Fashion Week photos found in the EV Grieve in-box

Was nice of someone to send them to me. 

Sweetness

Hunter-Gatherer takes a look at "21" via one of my all-time favorites, Sweet Smell of Success.

As he notes:

This movie is a must see for film buffs (especially NYC ones) but what struck me, while reviewing the film for the first time in a decade, is the ever-so-timely portrayal of media corruption.

Christmas on Mars at KGB

Not much of a Flaming Lips fan these days*, but this looks interesting and unwatchable at the same time. From a press release!:

This fall, legendary cult-rock band The Flaming Lips, Warner Brothers Records, and film company Cinema Purgatorio will bring the long-awaited Christmas on Mars: A Fantastical Film Freakout Featuring the Flaming Lips to offbeat venues across the country.

Christmas on Mars will open theatrically in New York City on September 12, 2008, presented in a custom-designed cinema at the KGB Complex at 85 East Fourth Street, screening in high definition video and the custom designed Zeta Bootis Mega Supersonic Super-Sound Surround System, which the Lips created for the film. Christmas on Mars will screen at unusual showtimes, the first of which have been have been announced (and some have already sold out) on cinemapurgatorio.com. Showtimes will include 7am and 9am showtimes, so audience members can go to Mars before they get to work, as well as some traditional evening showtimes.

Christmas on Mars is the directorial debut of Wayne Coyne, lead singer and frontman for the Flaming Lips. Coyne co-directed with George Salisbury, an audiovisual technician who works with the band. Coyne constructed much of the set - representing Mars - in his Oklahoma City backyard.

The film does indeed take place during Christmastime on Mars, as the colonization of the Red Planet is underway. But when an oxygen generator and a gravity control pod malfunction, Major Syrtis (the Lips' Steven Drozd) and his team (including the Lips' bassist Michael Ivins) fear for the worst. Syrtis hallucinates about the birth of a baby, and many other strange things. Meanwhile, a compassionate alien superbeing (Coyne) arrives, inspiring and helping the isolated astronauts.

More details here.

*It was at this point when I stopped liking the Flaming Lips:



** OK, that was actually pretty cool. And that dialogue!

Report: Cops interrogate Leftover Crack manager; defend using Taser during arrest

Lincoln Anderson reports in The Villager:

Following the arrest of Scott Sturgeon, 32, lead singer of the punk-rock band Leftover Crack, and four of his fans in the East Village last Friday evening, three men identifying themselves as Police Department Internal Affairs Bureau officers paid a surprise visit to Bill Cashman, the band’s manager, Monday afternoon. The three officers easily entered the building, on Avenue C near 10th St., since its front door had reportedly been left open due to ongoing construction inside.

Later in the article we hear from Deputy Inspector Dennis De Quatro, Ninth Precinct commanding officer, who defended the use of a Taser on one of the people arrested at Tompkins Square Park last Friday night.

The man was tased through his shirt on his upper torso for three seconds with the Taser being used in “touch-stun mode.” The deputy inspector noted that a Taser’s other mode is to shoot two electrically charged darts, which are attached to wires on the Taser, up to 20 or 30 feet. These darts puncture the person’s skin and leave wounds that could get infected, he said. The “touch-stun” technique — in which the Taser is manually pressed against the individual — is safer, especially at close range, he noted.

More EV Grieve Donut Social coverage here.

New York has lovely skylines, stylish and diverse people, great art galleries, and we're really expensive and not too fucking friendly

According to Travel + Leisure's annual America's Favorite Cities list...New York received the most No. 1 ratings -- 11 in total! We're tops in classical music, theater, diversity, style, people-watching, skyline/views, art galleries, local boutiques and luxury boutiques. That's only nine. Whatever!

And NYC was dead last for "peace and quiet" and "relaxing retreat" and — shocker! — "affordability." And NYC was 24 out of 25 for "friendliness." That's fucking bullshit! Fuck you!

No rent for you -- but only if you're fun

"Fun" can be so subjective. Sign graffiti on Avenue A near St. Mark's.

Is Reveille is at 05:00? Or is that last call?

On Water Street near Wall Street.

Report: Demolition permit for St. Brigid’s is still in effect

Could the church still be torn down?

The Villager reports:

A demolition permit for St. Brigid’s Church on Avenue B was still in effect last week, despite the promise in May of this year of $20 million from an anonymous benefactor to restore the 1849 building and the East Village parish that the Catholic Archdioceses of New York dissolved in 2004.
But an archdiocese spokesperson said last week that architects were preparing plans and contractors were drawing up documents for building permits.
“We know the demolition permit has to be withdrawn and we decided to do it all at once,” said Joseph Zwilling. “There is no construction date and we’ll make an announcement when we have one.”
Nevertheless, Edwin Torres, president of the Committee to Save St. Brigid’s, the group that went to court in 2005 to prevent the church building’s demolition, said last week that the committee was troubled that the demolition permit was still on file at the Department of Buildings.

Yes, we should all be troubled.

In a pickle Sunday

After you've pickled your livers all weekend (sorry!), head to Orchard Street Sunday for the 8th Annual NYC International Pickle Day.

According to the NY Food Museum Web site:

Your favorite street festival lives on! This year we are expanding to two blocks, giving people lots of room, and heading toward event greater demonstrations, educational displays and community involvement. Bring your own costume, and prepare to pucker!

As always, Pickle Day will feature pickles from around the world, and around the corner. In addition to expanded selection of pickled fruits, vegetables, meats, cheeses, we want to hear from you, what you’re doing, and your relationship to the pickling industry. It’s your festival, after all… on Orchard St, between Broome and Grand, 11-4:30.

Oh, whatever you do, don't invite Mariah!



Photo: In front of Gus's Pickles in 1990 by Bruce Davidson/Magnum Photos

Dear marketing people: ENOUGH with the viral campaigns

Seen on First Avenue. TV Squad was game enough to call the attached number. For a CBS series called "The Ex List." Ugh.

Previously on EV Grieve:
A poorly timed marketing campaign(?)

Righteous Hams 2: Bad to the Bone

Meant to add this to my original post...

Oh, and the Post gave the film one star. Lou Lumenick, taking a break from being a dick to Roger Ebert, writes: Al Pacino and Robert De Niro collect bloated paychecks with intent to bore in "Righteous Kill," a slow-moving, ridiculous police thriller that would have been shipped straight to the remainder bin at Blockbuster if it starred anyone else.

And in the Times, Manohla Dargis writes: In “Righteous Kill” these two godheads of 1970s cinema go macho-a-macho with each other — furrowing brows, bellowing lines, looking alternately grimly serious and somewhat bemused — in a B-movie (more like C-minus) duet that probably sounded like a grand idea when their handlers whispered it in their ears.

Lo king at an o d M A ad

2nd Ave. Sagas takes us back to 1993 with this MTA PSA:



As Benjamin Kabak notes:

I remember seeing this one in the subways, and at the time it was very appropriate. As you can see above, the ad plays on the MTA’s notoriously unreliable public address system. Fifteen years, the MTA swore they were working to improve the PA system. Based on what I hear on the trains and in stations every day, I’m guessing that the PA overhaul is one project not quite there yet.

Anarchy in the UK and US

Stupefaction provides the details on the Howl!-related panel discussion at the Bowery Poetry Club titled "Unrest in the 70s -- US vs UK."

Featured panelists:

Richard Lloyd (Television)
Ari Up (Slits)
Cynthia Sley (Bush Tetras)
Judy Nylon (Snatch)
Walter Lure (Heartbreakers)
Arturo Vega (Ramones)
Steve Garvey (Buzzcocks)

Moderator: Mary Harron

An appreciation: The P & G Cafe

Found myself on the Upper West Side late yesterday afternoon. So I stopped by the beloved P & G Cafe — the family-owned saloon that has graced the corner of 73rd and Amsterdam since 1942. Perfection. The front door was open. A small group of regulars were joking around with each other. The Yankees game was on. (Well, the Yankees are hardly perfection these days...)

Nothing new to report on the bar's fate. Latest rumor is still a Baby Gap. There has been talk of relocation. I didn't ask any questions. Was just there to enjoy it while I can. Like-minded fellows have also paid their respects in the past, including Jeremiah and Lost City.

Headline of the day

I feel so much safer:

NYPD says fewer officers intentionally fired guns

Farewell to 257 Bowery

Curbed has the details:

English architect Lord Norman Foster must be tired of dealing with all the stuffy uptowners (lookin' at you, Tom Wolfe!) who get mixed up in the business of his grand architectural visions, because rumor has it he's heading downtown—to the Bowery, so conveniently left out of the East Village/Lower East Side rezoning. According to a Curbed tipster, Foster & Partners has designed the above nine-story gallery building for an established Chelsea art dealer at 257 Bowery, just north of the New Museum and across the street from FLAnk Architects' planned eco-friendly hotel.

Earlier:
Bowery Boogie has the goods on another gallery opening in the neighborhood.

Appreciating NYC's drinking past (and present)

I enjoyed Off the Presses author Robert Simonson's article in the Sun yesterday titled "Looking at New York's Liquid Past." Here's his look at Times Square:

Walk to Broadway and down two blocks south to the Crossroads of the World. Unsurprisingly, a lot of drinking history occurred at this intersection. On the southeast corner of Seventh Avenue and 42nd Street, you can still see the Mansard-roofed beauty that once was the Knickerbocker Hotel. The bar was so favored a watering hole of uptown swells in the first two decades of the 20th century that it was called the 42nd Street Country Club. (It was also the original home of Parrish's "Old King Cole" oil painting.) Its main importance in cocktail history, though, lies in the once-prevalent claim that its head bartender, Martini di Arma di Taggia, invented the martini in 1912. This is balderdash, since mentions of the drink had been appearing in print for decades prior to that. But give ol' di Taggia a quick salute, anyway.

Directly opposite Broadway was the Hotel Metropole, another popular way station for actors, politicians, and the like. Its house cocktail was the Metropolitan, which is basically a Manhattan, but with brandy standing in for the rye. It hasn't retained the fame the Manhattan has but is still a damned decent drink.

He also provides some nice details about current haunts such as the Algonquin and King Cole Bar.

Reflections on Avenue A

Near Ninth Street.

A sleek new bar at "21"

Change at the "21" Club! As the City Room reports this afternoon:

There are few entries in the annals of New York alcoholism to rival the bar at the “21” Club in Midtown Manhattan. The broad, mahogany bar stood since the 1940s in the center of the first floor. Drinks were had there by the likes of Humphrey Bogart and Ernest Hemingway.

With its celebrity patrons and speakeasy heritage, it was the subject of paintings by artists like Leroy Neiman and immortalized in films, notably “The Sweet Smell of Success.”

But now in the celebrated dining room of “21,” which reopened this month at “21” West 52nd Street after renovation, there is only the sweet smell of shellac, given off by — egads — a sleek new bar, freshly varnished.

It resembles the old bar, down to the brass foot rail, but there are differences. It is much narrower (about half as wide as the four-foot-wide old one), and shorter (by about 12 feet), leaving more space in the dining room for tables. And there are no spittoons.

Salvador Dalí in New York

MoMa is currently showing the exhibit Dalí: Painting and Film (through Monday). In conjuntion with that tonight and tomorrow, there's a discussion-and-films series titled Dalí in New York.

According to MoMa, "Dalí in New York explores the artist's diverse experiences and encounters in New York from the 1930s to the 1960s."

Among the films:

Screen Tests: Salvador Dalí. 1966. USA. Directed by Andy Warhol. By the mid-1960s Dalí had successfully created a marketable persona that was better known to the public than his paintings. This conflation of art and commerce was of distinct interest to Andy Warhol, and he recorded a pair of screen tests — one shot with the camera upside down — that depict a shrewd Surrealist performance by Dalí. Silent. Approx. 7 min.

Dalí in New York. 1966. USA. Directed by Jack Bond. Dalí, amid preparations for an exhibition at the Huntington Gallery of Modern Art, takes to the streets of New York City. He visits the Art Students League studios, comments on the work of Michelangelo, and creates performance art by lying in a coffin atop one million dollars in cash as ants crawl out of a broken egg and across his face. 57 min.

Here's a snippet of the screen test for Warhol:



And here's part of an interview in New York from last October with Robert and Richard Dupont, the underage twins Warhol fancied who became part of The Factory scene:

Richard: Andy brought us to dinner one Sunday with Salvador Dalí at the Versailles Room at the St. Regis. Dalí always had these dinners, and there were always a lot of drag queens. One named Potassa would be wearing a beautiful gown from Oscar de la Renta or Halston, and she would run around with a big bottle of Champagne and say, “Cham-pan-ya!” After we met her, she would always let us know when Dalí was in town and invite us for these dinners. Sometimes Andy wouldn’t be invited, which would make him upset.