LatchKey Gallery offers a refreshing respite to this, an incredibly large and open space with a dedicated ethos toward advocating overlooked artists. In this week’s Gallery Watch, I am excited to provide insight into this nomadic contemporary art space that is challenging the status-quo on several different levels.
The powerhouses behind LatchKey Gallery are Natalie Kates and Amanda Uribe. I was lucky enough to meet Natalie at Silo6776 in New Hope at Scooter LaForge’s exhibition Beef Jerky late last year. I could tell Natalie was an enthusiastic and passionate art lover, but it wasn’t until I had come to learn about her Artist Residency Program that she spearheaded with her husband Fabrizio Ferri that I really got the gist of her dedication to emerging artists.
The show, curated by Tamecca Seril showcases the works of 12 Black female artists, referencing the significant event of the show’s title where Jesus and his apostles gather and consecrate around a banquet feast. The classic, white-washed representation is (and forever will be) a staple in art history, but that doesn’t mean it can’t be challenged. Last Supper at LatchKey Gallery builds a new table that lifts and honors voices that art history seems to leave out of its canon — those that belong to Black women.
Last Supper celebrates fellowship and organized radical thinking amongst the curated group of artists. The show positions their work within a contemporary context, in turn creating a discourse around what it means to be Black, female and creative while inevitably disrupting the art world’s tiresome and often gross institutionalized normality.
Last Supper showcases the works of Shervone Neckles, Ify Chiejina, Turiya Magadlela, LaToya Hobbs, Kimberly Becoat, Nkechi Ebubedike, Josie Love Roebuck, Jennifer Mack Watkins, Dana Robinson, Dominique Duroseau, Ariel Danielle and Ashante Kindle.
The pieces by Shervone Neckles are photographic and hanging from the ceiling, offering something I have never seen before in a gallery space. History, time and torture are suspended in her golden-framed objects and these works were definitely what excited me the most.
The divide from gallery to artist studio space was raw and generous for the average gallery-goer. Once stepping inside the residency quarters, I was enthralled by another young maker’s world. February’s artist in residence was the beautifully spoken and gifted Eric Manuel Santoscoy-Mckillip, who has filled the space with painted sculptures, freshly designed rugs and a working studio that I was delighted to receive an invitation to tour.
Born in El Paso, Texas, Eric plays with ideas of overlapping and blurring — subjects that seek to reflect the in-between space of the U.S. and Mexico border. His work is rich in color, crazy with texture and so bold and confident to the point of intimidating.
Last Supper will be showing at LatchKey’s Canal Street and Industry City locations until March 20. To book an appointment, please visit their website. A special thanks to Eric and Amanda for having me.