Art on First Avenue at Third Street by DeGrupo.
Speaking of Keith Haring, his sculpture outside 51 Astor Place has been MIA now for a little more than a year. It was to undergo "minor conservation work."
The collection of photographs was taken in December 1986 of Keith Haring's public art. Haring executed this beach wall mural in early Summer 1986 on the Condado Beach in San Juan, Puerto Rico. D.C. Larue photographed details of the work over the December 1986 holiday season. The mural had been weathered over the months by the sand, wind and rain and the effect beautifully resonated with Larue.
In February 1987, a hurricane washed the entire retaining wall the mural was on into the sea. The photographs were authenticated by the Keith Haring Foundation for D.C. Larue in 1993.The opening reception is tonight from 7-10 ... with the closing taking place July 1 from 7-10 p.m.
In 1980, Keith Haring received a studio residency within P.S. 122’s building (above), where he developed his iconic painting style. He fluidly engaged a variety of disciplines — as seen in his curating of performance, “Acts of Live Art” two blocks from here at Club 57 — and in his street art, exhibitions, and collaborations combined a playful sensibility with trenchant social commentary and, in the late 1980s, HIV/AIDS activism. We share and draw inspiration from Haring’s drive to bring together diverse voices and artistic media to create a body of work that captures the spirit of our time.
In addition to naming the theatre, the grant will also fund an annual, free-to-the-public Keith Haring Lecture Series, as well as the Keith Haring Curatorial Fellowship.
This opportunity considers what’s ahead through those artists who, in our vital past, looked at the alternative futures art and activism could imagine and catalyze. We feel immense gratitude to everyone who has supported us over the last 40 years and made this moment possible.