
Anyway, not sure how long ago this happened (Jill?), but the building with the doorway got all gussied up.
I’m growing tired - have been tired for some time, I suppose - of writers using their New York residency as a rhetorical device. Maybe this was once acceptable, when being from the Upper West Side or the East Village had a concrete connotation, but increasingly the device feels like an amateurish way of bragging about living in New York, about - woah - renting an apartment in a city that’s - woah - big.(Caine Blog)
Spectacular Soho Apartment * Skylights * W/D and D/W * Just a BEAUTYTRULY a BEAUTIFUL BEAUTIFUL apartment * Super Mini-Loft and HUGE, GORGEOUS SPACE * Spectacular kitchen with skylight, dishwasher, washer and dryer, microwave, FABULOUS counter space * Breakfast counter * Exposed brick * Skylights * Hardwood floors * Full, windowed bathroom * SENSATIONAL NEIGHBORHOOD AND LOCATION - near everything that makes Soho living sooooooooo wonderful (close to all the fabulous restaurants, cafes, boutiques, gourmet shops, services, transportation) and a short walk to Greenwich Village, Noho, Nolita, Tribeca, Lower East Side (you can even walk to the East Village and even Chelsea) * A MUST SEE IF EVER THERE WAS ONE !!!!
After watching all three films, New York just looks like the craziest place on Earth, which, for some including myself and obviously for Sandler, makes it just about the most beautiful place on Earth. There’s one touching scene in Sway when Sandler talks with an elderly gentleman about how great NYC is. The old man can’t find anything to love about it while Sandler gushes about the amazing parade of life that passes by everyday. And thank God Sandler was there with a camera to catch it all.
The freak's frontyard conceals an entrance to the strange world under the boardwalk, with long forgotten hamburger signs, picnic tables and strange lairs. Hidden in the freak's backyard is a concrete porch looking out on a vast empty plain that was once Coney Island's Go-Kart track, batting cage and mini-golf course. Beyond this empty lot lies the Wonder Wheel, which is now surrounded by the demolition of Astroland. The home of the freak, like the gritty spirit of modern Coney Island, may be gone by next summer, replaced by the promise of luxury condominiums.
A new SoHo boutique named The 1929 — after the Depression — and a place where fashionistas and the down-and-out soon could be rubbing shoulders. The street level store on 179 Mott St. is decked out with racks of snazzy dresses, pants and tops by independent designers.
The basement level has been transformed into an art and performance space by night and a spot where hungry shoppers, or even passersby, can pick up a free bowl of soup and coffee during the day.
“The store is inspired by the Great Depression,” said store manager Aaron Genuth, 25, one of three friends who created the business.
No it can't be. You are falling into their trap of believing and hope for the future. Don't do it!
Ha! You're right Jill! Bet they wait until the end to paint it...crushing all my silly hope!
Like a spinnaker frozen in glass, the 21-story Cooper Square Hotel billows above beat-up tenement buildings in Manhattan’s gentrifying East Village.
The slim, all-glass tower, enclosing just 145 rooms, makes plenty of attention-seeking gestures. It swells outward as it rises, then tips back. Facets along the side wiggle in and out, changing from glass to hole-punched metal panels. These surfaces look stretched taut, as if under enormous internal pressure.
If it sounds like too many ingredients and too many ideas, [architect Carlos] Zapata molds them into a seemingly effortless whole rather than a nervous assemblage of tics.
He has fused the hotel with a battered tenement building next door, which has been saved along with the tenancy of two women who have lived through the neighborhood’s extended tough times to see it flower.
Zapata animated the entrance by erecting a little four-story tower that bookends the tenement and looks ripped from the main tower at the base. Above, he has peeled away the shiny skin to reveal squared-off tubular shapes in tan and green. This lets the tower echo the ragged silhouette of the long-neglected tenement neighborhood. Its contrasting lightness doesn’t weigh down the layers of red brick, terra-cotta rickrack and dangling fire escapes that give the streets such evocative character.
In spite of its size and contemporary styling, the hotel is no heedless intruder.
Two years ago, when the country's financial health was superficially strong, the Mets-Citigroup naming rights deal -- a record-cracking $20 million for 20 years to call the new ballpark Citi Field -- wasn't just gaudy, it was downright obscene.
Now, with Citi laying off thousands while reaching for billions in government bailout money, and with Citi's clients having taken a brutal beating, the declaration by the two parties that the ballpark naming deal will proceed as agreed upon is nauseating.
Two years ago, the $400 million deal to call the Mets' new stadium Citi Field was nothing better than an irresponsible vanity buy, one rooted less in advertising than in mad money beyond Madison Ave.
Today, that the deal will be sustained is no different than a welfare mother spending her family's subsistence money on booze, bracelets and the down payment on a brand new BMW.