
As we understand it, these were two groups of visitors — one from Boston, the other from Tokyo — who converged in Tompkins Square Park this afternoon ...
Photo by peter radley
“The project’s defining elements are its smaller-sized units and moderate price points, all without compromising on design or quality,” said Dan Hollander, managing principal of DHA Capital.Here's the updated rendering...
Graffiti, a “broken windows” indicator about the quality of life in any city, is starting a slow, ugly creep around the Big Apple — with new tags appearing nightly.
Graffiti arrests in the city rose 4 percent in the first eight months of the year, to 1,080, city statistics show. But despite law enforcement’s best effort, graffiti continues to leave its mark.
The NYPD arrested 3,598 people for graffiti and related crimes in 2013, up slightly from 2012 but down 13 percent from the 4,000-plus levels of 2009 and 2008, city statistics show.
The Sanitation Department is about a year behind on clean-ups. Since August 2013, the agency had closed 7,166 graffiti reports, but as of last Aug. 31, had another 7,739 still open.
And the service does not clean up the city’s own roadways, bridges or parks.
According to open data Web information, since 2003, 81,525 graffiti reports were made to 311 and the police responded to 1,161 of those.
The Museum of Reclaimed Urban Space (MoRUS) will present “Shadows: Wall Disease” by Ryan Legassicke Saturday and Sunday at La Plaza Cultural Community Garden on the southwest corner of Avenue C and East Ninth Street. A public opening reception will be held in the garden tomorrow from 4-7 p.m.
After this weekend, the installation will move a block away to MoRUS at 155 Avenue C and will be available for public viewing from Oct. 16-26. A second reception will be held in the museum on Thursday from 6-10 p.m. Both MoRUS and La Plaza were abandoned spaces later reclaimed by the community.
The exhibit consists of five sculptures — life-sized embodiments of sections of walls used to block public access in public spaces. The walls, from different places and times, come together to embody the idea of how barriers can be used in public space to restrict access and movement.