Monday, April 21, 2008
Graffiti and groceries
According to today's New York Post:
Graffiti arrests and complaints are skyrocketing as so called "taggers" treat city walls as their personal canvases, new police statistics reveal.
The NYPD recorded and unprecedented 81.5 percent surge in graffiti-related complaints from 2006 to 2007.
Unrelated, but in the Post:
NYU officials and an East Village grocer are working to settle a bitter rent dispute that's threatening the existence of one of the last affordable food stores in the neighborhood.
Negotiations between NYU and the Met Foodmarket - which occupies the ground floor of a university-owned building at 107 Second Ave. - came to an abrupt end earlier this month when the store was offered a three-year lease at triple the current rent, said owner Michael Schumacher.
City Councilwoman Rosie Menendez is mediating the dispute and yesterday, at a meeting in her First Avenue office, the two sides edged toward an agreement, Schumacher said.
"We had a very constructive meeting. Based on our conversation, they seem to want to sustain local businesses. I'm hopeful," he said.
Alicia Hurley, the NYU vice president for government and community affairs, said, "We're hopeful, as well. It is certainly our intention to keep him in the space."
[Image -- Sara Krulwich/The New York Times]
Sunday, April 20, 2008
"One definitely gets the impression time stands still at Sophie's"
Bank the Nine has posted his "Sophie's photo roundup, part five," where you'll find many other black-and-white shots like this one of Johnny.
Updated: con·de·scend·ing [kon-duh-sen-ding]
From the highlights-of-the-week in the Pulse section of today's New York Post:
Yes, CBGB is now a high-end clothing store -- boohoo, it's unfair, etc., etc. -- but the spirit of Bowery rock lives on at the Morrison Hotel gallery, which now occupies the former CB's Gallery space connected to the legendary concert venue. Thursday, the gallery opens its new exhibit "Rockers," which features 280 pieces from iconic photographer Bob Gruen's collection including up-close-and-personal snapshots of John Lennon, David Bowie, Led Zeppelin and the punk bands who once rocked the room next door, including Sid Vicious. Opening night runs from 7 to 10 and entry is free.
Suggested rewrite:
The spirit of CBGB lives on at the Morrison Hotel gallery, which now occupies the former CB's Gallery space connected to the legendary concert venue.
Update: Check out the comments...Alex from NYC makes a good point on this item. Sid Vicious never played CBGB...
Saturday, April 19, 2008
Today is Record Store Day
Please support your local, independent record stores today. (More here.)
As the Times reports:
For a local music shopper with a memory of even just a few years, the East Village and the Lower East Side are quickly becoming a record-store graveyard. Across from Jammyland is the former home of Dance Tracks, a premier dance and electronic outlet, which closed late last year, as did Finyl Vinyl, on Sixth Street. Stooz on Seventh Street, Sonic Groove on Avenue B, Accidental on Avenue A, Wowsville on Second Avenue and Bate, an essential Latin store on Delancey Street — all gone, to say nothing of stores in other neighborhoods, like Midnight Records in Chelsea and NYCD on the Upper West Side.
“Rent is up, and sales are down,” Malcolm Allen of Jammyland said as he sold a few Jamaican-made 45s to a customer last weekend. “Not a good combination.”
Here's one to support.
EV Etc.: Page Six on the John Varvatos protest
With bold-faced names! That guy from the Garfield movies was there!
The revelers inside, who included Gina Gershon, Damien Fahey, Bobby Cannavale, Breckin Meyer and Jakob Dylan, ignored the demonstration, which continued for the duration of the party. The bash ended up raising $30,000 for Save the Music.
The whole piece is here.
Perhaps some credit Page Sixers for those who covered it...?
Labels:
John Varvatos,
New York Post,
Page Six,
phoning it on
Friday, April 18, 2008
EV Grieve goes to the movies (not often, though): "If people don't like it now, they will"
I'm not one to go around recommending movies. But! There's an excellent documentary opening tonight at the Anthology Film Archives. My Name is Albert Ayler explores the free jazz saxophonist’s too-short life and legacy. It plays through Tuesday night.
I had a chance to see the film during its premiere at the Anthology Film Archives last November. It's directed by Swedish filmmaker Kasper Collin, who spoke about Ayler after the November screening. This is the result of nearly seven years of work. He built the film around various audio recordings of Ayler’s voice from interviews. Collin also found archival footage from Stockholm and New York featuring some scorching live performances. All this is rounded out by talking head interviews with friends, family and musicians who knew Ayler. Their stories are just a small part of the film, which humanizes the enigmatic musician who died in 1975. He was 34.
Oh, and that headline? Ever confident, Ayler always had this to say about his rather jarring brand of jazz, “If people don’t like it now, they will.”
Here's a little background on Ayler:
Last night: "I am on the side of New York City fucking rock 'n' roll!"
Jeremiah's Vanishing New York has the first recap of the John Varvatos protest last night.
A few highlights:
Rebecca, Billy, and their posse chanted "Down with $800 pants!" Not everyone agreed. Heated exchanges ensued. Arturo Vega, Ramones artistic director and designer of their logo, got into the fray. He had just been telling the documentarian, "It's natural. Everything dies and transforms. The excitement is still here. The tourists will come. In there, you're closer than ever to rock 'n' roll."
And!
Aside from Randy Jones, the cowboy member of the Village People, Jett was my most exciting celebrity sighting--and the 12-year-old in me who once roller-skated like crazy to her anthem "I Love Rock 'n' Roll" was almost, for a moment, taken in by the fairy tale being spun by Varvatos, a fairy tale that so many of the older New Yorkers on the scene wanted desperately to believe.
Cubed picks up Jeremiah's post. They take away their five favorite moments:
5) The sign that read "40-40-$40,000 dollars a mo-onth. We're gonna be evicted!"
4) Protester Reverend Billy: "Punk was an egalitarian movement, it was about low prices."
3) Ramones posse member Arturo Vega told a documentarian, "The excitement is still here. The tourists will come. In there, you're closer than ever to rock 'n' roll," and then got into a shouting match with the protesters.
2) A member of The Misfits yelled "I am on the side of New York City fucking rock 'n' roll!" and then spat on a sign.
1) The photo [below]
I'll post more highlights as they roll in...
Meanwhile, unrelated! Speaking of fairy tales...(Even though it's not Christmas...)
A few highlights:
Rebecca, Billy, and their posse chanted "Down with $800 pants!" Not everyone agreed. Heated exchanges ensued. Arturo Vega, Ramones artistic director and designer of their logo, got into the fray. He had just been telling the documentarian, "It's natural. Everything dies and transforms. The excitement is still here. The tourists will come. In there, you're closer than ever to rock 'n' roll."
And!
Aside from Randy Jones, the cowboy member of the Village People, Jett was my most exciting celebrity sighting--and the 12-year-old in me who once roller-skated like crazy to her anthem "I Love Rock 'n' Roll" was almost, for a moment, taken in by the fairy tale being spun by Varvatos, a fairy tale that so many of the older New Yorkers on the scene wanted desperately to believe.
Cubed picks up Jeremiah's post. They take away their five favorite moments:
5) The sign that read "40-40-$40,000 dollars a mo-onth. We're gonna be evicted!"
4) Protester Reverend Billy: "Punk was an egalitarian movement, it was about low prices."
3) Ramones posse member Arturo Vega told a documentarian, "The excitement is still here. The tourists will come. In there, you're closer than ever to rock 'n' roll," and then got into a shouting match with the protesters.
2) A member of The Misfits yelled "I am on the side of New York City fucking rock 'n' roll!" and then spat on a sign.
1) The photo [below]
I'll post more highlights as they roll in...
Meanwhile, unrelated! Speaking of fairy tales...(Even though it's not Christmas...)
Thursday, April 17, 2008
"I did warn him about the ghosts of the dead rockers and junkies that haunt CB’s and the Bowery"
Scoopy's Notebook in The Villager this week includes the following item:
Billy Leroy of Billy’s Antiques & Props said a man identifying himself as John Varvatos came into his E. Houston St. tent last week and purchased a $150 lamp for his new boutique at the former CBGB space on the Bowery. Saying he knows what “the street” thinks of the Varvatos shop, Leroy said he checked it out and was pretty impressed. “I am glad it is not a bank or a Starbucks and I think John did a tasteful decorating job,” Leroy said. “However, I did warn him about the ghosts of the dead rockers and junkies that haunt CB’s and the Bowery, and offered him an exorcism kit when he was buying a cool lamp.”
Meanwhile, the Varvatos shop has its official opening tonight. There will be protestors. Get the details here. (Via Jeremiah)
Meanwhile 2:
Scoopy also reports that the Manhattan borough Parks Department commissioner has signed off on a permit allowing concerts to commemorate the 20th anniversary of the Tompkins Square riots to occur Aug. 2 and Aug. 3.
[Image via Lionel Rogosin's On the Bowery, 1956]
"I'd like to see a city in which everybody can have a niche and survive"
That's Jeremiah Moss, the proprietor behind Jeremiah's Vanishing New York, an influential, must-read site for anyone who cares what's happening to this city. He and Lost City's Brooks of Sheffield are featured in The Villager this week in Patrick Hedlund's "Mixed Use" column. Hedlund is a good guy who wrote the nice feature on Sophie's/Mona's in January. I'm happy that he's giving these sites some press.
Anyway, read the piece here. And visit these sites.
Any more friendly and I would have thought that I was at the DMV
So I had a stack of coins that I needed to cash in. Will usually lug them over to the Coinstar machine at the Food Emporium. Easy enough.
Meanwhile, I always walk by the newish Commerce Bank branch on 10th Street and Third Avenue. Made something of a vow to never go into any of the 37 bank branches that have opened in this three-block radius. Still. The bag was heavy. Up ahead in the distance, I saw a shimmering light...Anyway, Commerce doesn't charge a fee for the coin machine. Plus, I figured I'd save a few blocks of needless exercise. And I was curious about the spiffy new branch. I was immediately greeted by a Commerce hostess/representative. She took me over to the coin machine. She asked me if I had ever used one before. I said yes. So she showed me how to use the machine anyway, and explained that there was some contest in which I could try to guess the total amount of coins. She went about all this as if she was the prom queen forced by her mother to be nice to the kid with the thick glasses and asthma. (I don't wear glasses or have asthma. But you get the idea.)
After the coin counting had ended (I missed my guess by $25!), I stood in line with my coin receipt to hand to a teller. There were three tellers working. And no line. Each teller had his or her head down, intently working on something. I stood there for a few awkward minutes before I started coughing, clearing my throat, etc., to perhaps alert the tellers that someone was standing there. Finally a teller motioned me forward. The machine didn't take a Susan B. Anthony $1 coin. I asked the young man if they were still in circulation. (Perhaps this might be worth, say, $1.15 now!) He sighed and said yes. I asked him then if I could please trade it in for a bill. "As you wish," he said. At the end, I said "thank you." He did not.
Meanwhile, I always walk by the newish Commerce Bank branch on 10th Street and Third Avenue. Made something of a vow to never go into any of the 37 bank branches that have opened in this three-block radius. Still. The bag was heavy. Up ahead in the distance, I saw a shimmering light...Anyway, Commerce doesn't charge a fee for the coin machine. Plus, I figured I'd save a few blocks of needless exercise. And I was curious about the spiffy new branch. I was immediately greeted by a Commerce hostess/representative. She took me over to the coin machine. She asked me if I had ever used one before. I said yes. So she showed me how to use the machine anyway, and explained that there was some contest in which I could try to guess the total amount of coins. She went about all this as if she was the prom queen forced by her mother to be nice to the kid with the thick glasses and asthma. (I don't wear glasses or have asthma. But you get the idea.)
After the coin counting had ended (I missed my guess by $25!), I stood in line with my coin receipt to hand to a teller. There were three tellers working. And no line. Each teller had his or her head down, intently working on something. I stood there for a few awkward minutes before I started coughing, clearing my throat, etc., to perhaps alert the tellers that someone was standing there. Finally a teller motioned me forward. The machine didn't take a Susan B. Anthony $1 coin. I asked the young man if they were still in circulation. (Perhaps this might be worth, say, $1.15 now!) He sighed and said yes. I asked him then if I could please trade it in for a bill. "As you wish," he said. At the end, I said "thank you." He did not.
Unless it's a live-action American Apparel ad
I often see NYU students returning to the dorms after a night of what-not during my early-morning walks in the neighborhood on weekends. Kids these days! I was being a little creepy and snapped this picture a few Sundays ago. (Forgot about the photo until this morning.) I can say with some certainty that -- aside from some kind of scant undergarments -- these young women weren't wearing anything under their coats. Surprise! Surprise! Indeed.
Sunday, April 13, 2008
Watching this makes me feel even more hungover
Going on a little road trip. Have the rental. Not easy driving while holding a camera.
And Zeppelin was on the radio. I wouldn't be that much of a cliche.
And Zeppelin was on the radio. I wouldn't be that much of a cliche.
Spring has sprung on Avenue C
People waiting in line for an outdoor table at Zum Schneider yesterday afternoon. Meanwhile, activity continues at 111 Avenue C next door, home to the now-closed Bao 111. The Bao owners packed it in at the end of February and are reportedly moving to the West Village (emphasis mine) because the rents became too high on Avenue C.
Flashback!
On Oct. 16, 2005, The New York Times did a piece on how hip Avenue C had become. According to the article:
Raising the style quotient several notches is Bao 111, 111 Avenue C (between Seventh and Eighth Streets), (212) 254-7773, a slick Vietnamese restaurant that draws fashion model types.
(I saw James Iha, formerly of the Smashing Pumpkins, in there once!)
A prediction from the article:
"C will keep its edginess for five more years," predicted Melvina Goren, a partner at Porch, 115 Avenue C (Seventh and Eighth), (212) 982-4034, a candlelit bar known for its large backyard. "And then the scene will move on to Avenue D."
What do you think? We have two years left. Is C still "edgy?"
Saturday, April 12, 2008
He would have loved the 37 bank branches that popped up around the corner
So someone told me that Butch Cassidy (as in Butch and the Sundance Kid, Newman and Redford!) lived briefly in the East Village. That someone was right. As the story goes, Butch Cassidy lived in a boardinghouse run by Mrs. Catherine Taylor at 234 E. 12th St. between Second and Third Avenues. This was in 1901. Butch (joined later by the Sundance Kid and his squeeze, Etta Place) hung out here for awhile, spending money, among other things, on their way to Argentina. There's no more No. 234 on the block. That building was torn down to make way for a nursing school. The building now houses a doctor's office and some nice-looking apartments.
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