
S. Wylie shares these photos ... as well as this story...
"Earlier this week an ingenious and noble New Yorker rescued this baby bird on East 13th Street..."


But yesterday, the baby flew the basket...

Why aren't there any city trash cans on 2nd Avenue this morning?
— evgrieve (@evgrieve) July 20, 2013
!!!!!!!!!RED CARPET RELEASE PARTY!!!!!!!!!
WAIT NO LONGER, THE HOTTEST PENTHOUSE 2BR + ROOFDECK IN THE EV JUST HIT THE MARKET!!!
The apartment is in the back of the building on an upper floor, so it's quiet and full of light, with a great cross breeze. It has a funkiness that you don't find in Manhattan much anymore — worn unvarnished wood floors that groan when you walk on them, cracks in the plaster walls, sagging original moldings. The place only improves with degradation, as long as you don't try to tart it up.
I'm not nostalgic. I don't feel like the apartment matters because it evokes the '70s or something. But it's nice that we've been together for so long and we're still compatible, even handsome, in a battered way.
Did the film reflect any of your real feelings about New York?
I'm a New Yorker at origin but I grew up in the South. New York was a wonderland for me when I was very young in the middle '50s and visited it for the first time because it had so many movie theaters. I just wanted to go to the movies there because I was in love with the movies at the time and still am. It's huge, it's immense, it's just unlike any other place and it has a vibe to it, especially when you don't live there. A strange vibe.
And now?
Well, the thing about "Escape From New York" is that none of it came true. They cleaned up New York. It's Disneyland now. It has nothing to do with a prison, there's almost no more drugs or X-rated movies in Times Square. It's just completely changed. I miss the old days, I really do. I kind of miss the violence and the scum.
Nick Zedd’s commitment to DIY artists’ film distribution helped sustain the MWF Video Club project. He will present and speak about his film work with Michael Carter of MWF. The program will include: The Bogus Man (11 min); Thrust In Me (8 min); Police State (18 min); War Is Menstrual Envy (excerpt; 9 min); Why Do You Exist (11 min); Ecstasy In Entropy (15 min); and Tom Thumb (3 min).
Nick Zedd coined and spearheaded the Cinema of Transgression film movement, directing forty-four motion pictures since 1979 and editing The Underground Film Bulletin from 1984 to 1990. Nick Zedd currently resides in Mexico City where he paints, writes screenplays, shoots videos, and publishes Hatred of Capitalism magazine. He recently presented films and artworks at the Kunst-Werke Institute for Contemporary Art in Berlin, and received an Acker Award for Lifetime Achievement in the Avant-Garde.
Michael Carter is a poet, writer, performer, and cultural critic, living in New York City. From 1982–92, he was the editor and publisher of the quintessentially East Village literary and arts journal/zine redtape, and from 1988 to 2003 he was codirector of the MWF Video Club.
As it stands, this stretch of Second Street was grandfathered into a general residence district, and doesn’t allow for any performances with cover charges. There was reportedly contact with the DOB to settle this issue, but the Living Room hadn’t heard any news as of last night. And they didn’t have the luxury of laying over the application another month due to landlord/lease constraints, so a vote had to transpire.