Brooklyn sold out. Come see us in Los Angeles!
— Jawbreaker (@JawbreakerBand) January 12, 2018
#MulchFest 2018 has been extended! You can drop off your🎄 for recycling at any of our 78 MulchFest locations through Sunday, January 14! Find a location near you at https://t.co/1vLwWlRGdw. pic.twitter.com/MBvamtZuTt
— NYC Parks (@NYCParks) January 8, 2018
The knifeman was wearing a black leather jacket and ran away after attacking the victim, an NYPD spokeswoman said. He has not been arrested.
Police said the injured man was transported to the hospital with injuries that were not believed to be life-threatening.
The two men had gotten into an argument inside a store that turned physical, police said, spilling out onto the street. At one point, one of the men took out a sharp object and slashed the 54-year-old victim. Police said both individuals are “known to the neighborhood,” though they don’t know the name of the suspect and haven’t arrested him.
The victim was taken to the hospital, where he was treated and released.
The suspect is described as Hispanic and about 6 ft. 2 inches tall and was wearing a long, leather coat.
The Commission’s verdict followed hours of public testimony, where most people spoke in opposition to the project describing it as “overwhelming,” “grotesque,” and “atrocious,” among other descriptors.
There were many who came out in support of the four-story rooftop addition too, most notably a number of art gallery owners, who praised the design and the aesthetic.
“This is a great homage to the existing building,” said Arnie Zimmerman, an art gallery owner.
“This impresses me in that the scale is exciting,” said Sally Wasserman, who lives in a building that neighbors the project.
Ted Mundorff, CEO of Landmark Theatres, took a pragmatic tone when reached by Deadline. “We’ve known it was coming,” he said. No special programming or commemoration is planned on the final weekend, he confirmed. “There’s nothing to celebrate.”
We'll be back live-tweeting #TheOscars on March 4 so be sure to mark your calendars, everyone!
— Sunshine Cinema (@sunshine_cinema) January 8, 2018
The rebranding process, as the new name indicates, involves an effort to make Performance Space more welcoming to a wider audience. In its grungier former life, which began in 1980 when a group of artists took over an abandoned schoolhouse on First Avenue, the space fostered a certain sense of community, but it didn’t quite scream “come in.”
"If our audience could be a representation of the city, that would be a huge success," she said, noting that downtown dance and theater audiences tend to be predominantly white. But the idea of separate audience-building initiatives doesn’t interest her. "I've been in these meetings about 'Oh, we need to diversify our audience,' and it’s always, 'Let's do a side program' or 'Let's do a community day.' But I don’t want a community day. I want the community to be the main program."
Ms. Schlenzka likened it to “the way that in psychoanalysis, you have to know your past to free yourself to conquer the future.”
Nostalgia, she added, is off limits: “We have this amazing past that in my opinion not enough people know about. But it can drag us down, and that’s a fine line to navigate.”
Combining that experience, Lim has created a menu of vegetables, meat, and seafood. Dishes in each category include sweet potato beignets with chilled white kimchi soup; spicy soft tofu flan with shrimp, squid, and manila clams in a seafood broth; and sliced pork belly with mini kimchi-radish rolls. Drinks focus on Korean spirits, wine, beer, and twists on classic French cocktails — rather than the traditional French 75 with Champagne, lemon juice, gin, and simple syrup, the French 108e has sake, Champagne, and lemon juice.
