
[June 21]
Oh, over at the new Jupiter 21 residential building... a mini Jupiter hangs in in the lobby... serving as a ceiling lamp...

...which is probably better than, say, a mini Mars...
Did the film reflect any of your real feelings about New York?
I'm a New Yorker at origin but I grew up in the South. New York was a wonderland for me when I was very young in the middle '50s and visited it for the first time because it had so many movie theaters. I just wanted to go to the movies there because I was in love with the movies at the time and still am. It's huge, it's immense, it's just unlike any other place and it has a vibe to it, especially when you don't live there. A strange vibe.
And now?
Well, the thing about "Escape From New York" is that none of it came true. They cleaned up New York. It's Disneyland now. It has nothing to do with a prison, there's almost no more drugs or X-rated movies in Times Square. It's just completely changed. I miss the old days, I really do. I kind of miss the violence and the scum.
Nick Zedd’s commitment to DIY artists’ film distribution helped sustain the MWF Video Club project. He will present and speak about his film work with Michael Carter of MWF. The program will include: The Bogus Man (11 min); Thrust In Me (8 min); Police State (18 min); War Is Menstrual Envy (excerpt; 9 min); Why Do You Exist (11 min); Ecstasy In Entropy (15 min); and Tom Thumb (3 min).
Nick Zedd coined and spearheaded the Cinema of Transgression film movement, directing forty-four motion pictures since 1979 and editing The Underground Film Bulletin from 1984 to 1990. Nick Zedd currently resides in Mexico City where he paints, writes screenplays, shoots videos, and publishes Hatred of Capitalism magazine. He recently presented films and artworks at the Kunst-Werke Institute for Contemporary Art in Berlin, and received an Acker Award for Lifetime Achievement in the Avant-Garde.
Michael Carter is a poet, writer, performer, and cultural critic, living in New York City. From 1982–92, he was the editor and publisher of the quintessentially East Village literary and arts journal/zine redtape, and from 1988 to 2003 he was codirector of the MWF Video Club.
As it stands, this stretch of Second Street was grandfathered into a general residence district, and doesn’t allow for any performances with cover charges. There was reportedly contact with the DOB to settle this issue, but the Living Room hadn’t heard any news as of last night. And they didn’t have the luxury of laying over the application another month due to landlord/lease constraints, so a vote had to transpire.
CB 3 committee booked IS 131 auditorium to handle the big crowd for the #CitiBike gripe session. 25 people showed up. pic.twitter.com/feIYrhrAKU
— Stephen Miller (@miller_stephen) July 16, 2013
All of the speakers so far have been very supportive of bike-share. One wanted to ensure station moved for construction is put back after.
— Stephen Miller (@miller_stephen) July 16, 2013
Linda Martella said she, too “likes the idea” of the program– just not in front of her store. Martella, owner of Veniero’s Pastry on East 11th Street, said the street is already narrow, and the Citi Bikes across the street took over seven parking spaces and impedes the flow of traffic, especially when there are delivery trucks on the commercial street.
“We are especially concerned with the holiday time when [customers] come to pick up their orders,” Martella said. “We now have lost these parking spaces, making it difficult for the customers to carry these orders out.”
But sources said the cost for the Fumihiko Maki-designed space is roughly $90 a square foot, and is not sitting well with some of the school insiders, who have been mortified by financial scandals that rocked the school over the last year and feel the high tab is not in keeping with its Catholic roots.