
A few skateboarding scenes on this spring day (Feb. 20) ... photos by Derek Berg...


Two years ago, he founded the campaign #DoSomethingForNothing. His mission: to make a positive impact by giving haircuts to homeless people he meets on city streets, connecting with them on a human level and sharing their stories on social media. So far he has cut the hair of hundreds of homeless people, including a few women.
The lease has been up for two years — Carbone has been operating on a month-to-month lease since then — and in February the landlord "dialed it up" and told him that Jimmy's could stay but he would have to start looking for a partner to help with back rent and, in the meantime, he'd have to pay more to remain, according to Carbone. He says it's been a long road getting to this point.
Carbone says the financial difficulties started in 2010 when the city began issuing letter grades for bars and restaurants. Jimmy's was inspected five times in six months and Carbone says it took him three years to pay off the $15,000 in fines as a result of those inspections. In 2013, Jimmy's was shuttered twice by the Health Department, first because of rodent issues that stemmed from Hurricane Sandy; another time because Carbone couldn't afford to pay the fines.
Momofuku Noodle Bar, Westville East, La Luche, Stuyvesant Town/Peter Cooper, El Camion Cantina, Rite Aid, Bcup Cafe, BAR-BO-NE
He’s been a Broadway song-and-dance man, soap-opera regular, business executive, drinking buddy to Richard Burton (a job in itself!), voiceover artist, TV sidekick, movie villain, Shakespearean actor, and a few other things.
This Tuesday February 20, is our monthly #Community Council meeting. It will begin at 7PM here @ the Precinct. We look forward to seeing you! #EastVillage #NYC pic.twitter.com/kZMBnBVMAY
— NYPD 9th Precinct (@NYPD9Pct) February 17, 2018
Peter Hujar, the subject of a riveting retrospective @MorganLibrary, deserves to be better-known says @deborahsolo. Her review. https://t.co/nVcO4c1AOO
— WNYC 🎙 (@WNYC) February 16, 2018
A photographer who specialized in tender black-and-white portraits of his friends along with the less likely subjects of cows and other farm animals, he was one of the essential chroniclers of the East Village scene in the ‘70s and early ‘80s. Many of his photographs pay undisguised homage to taut male bodies, reflecting a time of when Stonewall had brought a sense of freedom and AIDS had not yet descended. You can say that he made beautiful, optically pristine photographs about a scene on the verge of vanishing.