Monday, January 14, 2013

5 nights of Nick Zedd and the Cinema of Transgression


From the EVG inbox...

NICK ZEDD & THE CINEMA OF TRANSGRESSION
January 15-19
9pm-late all nights

Glasshouse 246 Union Avenue, Brooklyn, NY 11211(G to Broadway, M to Lorimer, or L/G to Metropolitan-Lorimer)

Entrance is free (suggested donation of $10 at the bar)

Leading figure in the avant-garde cinema and NYC underground scene of the 1980’s and 1990’s; Iconic filmmaker, writer, and painter, Nick Zedd returns to New York City for a festival dedicated to his work, providing New Yorkers with the rare opportunity to meet and experience this body of work.

In addition to coining the term “Cinema of Transgression” and critically framing the work of his contemporaries (as creator of Underground Film Bulletin from 1984–90 and writer of the Cinema of Transgression manifesto), Zedd is known for his low-budget films, paintings, and mid-2000’s public television series with Reverend Jen, Electric Elf.

For this event Zedd curated a special program with screenings of most of his works since the 80’s and hosting works of some of his peers in the Cinema of Transgression movement including films by Nicholas Abrahams, Tessa Hughes-Freeland & Holly Adams, Angelique Bosio, Richard Kern, Richard Klemann, Casandra Stark and documentary films by Mary Jordan and Andreas Troeger.

Here's a Nick Zedd Tumblr with more details of what's playing each night.

Zedd lived in the East Village for years... these days he's down in Mexico City with Monica Cassanova and their son Zerak. Here's an excerpt from Whitehot Magazine circa December 2011 on his decision to move:

I could have stayed in New York, but after awhile it became a self-imposed purgatory, going to court, fighting frivolous evictions and continually winning against a psychotic landlord, accepting the ugliness of gentrification and becoming more isolated as the city became a party to which I wasn’t invited. New people to collaborate with kept me there for decades; but they got fewer and farther between. Every scene disintegrated into petty backstabbing or was short-circuited by landlord harassment. A new crop of faux bohemians arrived as part of a sad, fucked-up Simulation. There were so many normal people around I became agoraphobic. They took over my building, paying exhorbitant rents, complaining about the sound of my feet.

Living in NY, your mind gets clouded by the struggle to survive with pointless tension; then you convince yourself you’ve accomplished something special by having one hour of peace a week that anywhere else would be a daily occurence. We put up with it for so long because we know that everywhere else in the country is even more boring. A false sense of self- righteousness infects New Yorkers after years of accepting miserable conditions, bad service and aesthetic ugliness in order to be part of a myth. The City is a good place for roaches and bedbugs but for humans it’s living death. What kind of a city would let the Mars Bar close?!

8 comments:

Anonymous said...

YEAH!!!!!

Anonymous said...

so... Zedd's not dead, baby. Zedd's not dead.

Pointed comments from Nick. Couldn't have described current NYC existence any better.

Anonymous said...

Well said..

Anonymous said...

"A new crop of faux bohemians arrived"


This is very well said (at least if it is self-aware, which it seems to be).

Sammy said...

While I appreciate his sentiments, I never thought much of his work. I think Richard Kern was the talented one in the Cinema of Transgression scene.

Goggla said...

His last paragraph - YES.

esquared™ said...

"becoming more isolated as the city became a party to which I wasn’t invited."

#gpoy

glamma said...

I discovered Nick Zedd when I was 18, and my whole world changed for the best.
You f*cking ROCK Nick : )
See ya in BK