. During the day, Penley said that plans to be in front of Bobst Library where he'll try to educate students about the issues of housing and homelessness.

Per the Facebook invite:

"I plan to ask NYU students to get involved in Housing for homeless and low-income people. I also plan to ask the University, which has built for-profit dorms all over the place, to build one building for poor and low-income people who are displaced by the gentrification NYU heavily contributed to."

A group of speakers, including Penny Arcade, Randy Credico, Joan Moossy and Frank Morales, are among those who are expected to join Penley this afternoon at NYU.

In 2009, Penley, a Navy veteran who is currently homeless, donated his extensive photo collection to the NYU Tamiment Library. (Find the photos here.) Penley said that he plans to take activists inside Bobst to show them the Tamiment Library.

Per an article in The Villager last week:

He hopes to maintain the campout for a month, but recently aggravated a back injury when his car was rear-ended while he was driving in North Carolina, so doesn’t know if he’ll be able to last that long. Rumor has it he may also go on a hunger strike.

"It's not going to look good if NYU arrests me," he told The Villager, "because they have my photo archives in there."

[Photo of Penley via Facebook]

Turn your East Village apartment into an illegal hotel room in just minutes!

East Village resident Alan Roberts was shocked to receive this offer in the mail from FlipKey.

"I can't believe this company is basically encouraging me to break the law by renting out my apartment as a hotel room. Incredible."

On this topic, did you see the piece at Gothamist a few weeks ago about the city issuing a $30,000 fine to an East Village resident who rented out his room for a few days while on a trip?

Anyway, per Gothamist:

As it stands now, the current law prohibits New Yorkers from renting out single-family apartments, or rooms within them, for fewer than 30 days—unless the tenant or homeowner is living in the home at the same time.

And FlipKey does have a few East Village properties, like this one on East 13th Street...

Bishops and Barons looks closed on E. 14th Street

A tipster told us that Bishops and Barons had closed on East 14th Street near Second Avenue.

We haven't heard anything official. The number to the cocktail lounge is no longer in service. And the door was locked last night around 9:30 (and there was a Kool Bloo menu hanging from the door). There's nothing mentioned about a closure on their Facebook page or website, though the "reserve now" feature says that "the restaurant you requested could not be found."

According to a description on Yelp, Bishops & Barons is "a restaurant and cocktail lounge that celebrates the days of showgirls, movie star gangsters and supper clubs."

Upon opening in May, Grub Street noted that the cocktail lounge was outfitted with "zebra rugs, plush velvet upholstery, chandeliers, and tufted leather." Drinks included The Billionaire Cocktail, with Bakers bourbon, lemon, grenadine and absinthe bitters.

The space was previously home to the short-lived Hype Lounge.

Tepito hasn't been open lately on First Avenue

Tepito opened here on First Avenue near East 14th Street back in December 2011... however, we haven't seen it open recently. (A Yelp reviewer said that he/she tried to order online from the Mexican restaurant last week, and found it closed.)

The chef here is Adrian Ramirez, who previously worked at Le Cirque and Dos Caminos. No note on the door. No outgoing phone message. No mention of a closure of the restaurant's website.

We first reported back in April 2010 that the former David's Bagels would become a Mexican restaurant...

[April 2010]

By the way, anyone ever try Tepito? Seems like a tough location for a nice sit-down restaurant... And how long has that sidewalk shed been up here...?

[Winter Friday flashback] Rite Aid's sign gets more comical

On Fridays this winter, and probably spring and summer ... we'll post one of the 16,000-plus EVG, uh, posts from yesteryear, like this one from April 28, 2010 ...

-----


On 14th Street between Avenue A and Avenue B.

Noted

EVG reader R Dub spotted this note on Jimmy McMillan's "Rent is too Damn High" mobile on St. Mark's Place...





Noteslinging from one of the other mayoral candidates, perhaps?

A chance to catch 'Zipper: Coney Island's Last Wild Ride' tomorrow in the East Village

On the EVG Facebook page yesterday, I posted the link to NY1's piece on the new-look Coney Island coming this summer.

Per the article:

Grimaldi's Pizza expanded to Coney Island last year and soon it will have company on Surf Avenue. A Johnny Rockets and an Applebees are opening right next door.

"You'll have both coming on Surf Avenue and so you'll have a little bit of cool restaurant row over there," developer and CEO of Thor Equities Joe Sitt said.

Because nothing screams "cool" faster than a new Applebees!

Which brings me to the timely documentary "Zipper: Coney Island's Last Wild Ride," which examines the greed and politics that have helped gut the neighborhood. The film centers on Eddie Miranda, the Zipper's operator who, despite turning profits, was forced to shut down after 38 years of operation.

Director Amy Nicholson's film also includes an interview with developer Joe Sitt, whose rezoned-to-death vision is turning the neighborhood "into a chain store wasteland," as the Observer put it.

Per Indiewood: "Nicholson paints an intriguing portrait of one of New York City’s last cultural enclaves on the cusp of gentrification."

You can see the movie tomorrow during the First Time Fest 2013 at the AMC Loews Village 7 on Third Avenue and East 11th Street. It plays at 3 p.m.

I asked Nicholson about the movie, and how it's a topic that residents anywhere in the city can relate to.

"If you find yourself wondering why there's a bank on every corner of the city, and why when you stand in Union Square and look around you see nothing but national chains, see 'Zipper,'" she said. "The Coney Island rezoning is the perfect example of the carnage that comes with 'running the city like a business.' 'Zipper' explains in layman's terms the process that ultimately shapes where we live."

Here's the trailer.


Zipper Trailer from Amy Nicholson on Vimeo.

Find more about the movie here.

Q-and-A with John Holmstrom, founding editor of Punk Magazine

John Holmstrom was a 21-year-old SVA student during the summer of 1975 ... a time that saw him buy "The Dictators Go Girl Crazy!" (which he said "totally rewired" his mind) and experience the Ramones at CBGB.

"The Ramones and Dictators represented a sea change in rock 'n' roll, and I was burning to become a part of it before it took off and became part of the mainstream," he writes in the prologue of the recently released "Best of Punk Magazine."

Soon after, Holmstrom did become part of the scene when he, Ged Dunn Jr. and Eddie "Legs" McNeil launched Punk Magazine in late 1975. For 17 issues, Holmstrom and an array of photographers, writers, illustrators and the musicians themselves chronicled the punk scene... featuring colorful (and, often, off-color) interviews with everyone, really — Lou Reed, Iggy Pop, Patti Smith and Richard Hell, who starred in "The Legend of Nick Detroit" for issue No. 6's cover. The magazine ceased publication in 1979. (There were various special issues in subsequent years.)

Holmstrom continued his career as a writer, editor and cartoonist, spending time at High Times and Screwed, among others. He still lives in the East Village today. The "Best of" compilation (co-edited with Bridget Hurd) puts all the issues together with plentiful behind-the-scenes details. It was released in December. I waited until Holmstrom's schedule eased up a bit to ask him some questions about the start of Punk and other various topics... (Part 1 or 2.)


[Holmstrom from December at the New Museum, via Facebook]

You had a lot of balls to launch a publication at the time called Punk. Not really a question. What were you thinking?

"Punk rock" was a well-known term to readers of CREEM magazine, so when I asked Legs and Ged what they would call a magazine about comix, fashion, news, and punk rock and Legs suggested, "Why not just call it Punk"?

I liked the four-letter word as a magazine title! However, as it turns out — we weren't even the first Punk magazine. Billy Altman called his college newspaper in Buffalo the same name. But I saw all the graphic elements in my mind as soon as we chose that name: 1950s juvenile delinquent comic books, EC Horror comic books, Marvel comics, Will Eisner's The Spirit, film noir, stark use of black and white, etc. So liked the name — at first. Sometimes I think it caused so many
headaches I would have been better off calling it "Teenage News" or "Electronic Comic."


[Holmstrom's first editor's note, via 98Bowery.com]

Are people surprised to hear that this was a serious business endeavor?

No one has asked me about that yet. But, like I said in the book, Ged, Eddie and I were all very serious about being successful and "Creating The 1970s" and all that. I think my connection to a real lawyer helped us incorporate as a business, and my connection to a professional printer got our product looking like a real magazine instead of a fanzine. When Thom Holaday came on board he got us into writing a business plan and all.

Anyhow, my point is that we were not a bunch of goofy kids putting out a 'zine for free drinks, as has been portrayed.


[Holmstrom during the Punk days. Photo by by Marcia Resnick via Facebook]

How did you view yourself at the time during Punk's run? An insider? Outsider? Just someone who loved music?

I was a total outsider who unfortunately was forced into becoming an insider very quickly and without any preparation nor guidance. I didn't know anyone from "the scene" and then as soon as the magazine came out I had to deal with everyone from everywhere. And usually as adversaries!

How do you choose 10th Avenue at West 30th Street to be your first office? Seemed a little — far-removed.

It was all we could afford, and the only place I could find. The usual asking price for an office, $300 a month back then, was a lot of money! And we needed a lot of space.

A worst-case scenario for that office would have meant that we would have to kick in $65 per person to keep the lease. If we brought in another person, it could be just $50!

Also, my roommate in Brooklyn was on my ass! He was all like: "Hello! Earth to John! You have to move in a few days! Nice knowing you but get the fuck out of here, dude!"

Yes, it took us a long time to get to CBGB but on the other hand we weren't far from the Port Authority Bus Terminal nor Penn Station — and all the subways by those places.

Was was your reaction to seeing the Ramones for the first time, Aug. 24, 1975?

I wasn't all that shocked by the noise and thunder and fast pace of the music, to be honest. Unlike Ged and Legs, I had seen a lot, and I mean a lot, of heavy rock 'n' roll bands before then. Just to name a few of the more loud and fast rock 'n' roll bands: The Who, Jimi Hendrix, Alice Cooper, The New York Dolls, The Magic Tramps, Lou Reed (Rock 'N' Roll Animal tour), Blue Öyster Cult, etc.

In fact, BÖC was probably the heaviest band I had seen before the Ramones. Their appearance on July 16, 1973 at the Schaefer Music Festival was one of the craziest shows I ever saw. The audience became so crazed that by the end of the show the first rows of metal chairs had become a twisted mass of scrap metal — their time on this Earth as useful objects had come to an end.

I remember that the drummer threw a bunch of drumsticks out to the crowd and I fought several people to grab it, but then it ended up being a showdown with one twisted heavy metal fan who snarled at me: "IF YOU DON'T LET GO OF THIS I AM GOING TO KILL YOU!!!" and everything about him convinced me that he was telling the truth. So I let go. I never saw a band drive the audience into a frenzy like that before or since.

I went to see every band I could, so I ended up sitting through a lot of bands I didn't like: The Eagles, Black Oak Arkansas, Rush, The Allman Brothers, Grand Funk Railroad, etc.

So by the time I saw the Ramones I was so sick of long guitar solos and drum solos and endless encores and the band playing to the audience and bands that spent a lot of time tuning up on stage. These were all the things that the Ramones studiously avoided, so I loved it. Best of all, they dressed like me: blue jeans, sneakers, t-shirts — I just couldn't afford a leather jacket like they wore. I had also lived across the street from the Hell's Angels for a short time and certainly didn't want to compete with them on any level. And I knew that CBGB was their hangout in 1975.

The whole experience of seeing them at CBGBs was, to me, what it must have been like to see The Beatles at The Cavern Club or The Rolling Stones at the Crawdaddy Club. I felt like I was seeing "The Future of Rock 'N' Roll."

Tomorrow: Thoughts on the East Village of 2013 and CBGB the Movie.


[Richard Hell as "Nick Detroit" via "The Best of Punk Magazine"]

------

Find John Holmstrom's blog here.

Find the Punk Magazine site here.

Previously on EV Grieve:
Revisiting Punk Art

The Jefferson is moving on up

EVG Facebook friend Nick Solares shared the above photo from yesterday showing how quickly the newly christened development called The Jefferson is rising at the former Mystery Lot off East 14th Street and Third Avenue ... (Find more of his photos here.)

Meanwhile, Nick shared these two photos from the former enclave of 18th and 19th century charm Mystery Lot...





Previously.

Bowery Poetry announces itself to the Bowery; opening March 8

The former Bowery Poetry Club is set to reopen on March 8. As DNAinfo's Serena Solomon reported last month, the space will be known as Bowery Poetry at 308 Bowery. Tribeca burlesque club Duane Park is merging with Bowery Poetry... 308 Bowery will operate as a burlesque venue Tuesday through Saturday. Founder Bob Holman will operate Bowery Poetry Saturday afternoons, Sunday and Monday.

There was info on all this outside the space yesterday...





My photo of the 308 Bowery menu is stupidly blurry... but you can find it here at the Duane Park website.

Quick sample!

Pan-Roasted Organic Chicken 24.
honey creole mustard roasted brussel sprouts & yukon potatoes; chicken jus

Pan-Roasted Loin of Pork 24.
butternut squash spaetzle, baby turnips & apple-butter

Grilled Beef Tenderloin 28.
cippolini onion, mushroom and smokehouse bacon ragout; fork smashed yukon potatoes

Previously on EV Grieve:
Is Duane Park in the Bowery Poetry Club's future?

What is happening with the Bowery Poetry Club?

Bob Holman on the future of the Bowery Poetry Club

Clearing out the Bowery Poetry Club; plus, free knowledge!