Noted

From the EVG mailbag:

"I saw this man running barefoot on Avenue A this morning. It was 29 degrees. It was wet and slushy. Concrete isn't exactly forgiving! I was shocked and kind of impressed."

Peter Cooper is now out of the box

[Photo last April by Dave on 7th]

As we noted yesterday morning, workers were starting to remove the Peter Cooper monument from its protective plywood.



So just for some closure, so to speak, Peter Cooper is now completely out of the box… free to once again watch over the park outside Cooper Union that bears his name…





Workers had covered Coop up for safekeeping during the Astor Place-Cooper Square reconstruction project, which will be done just as soon as the 4-5 guys working on it are done.

Essex Crossing's 15 minutes of Andy Warhol fame are up

Executives of the Pittsburgh-based Andy Warhol Museum announced last night that they will no longer be moving forward with their plans to build a 10,000-square-foot annex to anchor the new Essex Crossing development.

In a statement to the Pittsburgh Post-Gazette, Eric Shiner, director of The Warhol Museum, said:

"The Andy Warhol Museum, which had been exploring its participation in the Essex Crossing development in lower Manhattan, has determined that it will not proceed with the project. Despite the efforts of both the museum and the developers, an internal study of business and other operational considerations led the museum to this decision.

"The Warhol will continue to participate in programs, exhibitions, and special projects in New York City through its longstanding collaborations with a variety of New York-based arts organizations.”

The museum was to be in Site 1 of the former Seward Park urban renewal site … in the Broome Street municipal parking lot, a complex that will include condos and a bowling alley.

As the Post-Gazette reported last May:

Delancey Street Associates will pay for the cost of building the museum branch, which has a target opening date of 2017. For the first five years of the museum's existence, the developers will pay for any operating deficits.

For their part, a spokesperson for Delancey Street Associates, told the paper:

"For the past two years we have worked closely with The Andy Warhol Museum to find a way to bring Andy home to New York's Lower East Side. We have dedicated tremendous time and resources and offered them a very generous multimillion dollar package to make this work. We found out today and are surprised and disappointed that they are unable to see this through. We are hard at work looking for another exciting use for this great space."

And why did Museum leaders consider Essex Crossing a good spot for the annex? Per the Post-Gazette:

The location appears apt. When Andy Warhola moved to New York in 1949, his first apartment was in Lower Manhattan on St. Mark's Place. The Lower East Side, where the branch housing his art will be built, teemed in the 1900s with immigrants whose lives of assimilation and struggle paralleled the experience of Warhol's parents, Andrej and Julia Warhola.

Meanwhile, you still have the 14-screen Regal Cinemas theater with electronic reclining seats to look forward to at Essex Crossing.

RIP Lisa Colagrossi

We were sorry to hear about Lisa Colagrossi, a WABC-TV reporter. She suffered a brain hemorrhage while returning from covering a story Thursday morning, according to the station. Colagrossi, a mother of two, was 49.

She was in touch with us several times through the years about East Village-related stories. She was always friendly and professional, and showed a genuine interest in stories in this neighborhood.

Her colleagues remember her here.

The first day of spring, 2015

Along Tompkins Square Park today via Bobby Williams...

Broadcast news

Warp Records recently re-released the handful of records and compilations by Broadcast, the English electro-pop band. (Other Music on East Fourth Street has them.)

Lead singer Trish Keenan died of pneumonia in January 2011. She was only 42.

The above song, "Come On Let's Go," came out in May 2000.

EV Grieve Etc.: Mourning Edition

[Along 2nd Avenue yesterday via Derek Berg]

Subway riders are generally not happy with the MTA's service (The New York Times)

Where you can find authentic Algerian fare in the East Village (Fork in the Road)

A visit to Cobblestones, now in its 34th year selling vintage clothes on East Ninth Street (The New York Times)

Nawlinz, a New Orleans-themed pop-up restaurant, has opened inside Durden, the bar at 213 Second Ave. and East 13th Street (PRWeb)

Will the mayor's plan endanger LES building height limits? (The Lo-Down)

Another look at Ash Thayer's new book "Kill City: Lower East Side Squatters 1992-2000" (Dangerous Minds)

The "Broad City" walking tour of St. Mark's Place on Google Street View (Fusion)

Essex Crossing demo underway (BoweryBoogie)

Why NYC employees work the longest hours (Crain's)

Even Starbucks is struggling to pay Manhattan rents (The Commercial Observer)

About Chloe Sevigny's "Guide to Being a New Yorker" (Flaming Pablum)

Two survivors amid the gleam of the High Line and Hudson Yards (Jeremiah's Vanishing New York)

What remains of the East River’s long-gone slips (Ephemeral New York)

Subway Inn reopened last night in its new home (Eater)

The countdown is on until Coney Island opens for the season (Amusing the Zillion)

and via the EVG inbox...

La MaMa presents "Prophetika: An Oratorio," directed by Princess Grace Award-winning stage director Charlotte Brathwaite from March 20 through April 5. In this multidisciplinary work, Brathwaite joins forces with composer/pianist Courtney Bryan and installation artist Abigail DeVille in a visually spectacular work with original music that draws influence from the music and writings of Sun Ra and Alice Coltrane, and sacred music from various traditions. Find more info here.

Nearly 1 year later, Peter Cooper starting to emerge from his box

[File photo via NYC Parks]

Workers boxed up Augustus Saint-Gaudens' sculpture of Cooper Union founder Peter Cooper last April ... for safekeeping during the ongoing Astor Place-Cooper Square reconstruction project.

EVG reader Katie B. has been keeping tabs on the boxed Cooper, which overlooks the Cooper Triangle Park ... and notes that he is slowly starting to emerge from underneath the plywood...


[Click on image for more detail]





Eventually the Park, which closed in November 2013, will look like this...with new seating and plantings as well as upgraded lighting (minus the ghosts probably)...



As for the statue, the official dedication took place on May 29, 1897. Check out the NYC Parks website here for more background.

Kabin has closed on 2nd Avenue

Last Friday we noted that the 10-year-old Kabin Bar & Lounge at 92 Second Ave. was on the market… we heard that the bar between East Fifth Street and East Sixth Street would remain open through March.

However, that wasn't the case. According to BoweryBoogie, the bar closed after service on Tuesday.

The listing at the Newmark Grubb Knight Frank site points out that the rent is negotiable for the 2,100-square-foot space.

Hookah Bar becomes a Brow Bar on East 3rd Street

The long-empty space at 61 E. Third St. has a new tenant here between First Avenue and Second Avenue — Pinky's Brow Bar … the kind of bar that won't likely be making any waves seeking a liquor license for the address.

The previous tenant here, Cafe Khufu, a hookah lounge, caused some debate when seeking a beer-wine license in 2012.

Thanks to EVG reader Marjorie for the photo!

Noted

EVG reader Michael spotted this earlier today on Second Avenue and East 10th Street… your basic end table holding a ice block with some kind of facial or pubic hair in/on it…





We are currently entertaining theories...

A big show at Peter Brant's new East Village exhibition space?

Something big seems to be happening over at 421 E. Sixth St., the under-renovation exhibition space that art collector Peter Brant bought last year.

There has been a lot of activity on the building's Seventh Street side between Avenue A and First Avenue ... where there is a rear driveway and side alley.

Per Dave on 7th: "Peter Brant must be putting on a big show. Saw staging being loaded in yesterday and today they are running in a TON of power from these CAT generators. That's rock concert size shit going on here. Maybe a fashion show. Not a film."

Maybe we will all be invited?

Previously on EV Grieve:
Here's what Peter Brant wants to do with his new exhibition space on East 6th Street

NYU has a new president

[Image via NYU]

The Board of Trustees of New York University today announced the appointment of Vice Chancellor Andrew Hamilton — the University of Oxford’s senior officer, a noted chemist, a Fellow of the Royal Society, and the former Provost of Yale — as the 16th president of New York University. He will officially take up his duties in January 2016.

Professor Hamilton’s selection follows an eight-month, international search process conducted by a Search Committee of trustees, faculty, students, and administrators. The Committee — which began the search with over 200 nominees — unanimously recommended Professor Hamilton to the Board of Trustees. (NYU official new release)

--

CAS senior and student member of the Presidential Search Committee Jules O’Connor said she was confident the committee had made the right choice.

“I think that he will do great things at the university and the whole committee really felt that throughout the entire process he was really the one who encompassed a lot of the qualities, if not every quality, that we were looking for: a strong leader, a great visionary, someone who is really willing and able to keep moving the university forward,” O’Connor said. (Washington Square News)

--

When the new president, Andrew Hamilton, leaves his post at Oxford University to join N.Y.U. in January, he will be walking into a set of complex challenges. He will be leading a university with aggressive expansion plans, both internationally and in New York, where those plans are tied up in a court battle. (The New York Times)

--

Andrew Berman, the director of the Greenwich Village Society for Historic Preservation and a critic of Mr. Sexton’s expansion plans, expressed cautious optimism.

“Relations between NYU and its neighbors are at an all-time low, largely over issues related to the university’s drive to expand,” he said. “It’s hard to imagine there’s any place to go but up.” (The Wall Street Journal)

Conversion of former dorm to rentals with 2 new floors underway on 3rd Avenue

Workers arrived yesterday to begin erecting the scaffolding and sidewalk bridge around the former SVA dorm on the northeast corner of Third Avenue and 10th Street.

There are now partially approved plans on file with city to convert the building to rentals (luxury) and add two floors.

As The Real Deal reported last November, Slate – a Midtown-based development firm – and RWN Real Estate Partners want to reposition the building as a high-end rental property. The group was apparently able to obtain the 8,000 square feet in unused air rights to add the new floors above the existing structure.

From the looks of the various permits on file, the building will house 41 units with an "outdoor tenant recreation area" on the second floor.

SVA students moved out after the spring 2014 term .. with the students now using a newish residence on East 24th Street at First Avenue.

Previously on EV Grieve:
East Village now down a dorm

High-end rentals and additional floors coming to the former SVA dorm on 3rd Avenue

Former Bourgeois Pig space for rent on East 7th Street

[EVG photo from late January]

The Bourgeois Pig closed for good in late January at 111 E. Seventh St. As Eater reported back in November, a rent hike was behind the 10-year-old bar's East Village closure.

There's now a listing via Sinvin (the PDF is here) for the storefront between Avenue A and First Avenue ... "perfect for any use, food or retail"...



The asking rent is $10,500.

As for The Bourgeois Pig, the wine-cheese bar opened a new location at 127 MacDougal St.

Previously.

Fresh & Co. now open on 4th Avenue

The kale-and-quinoa chainlet's 12th location in the city opened yesterday on the southeast corner of Fourth Avenue and 13th Street … taking over the space previously held by (sad face) Pie Face.

You can check out the Fresh & Co. menu offerings here.

B.A.D. Burger says goodbye on Avenue A

The State of New York auctioned off the remains of B.A.D. Burger at 171 Avenue A near East 11th Street last Thursday… as previously noted, the State seized the restaurant for nonpayment of taxes back in early February…

Now there's a sign up on the front saying goodbye … and pointing diners to their Williamsburg location...


[Photo by Bobby Williams]

B.A.D. Burger opened here in late 2011.

Previously on EV Grieve:
[Updated] State seizes B.A.D. Burger on Avenue A for nonpayment of taxes

State of New York auctioning off the remains of B.A.D. Burger on Avenue A

An anniversary for Webster Hall

Today marks Webster Hall’s seventh anniversary as a New York City landmark. And on this occasion, Off the Grid takes a look at the history of the building, erected in 1886 on East 11th Street and Fourth Avenue … for an outrageous sum of $75,000.

An excerpt of the history via Off the Grid:

By the 1910s and 1920s, Webster Hall became famous for its masquerade balls, following the success of a 1913 fundraiser for the socialist magazine The Masses. The parties, which attracted the bohemians of the Village and beyond, grew more and more outlandish–and the costumes, skimpier and skimpier.

However comprehensive, Off the Grid leaves one glaring omission in its recap: K-Fed rocking the house in 2006.


[Image via Stereogum]

Out and About in the East Village, part 1

In this weekly feature, East Village-based photographer James Maher provides us with a quick snapshot of someone who lives and/or works in the East Village.



By James Maher

Name: Regina Bartkoff and Charles Schick
Occupation: Artists, Performers
Location: 292 E. 3rd St. between Avenue C and D
Time: 7 pm on Thursday, March 12

Regina: I’m from Howard Beach, Queens. I was an outsider there — no friends, just weird, not knowing why. There were no artists there. My mother was from Naples, Italy. My dad was Hungarian, Finnish, and from the Bronx and Harlem. They were just working-class people. I would say to my mother, ‘Where is everybody? Why is everybody inside? Even though I was a shy kid, I just felt like I didn’t belong there.

In high school I remember saying one thing and then kids going, ‘oh she’s weird.’ So I just got quiet, shy. I cut myself off. Back then there was obviously no Internet, so you were by yourself all of the time. Somehow I just got through school. I didn’t do well in school at all. I wasn’t a troublemaker, but I was just lost.

Charlie: I was born in Chicago in 1955. My dad was a civil service worker so it was almost like being an Army brat. He was working for the Army. For his first job we went over to Germany and I really kind of moved around a lot to different American communities. It was a pretty good time. It was middle class but the refrigerator was always full — prosperous. You didn’t really have to worry about anything. I was having a jolly old time with my friends.

We went back to Chicago and my dad lost his job after several years there. It was the same thing Regina was going through. I felt isolated. It was almost like the Howard Beach of Chicago — an Italian, Polish community. We kept moving and eventually my dad got another government job. We went over to some islands in the Pacific and I went to boarding school in Japan for awhile but I got kicked out. I was kind of a reckless kid. You were sort of free but you didn’t really think about it. Not really thinking about a career. The influence of the people of that time, the hippies, later the punks. Just living, seeing where it goes. I remember trying to go to college for a couple of months but I couldn’t sit still.

Regina: Right after high school, I was sitting on my front stoop and these two guys were walking through the neighborhood and covered with dirt. I grew up right next door to Aqueduct Racetrack, and they said, ‘We work with horses.’ ‘Horses? I love horses,’ never being around them, ‘They got girls down there?’ ‘Yeah, go to this barn and you can get a job as a hot walker. The barn was owned by Buddy Jacobson and his son and all the people working there were about my age. They taught me how to walk and feed the horses. I loved being around the horses. They felt like me, really nervous, high strung. I literally felt the ice cracking around my heart. I could be responsible for these young colts.

But the other thing was that I realized that people liked me for the first time. They were kind of outsiders too in a certain way. My first boyfriend was there, a little Puerto Rican kid, and my mom flipped out.

I would get up in the morning, spend all my time there, then come back. My mom called them bad people. She was very tough and very scary. At that time, when you were raised, we were beat a lot. I didn’t think that was so bad or unusual because everybody got that. But unlike the other Italian mothers in the neighborhood she didn’t know how to show her love for me. But she gave me a lot of her great strength as did my father and they both taught me to just get on with it and not to have self-pity.

At the track I also discovered books. One of the kids had "The Catcher in the Rye." I went home and read it, I just said, ‘Oh my god, this was written for me.’ That opened up the world for writers. If you don’t want to be alone, start reading. I started discovering Kerouac, Salinger, Henry Miller, Hermann Hesse, Eugene O’Neill, Tennessee Williams. That made life so much better, but I still didn’t think about being an artist or a writer.

Charlie: All kinds of crazy things happened, but I ended up in Los Angeles for a while with stronger and stronger feelings of wanting to find a life’s work. Really the only thing that made sense to me were the arts. I didn’t even know which one, but somehow I just drifted into acting and I got deeper into that. I always wanted to go to New York. It seemed like the most exciting place in the world to me. The films that were coming out of there in the 1970s — “Taxi Driver,” “Dog Day Afternoon” — I thought I belonged there. They had this service if you could deliver somebody’s car to New York, it’s a free ride. So I drove cross-country with a friend of mine to New York in this Cadillac.

I had gotten into painting in California — totally undisciplined, but not in the sense that you don’t work hard. You sort of dive in. As much as I liked acting, you’d get into some play and you didn’t even like it or the part and I just had no discipline or tolerance to wait that out. Our whole lives have been sort of the do-it-yourself. Even now. I just sort of dove in, not really trained to draw, but the image would come out of the paint. You’d keep doing it and doing it and doing it and exploring that.

Regina: I didn’t want to be at the track forever and I didn’t know what I was doing, so I left and took the A train to Manhattan and got a job at WABC Radio. I don’t know why I did that. The whole thing started again. I had no friends and they thought I was weird and I was so depressed. I missed being outside. I felt my soul shrinking.

Next week: "I had a job at Phebe’s and then at an all-night restaurant, where I met Charlie. I didn’t like him at first."

James Maher is a fine art and studio photographer based in the East Village. Find his website here.

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The exhibit Inner Cities continues through March 28 at 292 Gallery ... the exhibit features photos by Romy Ashby, drawings by Regina Bartkoff and paintings by Charles Schick. The gallery is at 292 E. Third St. between Avenue C and Avenue D. Gallery hours are 2-5 p.m. Saturdays and by appointment.

About the memorial for Donna Harris Saturday at Maryhouse

[Makeshift memorial for Donna Harris on Avenue A]

Donna Harris, a homeless resident of Avenue A/Tompkins Square Park these past five years, died on March 2. She was 52.

There's a memorial gathering for her at 7 p.m. this coming Saturday (March 21) at Maryhouse, 55 E. Third St. between First Avenue and Second Avenue.

Per Felton Davis of Maryhouse:

This will not be a formal ceremony, but an informal sharing of stories about a woman who lived through many difficulties and made a unique impression on many in the neighborhood, maintaining cheerfulness in all kinds of weather, always ready to give as well as receive, and in no hurry to leave the Park for life in a boring institution. Please come and meet Donna's family, so we can all pay our respects and take note of her untimely passing.

[Flyer photo on Avenue A via Bobby Williams]

Previously on EV Grieve:
RIP Donna Harris